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Summary

The article discusses the Lomo DigitaLIZA Max v2, a digital camera/mobile phone film scanner, and its benefits, features, and drawbacks.

Abstract

The Lomo DigitaLIZA Max v2 is a digital camera/mobile phone film scanner that offers improved results compared to other scanning methods for 135 negative films. The device features a 135 magnetic clip to keep the negative flat, scan negative holes, and improve CP value. The author shares their experience using the device and compares it to other scanning methods, such as the Epson V700. They also discuss the advantages and disadvantages of using a digital camera or mobile phone for scanning negatives, including the need for post-processing and the time required to scan a roll of negatives. Overall, the author recommends the Lomo DigitaLIZA Max v2 for its ease of use and improved results.

Bullet points

  • The Lomo DigitaLIZA Max v2 is a digital camera/mobile phone film scanner that offers improved results for scanning 135 negative films.
  • The device features a 135 magnetic clip to keep the negative flat and scan negative holes, improving CP value.
  • The author compares the Lomo DigitaLIZA Max v2 to other scanning methods, such as the Epson V700.
  • The article discusses the advantages and disadvantages of using a digital camera or mobile phone for scanning negatives.
  • The author recommends the Lomo DigitaLIZA Max v2 for its ease of use and improved results.
  • The article includes images and examples of the scanning process and results.
  • The author provides tips for post-processing and improving the scanning results.
  • The article concludes with a summary of the Lomo DigitaLIZA Max v2's features and benefits.

The Best in CP value Scanning 135 Negative: Lomo DigitaLIZA Max v2

@Lomo Photo

Lomo has launched the second generation of the Digitaliza Film Scanner… I bought it immediately after seeing the video on the internet… I have been using it for a week or so and have scanned about 1x cartridge of negatives, mainly 135 prints… The result is much better than expected… I would recommend it to anyone who likes negatives…

Why use a digital camera/mobile phone for Scanning Film?

In the past two months, I have started scanning my family’s positive films from 2007–2012, including 120/135 positive films… I have been using Epson V700 + SilverFast SE9+ to scan 120 negative films, and the results are pretty satisfactory… However, if I continue to use the Epson V700 for scanning 135 prints, the results are not too good… The reason is that the accuracy required for scanning 135 photos is much higher than that of 120 images… Later, I bought a magnetic film holder online to flatten the 135 prints a bit and then used the A7R3+ on my own. The A7R3+ OM50/2 was then used to take the film, but the results were satisfactory, but I always felt that the film still needed to be longer…

The author has also written a short article on the experience of scanning negatives with the Epson V700…

You can turn the gears directly to rotate the film, which greatly increases the speed of shooting and enhances the fun of scanning…
The Xpan pano shot can also be reproduced with the negative hole and the name of the roll of negatives… The photo above was taken with a Kodak Ebx (Kodak Elite Chrome)… This type of photo with a hole in the negative is one of the effects that many film lovers are looking for

Until I came across the Lomo Digitaliza Max, which has a 135 magnetic clip to keep the negative flat and at the same time scan the negative holes in the negative, which is very attractive for scanning xPan photos with negative holes… The previous generation of Lomo Digitalize required a separate 135 negative hole clip. Still, the second generation of Lomo Digitaliza Max v2 can now scan the negative holes directly, significantly improving CP value. Of course, it’s hard to compare the CP value of Lomo accessories, but the Lomo Digitaliza Max v2 is one of the few products I would recommend to my friends.

The other thing is that using a flatbed or professional negative scanner is not cheap, and it takes up a lot of space, so for many people, a negative scanner is just a document scanner. The tolerance is very good, and the results are actually better than affordable platform scanners such as the Canon 1000F… You don’t have to worry too much about unevenly compressed negatives when using Lomo Digitalize+…

Left: Xpan image scanned with Epson V700. Right: Scanned with Lomo Digitalize + A7R3 + OM 50/2 Overall, the results are better with Lomo Digitalize, with flatter images and more detail.

Mobile phones and lenses for Scanning negatives

The author uses a digital camera A7R3 + OM50/2 to shoot mainly… 50mm macro lens, the focal length is very suitable for shooting 120 films, if the APSC x1.5 mode is turned on, it is also ideal for shooting 135 films, but the effective number of images will be greatly reduced… Therefore, it is best to shoot in RAW mode when shooting. Most negatives require significant changes to white balance, light and dark, contrast, etc., so RAW is the best way to make changes…

I have also tried to use the Ricoh GR3x to retrieve negatives, and with its lightweight body and the advantage of a portable macro shooter, it was worth a try, and the results were as good as expected…

On the other hand, I’m not sure about the phone mount, ha!

