avatarStuart Englander

Summary

The article discusses the importance of fiction writing and its struggle for recognition on platforms like Medium, despite the efforts of writers and publishers like Dr. Mehmet Yildiz to promote it.

Abstract

The author reflects on the historical significance of fiction writing, drawing a parallel with Rod Serling's impact on television writing in the 1950s and 1960s. Despite the creation of clubs for fiction and poetry on Medium, the author notes that fiction often fails to garner the same attention as other genres, such as self-help or news-related content. The article suggests that fiction writers are not receiving the exposure they deserve and questions whether Medium is the right platform for fiction to thrive. It also touches on the potential of other platforms and the need for fiction writers to push for greater inclusivity and recognition of their work.

Opinions

  • The author believes that fiction deserves a prominent place on writing platforms and is underappreciated compared to other genres.
  • There is a sentiment that the current algorithms on Medium may not favor fiction, poetry, or science fiction, leading to lower visibility and engagement.
  • The author admires the work of Rod Serling and sees contemporary fiction writers as taking similar risks in storytelling.
  • The article suggests that readers may be less inclined to seek out fiction due to a year filled with unprecedented events, potentially affecting the genre's popularity.
  • The author calls for a discussion among fiction writers to find new initiatives and change the algorithm for more inclusivity on Medium.
  • There is an acknowledgment of the skill and imagination of fellow Medium writers, with a hope to emulate their success in fiction writing.
  • The author expresses a commitment to continue advoc

Open The Floodgates For Creativity To Flow

Fiction deserves its rightful place on any platform that promotes writing excellence

Photo by Aziz Acharki on Unsplash

When was the last time a story from a recurring theme jumped off the page at you, and just couldn’t peel your eyes away from it?

Do you remember when serial writing was a highly anticipated event in your weekly routine?

Presented for your consideration, a man who works earnestly at his craft. He has operated under many different names past and present. We have known him as Paddy or Rod, Norman, Alan, and Aaron, and he arrives at his place of employment each day to feed little boxes.

Our friend takes great care to nourish these boxes with layered morsels, rich in flavour, nuanced and complex. He will rarely have physical contact with his charges, but they will reward his dutiful practice with an unlikely result.

These boxes come in various shapes and sizes, large enough to fill a wall, and small enough for the palm of one’s hand. These innocuous little creatures control the daily lives of billions. They have embedded their essence into the fabric of daily human life.

This box sits quietly in a chosen place of prominence, waiting to emit the result of its daily feeding. A kind of gas if you will, conducted through both sound and vision, mesmerizing the minds of its masters.

This device; this little box; will display everything from the depths of our despair, to the heights of our ecstasy.

It is a little box which we call…

The TV set.

In the year 1959, a creative genius left his job writing sales copy for advertisers to become one of the most prominent creators in a new form; the television writer.

Rod Serling’s ideas expanded beyond the small screen, eventually becoming landmark motion picture scripts. The Twilight Zone and later, Night Gallery, would become benchmark productions of the early TV era. As Stephen King is to book publishing, Rod Serling was to broadcast media.

At first, I considered writing the above story as pure fiction, taking our ‘little box’ story to the places where Serling himself might have gone. But then…

I began to wonder if anyone on Medium is reading this stuff. There are other publications here that allow for fiction entries, but almost exclusively as a sidebar; an afterthought. On ILLUMINATION, Dr Mehmet Yildiz has made a concerted effort to bring fiction back to its rightful place of prominence.

Has it worked?

Personally, I have always marvelled at the skill and imagination of my favourite writers on Medium and hope to emulate their prowess with the written word. One particular story that I had the pleasure to read recently, was one penned by friend and colleague, Liam Ireland.

After reading this brilliant piece of fiction inspired by personal experience, I thought it would almost instantly go viral. Maybe you won’t agree, after all, fiction is highly subjective. That’s okay.

Another is a recent story penned by Phil Truman,

appeared this week right here on Technology Hits, another insightful venture by prolific Medium publisher and writer, Dr Mehmet Yildiz.

