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Summary

The undefined website content discusses The Classic Film Presets (TCP) by German photographer André Duhme, offering Lightroom film presets that emulate the look of Fujifilm and Kodak negatives processed through Frontier and Noritsu scanners, with a focus on their application in digital photography and the personal experiences of the author, Sam Lee, who advocates for the value of written photography content and offers ways for readers to support his work.

Abstract

The Classic Film Presets (TCP) by André Duhme are a set of Lightroom film presets designed to mimic the aesthetic of classic film stocks from Fujifilm and Kodak when scanned with Frontier SP-3000 and Noritsu HS-1800 scanners. These presets are characterized by their lower contrast and ample post-production adjustment potential. The author, Sam Lee, shares his preference for the warm, red tones typical of Noritsu scanners, which are commonly used in Hong Kong, and provides examples of how these presets can be applied to digital photography to achieve a film-like appearance. Lee emphasizes the skill involved in selecting the appropriate preset for a photograph and the enjoyment found in experimenting with different film styles. He also highlights the distinctive qualities of various film stocks, such as the vivid colors of Fujifilm Pro 160C, the blue-green tones of Fujifilm 400H, and the clean, clear images produced by Kodak Portra. The article concludes with Lee's reflection on the subjective nature of choosing film styles and the importance of anticipating the final look. He encourages readers to purchase the presets, offers a discount code, and provides links to his social media and Patreon for those interested in supporting his continued writing and photography through subscriptions or one-time contributions.

Opinions

  • André Duhme is praised for his work in creating film-style presets that offer a nostalgic film look in digital photography.
  • The author, Sam Lee, prefers the warm, red tones of Noritsu film scanners, reflecting a personal affinity for the color rendition typical of wedding photography in Hong Kong.
  • Lee suggests that choosing the right film style is a skill and an art, requiring knowledge of the negative and an understanding of the desired outcome.
  • He finds joy in experimenting with different film style files and revisiting old work with new presets.
  • The author believes that there is no one-size-fits-all "best" film style, advocating for the use of various styles according to the environment and mood.
  • Lee values the role of written content in photography, emphasizing that words and photos both hold specific value in the age of video-centric platforms like YouTube.
  • He seeks support from his readers to sustain his blogging and photography endeavors, offering exclusive content through Patreon and accepting contributions via Payme.

The Classic Film Presets(TCP) : Classic Mini Lab Pro For those who like Fujifilm & Kodak Lightroom Film Preset User (Frontier &Noritsu)

TCP The official introduction

I am a big fan of The Classic Film Preset… The developer, German photographer andré duhme, is a film lover and commercial photographer releasing different Lightroom / C1 Film Presets style files in recent years. The style files are characterised by lower contrast and less black space than other manufacturers, allowing more room for post-production adjustments… Classic Mini Lab offers both Fujifilm & Kodak Lightroom negative styles (Frontier SP-3000 and Noritsu HS-1800 scanners)… scanners ) …

In Hong Kong, Noritsu film scanners use in general, and the colours are more red and warm, probably because they used to specialise in wedding photos… The author is also used to the images from Noritsu… Compared to Frontier, film-scanners are a bit cooler, and there are not many places in Hong Kong that use Frontier

As the developer says, it is impossible to get the same taste from a digital negative. At best, it is a close approximation. It is a skill/technique to choose the right style for a photograph, and it may require a certain level of knowledge of the negative to get a better match… It is also fun to try out different film style files… Trying out other film style files and applying them to my old work is also a second chance to re-examine my old work

The Fujifilm Pro 160C is a film style file that brings out bright, rich colours and natural skin tones.