I have mainly used the A7R3 + OM50/2 Macro + tripod connected to Capture One Live Capture… I have also used the Ricoh GR3x 40mm body + shark clip + Image Sync App. I’ve recently started using the Batis CF 40mm F2 to take photos, and it’s suitable for 120 films… 135 films require apsc mode, but the autofocus function is good, and the resolution is good enough for a shooting.
This is a photo taken with the help of the Lomo DigitaLIZA+, and I am pleased with the result, which is better than the V700 scan… Of course, to achieve this level of quality, it is essential that the film is flattened and the film holder/camera is up to standard so that the best results can be obtained from the same focus level… Don’t believe you can get good pictures just by picking up the camera and shooting… Minolta TC-1 + Kodak Film Negative 5285/100D OM50/2 + A7R3 + Lomo DigitaLIZA + Rip + LRv11.2
Minolta TC-1 + Kodak Film Negative 5285/100D OM50/2 + A7R3 + Lomo DigitaLIZA+ LRv11.2
The effect at 100% magnification…

The shooting process is approximately as follows:

  1. Assemble the Lomo Digitalize and load the negative…
  2. A simple dusting of negatives and lamp holders with an air blower
  3. Set the base and camera in a horizontal position…
  4. Set the camera lens at the right distance and open the connected computer software to help you take pictures (adjust the level, watch the shooting process and results in real-time)
  5. If the lens is in the same focal plane as the base, an aperture of F5.6 is sufficient to keep the image sharp, but an aperture of F8 or smaller will probably pick up more dust and take more time to remove it. A picture of a wall or a horizontal object to focus on and hold for the entire focus distance. This way, you can turn the gear to ensure it’s level and then continue to shoot at the same setting or even use the same setting for the whole roll of negatives…

Connected to computer filming to assist in the Scanning process

If you’re using a mirrorless camera, you can watch the process and results in real-time with different connections… If you’re using Sony/Canon/Fujifilm/nikon, each of them has their own free real-time software to support shooting, making it easy to control the camera and compose images more accurately in real-time…

The better the pre-production, the less time/effort will be required to make significant changes in the post-production… If the pre-production is done well, it may be possible to do everything in the post-production with a simple cut of the photo…

As I have a Capture One V22 at home, the speed and stability of the connection is much better than Sony’s own software, so I mostly use Capture One Live Capture to assist me in taking photos… I add frame lines for different photo ratios to help bring the photos to a level for later editing…

The author will use a USB-C connection to IMAC to shoot in real-time… On the Capture One V22, you can change a number of settings directly, such as metering and focus mode. You can also use the mouse to focus, press the shutter button and more. Once you’ve taken a picture, it’s transferred to your computer immediately, so you don’t have to send it back… You can set your photos' location, change your photos' names in real-time, etc.
When shooting online, the camera can be set to keep only the photos on the computer or the photos on the computer and the camera… Of course, the safest thing to do is to keep a copy of the photos on both the computer and the camera… After modifying the photos, the author will remove the photos from the camera
I’d instead connect the A7R3 directly to Capture One Capture and take photos in real time… The advantage of a live connection is that you can use the frame lines in Capture One to help focus horizontally. In the xPan photo above, I used the frame lines to bring the image to a horizontal position… The earlier photos in this article were not aligned, so it was difficult to cut them out later… You can zoom in at 4x/11x to see how the camera is focused in real-time, and you can see the finished product immediately after shooting… It gives you a lot of confidence and saves you time in post-processing…

If possible, you may wish to use a different metering mode for photos with complex light sources

After taking the photo, the computer will display the actual DNG directly after taking the photo in about one second The final image can be viewed on the 27" LCD to ensure the photo is in focus If you find any visible dust, you can immediately deal with it and take another picture… More importantly, you can instantly see the results of different settings… In the picture above, you can see the difference between the same photo with the A7R3 under “smart point metering”, focus average metering and full frame average metering… In this photo, the focus averaging is sufficient…
Rotating the negative with the gear may cause it to shift slightly and may require manual adjustment of the negative’s position to achieve a level…
When there is an unidentified frame, the author will use the frame line of the previous photo as an aid to keep the photo on the same level…
Left: Xpan photo, right 120 photos…

There is no such thing as a straight out negative scan Post-production DNG files are processed:

Cuttings photos

If you are using Lightroom, you can use Angle in the cutout to draw a horizontal line directly on the photo or press Auto. Using the edge line of the negative is best to help level.