The good doctor has introduced clubs for fiction in varying forms; Short Story, and Poetry. In the hopes that these places would attract like-minded individuals like Liam and myself, the good doctor calculated that a platform for fiction writers in one place would produce greater readership.

The unfortunate truth, however, is that many of these highly imaginative and well-crafted stories, barely see the full light of day? If you look at the number of claps for these stories alone, the relative result from such creative work is pitiful.

I have concluded that as a writer who also aspires to create fiction with similar expertise to these above-mentioned artists, Medium may not be the platform to give us the exposure we hoped to achieve.

Are readers more interested in regurgitated self-help, money making advice, or op-ed articles than good works of fiction or poetry? Any of these pieces that are well written and genuine in their intent, certainly have a rightful place on the ‘trending’ topics of our home page. How about fiction then? I rarely see it there.

Other platforms like Vocal and Newsbreak seem oblivious to the importance of fiction writing on their platforms. Vocal at least, provides a Poetry corner on the main subject block, but nothing for fiction. Newsbreak’s title is self-explanatory which probably explains also why I have never received a reply from them in over a month.

I need not wonder how Mr. Serling would have responded to an obstacle such as this. He would simply charge, full steam ahead. Any writer worth his words knows that little is achieved without the will to take a risk. In the early 1960s, Serling had a distinct advantage in that television was still in its experimentation stage. With only three networks vying for the eyes and ears of an American public hungry to eat up whatever ‘the tube’ offerings might be, a writer of Ros Serling’s calibre need only forge ahead into the abyss.

That did not mean that The Twilight Zone would not be without its obstacles. Science fiction on television was still a relatively untried commodity, so when a certain subject matter came up against the censors of the day, Serling needed to stand his ground without seeming too difficult to deal with.

Ultimately, Rod Serling trailblazed the way for future sci-fi successes like Star Trek, The Outer Limits, and Stargate. For the last sixty years, any attempts made to emulate the mastery of Seling’s work though, have paled miserably by comparison. That has more to do with the writing than any other reason.

Now, a world public yearns to be entertained with great storytelling. Visually speaking, the technology to deliver on this promise has never been greater.

So how then, has the written word, the very essence of, story, gone virtually unnoticed? Every time a fiction writer sets out to create a unique vision of the world for the reader, he or she takes the same risk Rod Serling did so many years ago.

They are asking you, dear reader, to step into an alternate reality and journey along in it for a while. If you pay attention, you might find that fiction writers are incorporating much more in their stories than first meets the eye.

The difference in what Serling tried to achieve as opposed to your average sitcom or medical drama, was that his stories focused on the humanity of the times in which he lived first. The science was merely a vehicle for telling the stories he felt strongly about. His allegories often gave audiences pause and made them think differently about themselves and other people. If nothing else, Rod Serling was a great humanitarian, and that is where he took his greatest risks.

Today on Medium, fiction still largely rides the recesses of back page rankings when it comes to readership. Why?

Has the technology of reader and story algorithms been distilled so much that fiction, poetry, and science fiction are unable to find the necessary inroads? Or has the reader lost the initiative to seek out the ‘different’, the ‘dangerous, the ‘road less travelled’?

Maybe we’ve just been living through a year that seems more fictional than real, and we’re just fed up.

Or perhaps, is it time for the writer to seek out new initiatives that cater to the worlds of fantasy, drama, comedy, horror, and all forms of great storytelling?

I still believe there is a place for fiction to thrive on Medium. I guess we’ll just have push a little harder, and take on the obstacles head-on. Let’s change the algorithm for more inclusivity for fiction writers.

I welcome a discussion about our place on Medium with fellow fiction writers, Liam Ireland Phil Truman Tree Langdon Terry Trueman Deena Thomson Randy Rather Vee Goldman Jim McAulay🍁 Jessica Cote, and any others I haven’t met yet. Forgive me if I’ve missed anyone on this list.

As always, thank you for taking the time. I’m looking forward to a new year of positivity all around. Until then, HAPPY HOLIDAYS EVERYONE!

Fiction
Fiction Writing
Science Fiction
Technology
Publishing
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