avatarJeremy Roberts

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Abstract

e-commerce businesses</figcaption></figure><p id="374e"><b>Key takeaways</b></p><p id="417d">Looking at the tools that Raw Vault brings with it, we can easily draw out following benefits –</p><p id="9470"><b>Fully equipped to tackle business changes —</b> Be it a change in the business keys or entity relationships, the isolation of the keys and relationships from the actual data around them makes such integrations hassle free</p><p id="66fb"><b>Handles large data volume and achieves parallelism —</b> One satellite per source enables parallel processing which inturn means load distribution and faster load cycles. Satellites can also be distributed on the basis of change velocity that results in reduced data redundancy.</p><p id="ebc5"><b>Incremental data onboarding —</b> Onboarding new sources and data points made easier. Data Vault’s design advocates pattern driven development that enables a quick time to business for new requirements.</p><p id="e3cd"><b>Fail early and rectify fast — </b>With Data Vault, SMEs can identify problems in the source data/model much before reaching the Data Marts.</p><h1 id="e2c5">Beyond Raw Vault</h1><p id="c5dc">So far, we’ve spoken about the advantages of implementing the Raw Vault. But, does that mean it doesn’t bring challenges of its own?</p><p id="7c5c">As a matter of fact, it does. A quick look at the model above and stakeholders often find themselves asking questions like “How do we proceed from here?”, “What about the performance coming out of Raw Vault?”, “Is there a standard for pulling data out of the Raw Vault?”, “Shouldn’t there be a Business Vault, and what does that entail?”</p><p id="1712">These are all valid queries, especially when it comes to constructing a robust and scalable architecture for the organization’s data management strategy. Some of the answers can be found in Business Vault. We’ll take a quick look at how it helps the data flow from Raw Vault to the Marts and if it is even mandatory for a fully compliant Vault implementation.</p><p id="29b3">The business vault is an extension of a raw vault that applies selected business rules, de-normalizations, calculations & other query-assistance functions. Business vault too comes with a few standard data extraction approaches as detailed below –</p><p id="f882"><b>PIT tables —</b> PIT tables specifically address the need for denormalization. Denormalization doesn’t just mean stitching together data that’s maintained independently in the source systems, but also getting back data points that were segregated into multiple objects by the virtue of Raw Vault. For example, in the investment sector, one may want to look at not just the basic details around an instrument that they have invested into but also the coupon attached to it, the factors that get

Options

updated every 10th of the month and/or the ratings provided from various Credit Rating Agencies. On the other hand, denormalization between the Raw Vault objects for daily positions data, that pivots on the relationship between a portfolio and an instrument is inevitable. A PIT table can help tie the data together for a better 360 view of the entities as well as tie the relationship stored in links back to the driving datasets and ready for consumption in the Data Marts.</p><p id="b7df"><b>Bridge tables —</b> The concept of bridge tables has been there for a while and just like any typical scenario, these will be created to optimize joins across datasets that are expected to be used together frequently.</p><p id="423a"><b>Satellites with predefined calculations —</b> Quite often, there are some transformations / calculations / aggregations that are a common requirement across multiple user groups and functions. Business vault would be the recommended place to achieve these transformations which makes it available to various data marts.</p><p id="e010">All this being said, is Business Vault a mandatory hop? The answer is no. One can be fully compliant to DV 2.0 and still not have a business vault implemented. We can see that the requirement for a business vault pivots around the complex scenarios that may pop up during the warehouse implementation.</p><h1 id="0603">Conclusion</h1><p id="a759">To conclude, let us take a moment and look at the factors of Data Vault that may impact the decision making process. Data Vault offers flexibility, scalability, governance and agility. All this, topped with a pattern driven approach for Raw Vault development, inturn results in a high speed delivery. There are frameworks and tools that can fuel the velocity even further (Check out more on Astraa’s MDD framework success story <a href="https://astraa.com/recognition/astraa-revolutionizing-insurance-analytics-with-intelligent-data-solutions/">here</a>).</p><p id="4032">However, we have also seen how data extraction from Raw Vault can be a complex task in itself and may require stakeholders to factor in the implementation of Business Vault during their time and cost estimation. Not to forget, an increased number of objects to be maintained and monitored is an obvious byproduct.</p><p id="74fd">These are all very important points to be considered before choosing Data Vault as the warehousing approach. Considering the size of the enterprises is a critical factor too. A small enterprise would be recommended against going through the complexity of a Vault implementation if they have fairly lesser functions/line of businesses.</p><p id="0e41">Hope this helps in getting a fair understanding of Data Vault 2.0 and help gauge the impact of it’s implementation.</p></article></body>