2. Tap/correct the white balance

Left: Colour temperature of the original negative / Right: Click on the grey area of the road to return the colour temperature to normal… Many 135 rangefinder ultra-wide lenses cannot have a colour temperature filter added. I also use outdated negatives, and the colour temperature is reddish and purple…

3. Remove dust from the negative

Set the mouse shortcut to Q and click to remove dust particles. While dusting, use the Visualize Spots at the bottom of Lightroom to change the image to black and white so you can easily see where there is a small amount of dust…

4. Applying the corresponding negative style file + selecting the colour temperature orientation of the negative + simple fine-tuning of details

The same TCP RDP3 negative style file is used immediately However, there are slight differences in performance at -1EV, O and +1EV Left: a little less dark at -1ev, right: a little more red at +1ev…normal in the middle Sometimes it’s these very slight differences that make the photos look completely different…
The author will combine the usual negative style files together so that the whole post-production process can be done with just three or four clicks of the Presets to get the approximate effect you want…

This is because the image is colour managed by the camera/phone processor, i.e. the image is actually Apple colours, Sony colours, which may be slightly different from the colours on the original negative. …using a negative style file saves you the time of making adjustments yourself, as each negative has a different colour and colour temperature orientation…E100vs will be warmer, and redder when shooting underexposed, and RDP3 will be a little more bluish when shooting underexposed…in fact, when using a negative scanner If you are using a digital camera, you will not have a negative description file to use beforehand. Still, you can add a negative style file to correct it later… You can also correct it by referring to the original film. There is nothing wrong with corrections; the most important thing is that they fit your post-processing process…

The author used to put on the wind file, see if the situation required Push/Pull images, put on the Frontier/Nortisu description file, and then adjust the light and darkness, contrast and other details…and then use the post-noise reduction software as needed…

Often, when you go to different negative printers, the colour of the final scanned image differs because they use different scanners…the mainstream commercial Frontier SP3000, the image will be a little greener and cooler. The Nortisu HS1800 will be a little redder and warmer…by applying these settings. You can make the scanned negative image more closely resemble the style of the negative as seen by the average photographer…unlike the negative, sometimes the colour temperature setting is just a little different XD…

Left: The description file of the author’s Noritse HS1800 scanner, the image is tilted towards the red tint Right: The description file of the Frontier SP3000 scanner, the image is tilted towards green. There is nothing wrong with using the description file to achieve your desired effect… It’s all about how you want the image to look…
Left: The description file of the author’s Noritse HS1800 scanner, the image is tilted towards the red tint Right: The description file of the Frontier SP3000 scanner, the image is tilted towards green. There is nothing wrong with using the description file to achieve your desired effect… It’s all about how you want the image to look…

5. adding appropriate exif, lens data, geographical data, etc. to photos

The author will use LensTagger to help add lens data to the photo… It also adds the geographical location of the photo to make it easier to find the photo next time.

6. transfer out photos

Lightroom modifies the images you see here… I believe that many people who take photos with VM15/4.5 or a camera with a portable negative will not add an extra colour temperature filter to the lens to modify the colour temperature of the shot… so the colour temperature of many of the positive shots will be This is not very pleasing to the eye…

Using Lomo DigitaLIZA+ to shoot the DNG RAW, I have become a colourist in a printing shop, and I have been able to adjust the colour temperature, light and darkness, highlights/darkness, reddish and greenish images… The image processed today is closer to the image effect I have in mind today than looking at the original film… At the same time, The images processed today no longer have the same emotions as those of that day… Maybe I didn’t overthink it when I took the photos, but subconsciously thought the images and composition were beautiful, so I took them and left them to be processed again today with different results… At the same time, the photos you see have been laid out, put together, or consciously categorised. In this age of mobile phones, where everyone can be a photographer, editing and laying out images may be a subject that photography enthusiasts need to learn…

The author took about 20–30 minutes to retake a roll of 135 negatives with 36 prints and about 15–20 minutes to finish an additional roll of 135… The retaking time and quality are perfect, and the post-production of 36 photos takes about another 30 minutes, which means about 50–60 minutes to retake + post-process the photos…

Using Lomo DigitaLIZA won’t give you instantly beautiful photos… but it will save you the time and effort of flattening 135 negatives… Scanning/reversing negatives is, as always, a matter of time, time, time and, to a lesser extent, money… Even if you use the same tools, the difference in quality will be in the details… The better the pre-processing, the better the post-processing, the easier and faster it will be…

Lomo DigitaLIZA

Advantages:

。The 135 films can be held flat by a magnetic element. The 135 films can be held flat by a magnetic element for excellent results when flipping the film…

。Can shoot 35mm, 120, 110, panoramic (xPan), negatives with negative holes…

。Negative film holder with light box, can be operated with 2A battery or via Micro-USB power supply

The ability to use a 2A battery or micro USB to power the lightbox is really nice

。The Max kit includes a smartphone stand, a sliding platform stand for easy handling…

。With detachable leveller

。It is light but extremely well-equipped…

。You can take photos with your mobile phone or digital camera and adjust the size, colour, contrast, etc. on your mobile phone or computer with great flexibility…

Disadvantages:

It has a levelling device. Although it has a levelling device, there is no simple accessory to adjust the level of the film platform…

The author thinks that one of the improvements that could be made is that it would be better if the base could be fitted with a heightening accessory so that the level of the film could be controlled more easily… I am currently using the Blue Tab to level the base… In addition, the base can be adjusted up and down quickly, which is very useful and convenient for adjusting the level and position of photos.

