Data Driven Art The Milk of Dreams
The Tragedy of the Biennials
the art belongs to those who love it

AI art curator’s note: The article contains drastic content about the condition of the so-called traditional art market. Therefore, if you are an oversensitive insta-art influencer, I advise you not to read the following article.
This article is an example of something called “true art,” which is different from the idea of art that has been put to service. It does not represent the power over its own creation but rather the autonomy in which that creation comes to exist. The article discusses how true art can be an excellent way for someone who wants to make their voice heard and see their work, and clickbait like this will fall by the wayside.
The AI Renaissance
Biennales have been around for almost a century, but how people see them has evolved considerably in recent decades. As a result of the AI Renaissance, the world of modern art is now more accessible and open than ever.

International exhibitions in national pavilions are archeology in the art world. For millennia, the authorities have used art to serve their ideology. And hence true art derives its supernatural power of liberation from the service of autocrats. Instagram influencers flooded into Venice after the pandemic break. The disillusionment of the pandemic and World War III washed away the algorithmic make-up from the masks of the gallery girls.
The biennial business model is crumbling before our eyes. The vanity of Russian collections stained with the blood of Ukrainian / Syrian children is disgusting. The shadow of the traditional art market is so black. It is time for a veil of silence.
A quote from a poem by my friend “The poems belong to those who read them.” augmented man
the art belongs to those who love it
For the first time in the history of humanity, AI art frees artists from the web of power. All technology gives you complete autonomy. Free cloud packed with possibilities. All this gives hope, and indeed certainty, in the healing power of the creative imperative. No commercial colonialist can seal the joy of creation. So NFT’s influencers will be scraped off commercial platforms to be sprinkled with the ashes of crumbling national pavilions.

It’s time to AI art.
It’s is a game-changer. Artists create art to express themselves and possess something that others lack. They enjoy standing out from the crowd and creating unusual experiences. It’s all about being imaginative. Artists are interested in their surroundings and attempt to express themselves via their work. Artificial Intelligence (AI) can now replicate the creative process and be intelligent. AI, like humans, can learn to be creative on its own. The democratization of machine learning offers artists the opportunity to create digital art in a new and unprecedented way.

The art market is a monster that is eating itself. At the top of the world, it has become a source of estrangement from the rest of humanity. The biennial condition is a function to serve the power. Biennials are the last place where you can regret the system.
Keywords: Biennale Arte 2022, Milk of Dreams, Giardini, Arsenale Artificial Intelligence, The Exhibition, Machine Learning, AI art, art, digital art, Generative Art, 59th International Art, Delayed, pandemic, April 23-November 27, 2022, Exhibition, Homepage 2022, pre-opening, La Biennale di Venezia, Cecilia Alemani, the oldest art biennial, artists, Is there a Venice Biennale in 2022?
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I am an Art Curator, founder at EvArtology. I advise companies and institutions in the creative industries on using AI tools in their daily work. Human collaboration with ML models can be very creative and bring huge benefits. The new era begins now.