Rodney Dillard’s miraculous Christian transformation

The rocky, winding road leading to Rodney Dillard’s Christian salvation is laid bare in a startling interview. As the frontman for 1960s country rock-bluegrass outfit the Dillards, the “Wheatstraw Suite“ artist is seen here strumming a Takamine acoustic guitar handed to him by a fan after a Mayberry Values performance held inside Frederica Baptist Church, St. Simons Island, Georgia, on September 25, 2011. Photography by Jeremy Roberts

Best known as the lead singer, composer, producer, and guitarist for trailblazing bluegrass quartet the Dillards, a 10-year-old Rodney Dillard first responded to the altar call in a Baptist church in rural Salem, Missouri, after just-installed Reverend William Wynn’s imposing son Bear threatened Dillard with a post-service whipping if he didn’t step forward and make his daddy look good in the eyes of the waiting congregation.

The bright lights of show biz beckoned, and Dillard espoused a heady rock and roll lifestyle in Los Angeles for nearly 20 years, guest-starring in six episodes of The Andy Griffith Show as the dim-witted Darling Family mountain guitar picker, rubbing elbows with Elektra Records label mates Jim Morrison and the Doors, singing on Hugh Hefner’s Playboy After Dark, and stumbling upon box office champion Steve McQueen. However, the pioneering country rocker, name-checked as an influence by Eagles drummer-singer Don Henley, was never really satisfied and didn’t possess that inner peace that so many Christians talk about.

A serendipitous encounter with soon-to-be second wife after a Dillards gig in Edmonton, Alberta, Canada, miraculously turned his life around a complete 360 degrees in the early ’80s. Already a Christian, Beverly Cotten was an accomplished clawhammer banjo picker on the long-running, syndicated country variety series Hee Haw. Initially unreceptive to Beverly’s testimony— stubbornness and suspicion are human nature after all — Dillard soon accepted Christ as his personal Savior.

Since the early aughts the ordained minister has visited churches in nearly every corner of the United States unleashing Mayberry Values, a story-song experience celebrating the most popular sitcom of the 1960s and explaining how faith guides his daily life. Although you may not be a Christian, the fulfilling road laid bare below is essential to understanding what makes Rodney Dillard tick.

Oh why me, Lord? In a shot featured inside the booklet for “I Wish Life Was Like Mayberry” [released on September 28, 2010], Rodney Dillard looks toward Heaven as he grasps a pair of Channellock vise grips while attempting to fix a broken down sky blue automobile adjacent to a robust corn field. Photography by Anthony Ladd / Courtesy of Rodney Dillard

The Rodney Dillard Interview, Part Four

What led to your Christian transformation?

I was never made to go to church when I was a boy. I was usually guilted into going [laughs]. A conversation with my parents usually went like, “Are you going to church today, son?” “I don’t think so.” “Okay, that’s fine. You don’t have to go but…” Then I would think about it for a minute and say, “Okay, I’ll go.”

I was first “saved” when I was 10 years old in a little old church in Salem. We couldn’t afford a preacher in those days. Everyone would sing hymns, and then a deacon or layperson would speak.

We finally got a preacher when my neighbor Red Stockton sold his cattle and donated some of the money so we could pay $50 to bring Reverend William Wynn to the church on a regular basis. He had a son I went to school with named Bear Wynn. Bear was a big kid who was already shaving in the second grade [laughs].

One hot and sweaty night we were at church. All the windows were open, and the moths were flying everywhere trying to find the light source emanating from the Aladdin lamps. Reverend Wynn asks for an altar call. I was sitting towards the rear, waiting to run out and get a drink of water.

All of a sudden I felt this presence sidle up to me, casting this shadow that looked like a mountain. It was Bear, and he wanted his daddy to look good in the eyes of the congregation. He whispered, “Go up there and get saved.” I quickly responded, “Uh-uh.” He added, “If you don’t go up there, I’m gonna whip you after church.”

It didn’t take much thought for me to meekly say, “Okay.” So I walked to the front of the church and went through all the motions of being “saved.” I had seen the adults do it, so I figured, ‘I can fake this.’

As you might realize, I didn’t have a true, personal relationship with Christ then. Long story short, I eventually went off to Hollywood to make it in the music business. I experienced some success as well as the many snares that can befall you out there. Of course, I didn’t know it, but God was taking care of me.