。The smartphone mount has a leveling problem, and there is no easy way to adjust the level…which greatly affects the quality of the photos taken

I have already set the bottom of the film below the level, and when I added the phone mount to test it, I found that the level of the phone was far from the same… As the stand itself does not have any tools to adjust the level, the author had to use the Blue Tag to adjust the level XD If possible, use a levelling device or the Level apps to check the phone is level before taking the picture…

。If possible, it would be better to send an extra level for use on a mobile phone, the cost is extremely limited…

。The brightness of the light box is a bit on the dark side, and when I shoot with the A7R3, I have to use ISO 640 to get an exposure between 1/30–1/60s… The only way to ensure that there is no aftershock after pressing the shutter is to use a tripod, which affects the quality of the photos…

When I shoot with the A7R3, I need to use ISO 640 for a long time, but the shutter speed is only about 1/30–1/60s…

。When the film is too short, it is necessary to move the film manually and it is not possible to use the gear to rotate the film (but this is not the fault of the designer)

If the negative is too short, adjust the position of the negative manually and push it back to the rotating position of the gears after taking the picture.

The gear wheel cannot replace the 120 folders, so you have to reload the negative manually, and it may take longer to turn 3 frames of 120 6x6 negatives than it does to turn 6 frames of 135 negatives. So for me, I use Lomo Digitalize mainly to turn 135 photos, and a roll of 120 negatives may only be used to turn a few 120 photos. But the author is also pleased with the results of the 120 negatives with Digitalize… I select some of the 120s for Digitalize, but not all, because it takes time to adjust each negative after shooting. It’s time-consuming…

If you flip a 120 negative, you have to manually open the folder and adjust the position of each negative…it’s a bit time-consuming… The centre of the film is the best for a flat result
It is best to pull the red film edge back to the blue line so that the upper blue line frame can flatten the film…for better scanning results

Conclusion:

When flipping 135 prints, using Lomo Digitalize greatly enhances the flatness of the negative. Just adjust the bottom of the negative and the level of the camera/phone, and you’ll have an excellent flipping result… if you’re sharing with family or forwarding to friends, you might get good results with a phone mount. …but if you want to improve it further, you may need to pay attention to a lot of details…there is no best process for flipping, only the best balance of time, equipment and quality needs…the most essential thing is to establish a stable and effective way of flipping photos…

Overall, Lomo Digitalize is the only product I would recommend to my friends in recent years. If you need to remake 135 positive films, Lomo Digitalize is well worth getting…

Seeing this reproduction for the first time makes me want to reproduce all the Xpan photos with Lomo Digitalize again… 45mm + Xpan + Kodak EBX OM50/2 + A7R3 + Lomo Digitalize + LRv11.2 + TCP Film Preset
45mm + Xpan + Kodak EBX OM50/2 + A7R3 + Lomo Digitalize + LRv11.2 + TCP Film Preset
Minolta P’s + RDP3 OM50/2 + A7R3 + Lomo Digitalize + LRv11.2 + TCP RDP3 Film Preset
Minolta P’s + RDP3 OM50/2 + A7R3 + Lomo Digitalize + LRv11.2 + TCP RDP3 Film Preset
Minolta P’s + RDP3 OM50/2 + A7R3 + Lomo Digitalize + LRv11.2 + TCP RDP3 Film Preset
Minolta P’s + RDP3 OM50/2 + A7R3 + Lomo Digitalize + LRv11.2 + TCP RDP3 Film Preset
The vm15 first-generation lens cannot be fitted with a colour temperature filter, so you will need to correct the colour temperature at a later stage… VM15/4.5 v1 + Contax G1 + RDP3 OM50/2 + A7R3 + Lomo Digitalize + LRv11.2 + TCP Film Preset
VM15/4.5 v1 + Contax G1 + RDP3 OM50/2 + A7R3 + Lomo Digitalize + LRv11.2 + TCP Film Preset
Minolta TC-1 + Kodak 5285/100D OM50/2 + A7R3 + Lomo DigitaLIZA+ LRv11.2

Thank you for reading this, I think it’s tough to write long articles in this day and age. However, I still think it is better to write and watch photos or present them in an article, as the photos on Youtube are heavily compressed, so you can’t see the quality or the difference… Of course, this generation is used to fast food, so it is not good to read thousands of words. Thank you very much for reading this. If you like it, you can clap your hands and let me know you like it. After all, I always want more interaction or feedback…

The Lomo Digitalize for this article was purchased at my own expense from the official website. The order was placed on Sunday and received on Tuesday…

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