GR3 / TCP Classic Lab Pro / Fujifilm Pro 160C
Sony A7R2 thin mod / Leica 35/1.4 11663 / TCP Classic Lab Pro / Fujifilm Pro 160C Noritsu
Sony A7R3 thin mod / Leica 35/1.4 11874 / TCP Classic Lab Pro / Fujifilm Pro 160C Noritsu
Sony A7R3 thin mod / Leica 21/3.4SE 11145 / TCP Classic Lab Pro / Fujifilm Pro 160C Noritsu

Kodak Portra 160VC, VC stands for Vivid Colour, and the negative is very fine… Kodak Portra always gives you a clean, clear image…

X100v / TCP Classic Lab Pro / Kodak Portra 160VC Noritsu
GR3 / TCP Classic Lab Pro / Kodak Portra 160VC Noritsu
Sony A7R2 thin mod + Contax G35 / TCP Classic Lab Pro / Kodak Portra 160VC Noritsu

The Fujifilm 400H is my favourite universal film style file, featuring a high speed of 400 sensitivity, wide exposure latitude, a very distinctive blue-green tone and a light colour palette. Perfect for general outdoor shooting and travel…

Sony A7R3 + FE Sony 35/2.8/ TCP Classic Lab Pro / Fujifilm 400H Noritsu
Sony A7R3 + FE Sony 35/2.8/ TCP Classic Lab Pro / Fujifilm 400H Noritsu
Leica M10D / Leica 28/1.4 / TCP Classic Lab Pro / Fujifilm 400H Noritsu
X100v / TCP Classic Lab Pro / Fujifilm 400H Noritsu
X100v / TCP Classic Lab Pro / Fujifilm 400H Noritsu

Portra 400NC, NC is the “Neutral Colour”, or middle colour, where you get a softer, thicker, dreamy colour that faithfully reflects reality…

Leica M10D / Leica 35/1.4 11874 / TCP Classic Lab Pro /Kodak Portra400NC Noritsu
Sony A7R2 thin mod/ Leica 80mm F1.4 / TCP Classic Lab Pro / Fujifilm 400NC Noritsu
GR3 / TCP Classic Lab Pro / Kodak Portra400NC Noritsu
X100v / TCP Classic Lab Pro /Kodak Portra400NC Noritsu

The Kodak Portra 800 is a high-speed negative, ideal for evening or low-light use

Sony A7R3 / FE 20/1.8 / Kodak Portra 800 Noritsu
Sony A7R3 / FE 20/1.8 / Kodak Portra 800 Noritsu
Sony A7R3 / FE 20/1.8 / Kodak Portra 800 Noritsu
Sony A7R3 thin mod / Contax G35/ Kodak Portra 800 Noritsu
Sony A7R3 thin mod / Contax G35/ Kodak Portra 800 Noritsu

Conclusion

For me, choosing a film style is a matter of re-examining my choice of colour… There is no such thing as the best, only the one that suits me… I don’t believe that you can get a universal film style at the click of a button… Learn how to use different film styles according to the changing environment and mood, and it may be easier to get the effect you want… For me, every time a new film style is available, I may only end up with two or three that I can use… The most important thing is that you can have a picture in your mind of what that film style will look like… It is essential to anticipate.

If you like it, you can buy it at the following website…

You can also get a rebate from the author through Affiliate links… https://theclassicpresets.com/?ref=o71q594tf2 Use Coupon Code “Rokkorx” for 15% off when you pay Or contact me on FB or IG for more special offers…

Classic Mini Lab Pro — The Classic Presets

If you like this post, feel free to give me a pat on the back and let me know you like it too XD

You can also follow me by pressing the Follow button, but unfortunately, you can’t set up a sneak preview XD. If you are willing to pay USD 1 per month for a cup of coffee, you can support me in my “Words are worth it, photos are worth it”. I have been writing blogs for more than ten years so that you may have read my Minolta articles, other equipment and photo tips in the past. It is not easy to maintain this interest in blogging. Today, many photographers like to shoot youtube or use pictures instead of writing, so in-depth introduction and evaluation may be a chore for many people. Still, I believe that words and photos have a specific value. I have many more pictures and photographs that I would like to share with you, and a little financial contribution from you would help me go further or write.

If you are interested in paying for a cup of coffee every month, subscribe to the author Patreon at:

You can also sponsor me to write a one-off article through Payme

payme.hsbc/samlihk

Thank you for reading.

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