Sibling rivalry, anyone? A boisterous Rodney Dillard puts up his dukes as older, rail thin, banjo-playing brother Doug Dillard seems alarmingly oblivious in 1977 in Nashville. The duo had recently worked with “Gentle on My Mind” songwriter John Hartford on “Glitter Grass from the Nashwood Hollyville Strings” and would distribute a second collaborative album, “Permanent Wave,” in 1980. Photography by Jim McGuire / Nashville Portraits

When I met Beverly years later in the early ’80s, I had no idea that God was still working behind the scenes. I was playing with the Dillards at a huge festival called the International Music Festival in Edmonton, Alberta. It was love at first sight, but Beverly wasn’t convinced right off [laughs]. She thought there was something there, but she was mainly interested in my salvation.

She witnessed to me the first time she saw me — I was the first person she had ever witnessed to. Beverly had been raised a Christian, but she kinda strayed in college and got into philosophy, mysticism, and science fiction. She had been saved for only about three years when she witnessed to me.

We talked all that night, just standing in the same spot with music from around the world playing all around us like a cacophony. I remember saying, “Oh, that’s nice for you, but it’s not for me. I’m not interested.”

But Beverly didn’t quit, she persisted until I finally had a change of heart at six o’clock that morning and admitted, “I would like to have what you have.” That was the first giant step toward me opening the door and receiving Christ as my personal savior.

A few weeks after that life-changing experience, I went to a little country church that Bear Wynn had taken over in my hometown — he later preached my mother’s funeral. I wanted to know how he was doing and see what kind of preacher he was [laughs].

At the end of the service, Bear came to that moment known as the altar call. He intoned, “Everybody, bow your head and let’s pray.” So the congregation bowed their heads, but I opened one eye and started looking around to see who needed Jesus or who needed help of some kind.

Shortly thereafter, I had my second encounter with Beverly. We had decided to go and meet her parents, since I had a concert scheduled on up the road in Washington, D.C. I remember we were driving on Highway 95, and I was telling her the story about how I was looking around in Bear’s church, wondering who needed help.

Suddenly it dawned on me, ‘Wait a minute, I needed God’s help.’ I needed something in my life to fill that unrest, that thing that gives you the goal to go on and learn more and more, that place, that void that they all talk about.

The way the Lord had to handle me was to slap me up the side of my head, and he did. The whole car lit up, and I didn’t even know where we were at that moment. Beverly had to pull off the road. I don’t know how long we sat there, but an anointing came into the car that afternoon. Without a doubt, God gave me my measure of salvation and put me where I am today.

Still going strong after 34 years of marriage, Rodney Dillard and banjo-pickin’ wife Beverly Cotten wear a pleasing Native American-inspired ensemble backstage at a gig circa August 19, 2015. Jeff Gilkinson, who played banjo and bass in the Dillards beginning in 1975, is partially seen over Rodney’s right shoulder. Image Credit: Rodney Dillard’s official Facebook

It can be a tricky predicament trying to share one’s testimony with non-believers.

I’ll be honest with you, I often feel like I’m the worst Christian in the room. As Bob Dylan once sang, “And if my thought-dreams could be seen, they’d probably put my head in a guillotine” [a lyric from “It’s Alright, Ma (I’m Only Bleeding”)]. But we are trying Christians, trying to follow the example that Jesus laid down his life for and live our lives as abundantly in the spirit as we can.

Describing your personal experience of salvation to another person is really like describing a sunset to a blind man. But when you’ve had that personal experience, you know that you know. You become a different person, not intellectually different, but you are heartfully and soulfully a different person. You look at the world and individuals in a unique light.

When I grew up, older folks would come up to you and just blurt out, “Are you saved?” All of a sudden, boy, would my neck hair go up. I would think, ‘Who are you, some sort of judgmental self-righteous person? What are you gonna do?’ It would really put me on my guard. You can’t approach people that way. Our daily life should be an example of our Christian walk.

The breath-taking Rachel Dillard, daughter of Rodney Dillard and Beverly Cotten, holds a pretty lavender flower bouquet in October 2011 on her wedding day. Image Credit: Courtesy of Rodney Dillard

How many kids do you have, and are they musically inclined?

Two — after my divorce from Linda in 1980, I moved to Branson and raised Brian from the time he was six until I married Beverly Cotten three years later on March 19, 1983. Beverly says I was the absolute definition of “Mr. Mom” during that time [laughs]. Beverly raised him just like he was her own flesh and blood.

They both are musically inclined to a certain degree. Brian is an all-around musician. He plays drums and keyboards, and he’s quite an arranger. He just joined a band, although he’s a full-time police officer.

Rachel was a “miracle baby.” I was 49, and Beverly was 40. She wasn’t supposed to be able to have any children. We traveled to Duke University Medical Center over a period of eight years. They did everything physically to help her conceive, and it all failed. But then our church prayed for us, and we had a baby on the way. Beverly didn’t have any complications, and Rachel was ultimately born two weeks overdue in June 1991.

Rachel is mainly a dancer — ballet, jazz, Irish dance, clogging — but she can sing and play a little rhythm guitar when she wants to. When she was eight or nine years old, Rachel would open our live shows by singing A cappella.

She could also sing fine harmonies, but she became shy once she became a teenager. Now she’s getting back to where she feels comfortable performing in front of audiences again, although it’s been awhile since she performed with us.

Rachel was married in October 2011, and I got to officiate it. I am an ordained minister, and it was my first wedding ceremony. Everything seemed to go pretty well.

The cover of “Copperfields,” the Dillards’ fifth and final album for Elektra Records distributed in January 1970. Stand-up bassist-songwriter Mitch Jayne opts to sit down and rest his fringe-boot sporting feet while singer-songwriter-producer-guitarist Rodney Dillard, singer-songwriter-banjoist Herb Pedersen, and mandolinist Dean Webb assuredly stand. Image Credit: Rhino / Elektra Records / iHeart Radio

What is your perfect day?

When I get an opportune moment, going out to the family farm in Salem is pretty perfect. I let a neighbor keep his cattle on it. It’s a 150-acre farm located a couple of miles near the Current River with trees everywhere.

I love to simply walk the land and target shoot with my son. Since he’s a deputy sheriff, he sets up a range. I hunted when I was younger, but I don’t anymore. I enjoy floating down the river every summer and camping out at night with the kids. Of course, you can’t beat ending any day with a big ole meal.

I’m always on the Internet discovering new things. I read all the time, whether it’s studying Bible scripture in Greek or investigating a Native American tribe. Most anything related to history interests me.

Clad in a black T-shirt and bluejeans, singer-songwriter-producer Rodney Dillard is super-imposed onto a rural church setting which was originally shot for the “Don’t Wait for the Hearse to Take You to Church” album cover, unleashed on August 16, 2011, incidentally the 34th anniversary of Elvis Presley’s passing. Photography by Anthony Ladd / Courtesy of Rodney Dillard

“There Goes the Neighborhood,” “The Andy Griffith Show Song,” and “Don’t Wait for the Hearse to Take You to Church” have received a lotta mileage at your live shows. What’s the story behind them?

I’ve resided in Branson since 1980. I bought a little home — cabin, if you will — out by a lake with pristine deer and wild turkey running all around. I woke up one day and discovered I had been “malled.” There was a mall here and a mall there — urban sprawl had struck the Ozarks. “There Goes the Neighborhood,” a tongue-in-cheek number written by Bruce Haynes and myself in 2001, kinda protests that growing problem.

“The Andy Griffith Show Song”

Written by David Bellamy of the Bellamy Brothers, it gives the listener hope and a little nostalgia about what the show was all about. It’s on my I Wish Life Was Like Mayberry album [2010].

“Don’t Wait for the Hearse to Take You to Church”

I jokingly refer to this as our Christian karaoke song. The title cut of my 2011 album, a friend of ours brought the song to us a few years ago. Written by Dave Lindsey and Michael Keith, I recorded this unique number because I wanted to reach Christians and non-Christians.

When I announce the title at my concerts, folks will initially chuckle. But then they go, “Hmmm…” It’s what you might call a slow burner, literally [laughs]. We were surprised at how well it performed on the Southern Gospel chart, a first for us.

A quaint little country church sets an appropriate mood for Rodney Dillard’s solo album entitled “Don’t Wait for the Hearse to Take You to Church,” distributed on August 16, 2011, incidentally the 34th anniversary of Elvis Presley’s passing. Note the photo shopped Mayberry Values Ministries sign above the church’s front door. Photography by Anthony Ladd / Rural Rhythm Records / Courtesy of Rodney Dillard

© Jeremy Roberts, 2012, 2017. All rights reserved. To touch base, email [email protected] and mention which story led you my way. I appreciate it sincerely.

Christianity
The Dillards
Bluegrass
Religion
Gospel
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