avatarJoyce Chuinkam

Summary

The author reflects on their decision not to write a superficial analysis of "Love is Blind" Season 3, choosing instead to acknowledge the complexity of human behavior and the ethical implications of commenting on reality TV participants' lives.

Abstract

The author initially planned to critique "Love is Blind" Season 3, intending to analyze the participants' behavior based on edited footage. However, they recognized the potential harm in making sweeping generalizations and contributing to the negative impact reality TV can have on its participants. The author decided against adding to the saturated narrative of judgment and instead aimed to consider the real people behind the screen, who may be affected by such commentary. They emphasize the importance of being mindful of the lasting impact of written opinions, especially when those opinions could reach the individuals they're about. The piece concludes with the author sharing their love for reality TV while maintaining a conscious approach to discussing it, and they invite readers to explore their other works on life and love.

Opinions

  • The author acknowledges the temptation to psychoanalyze reality TV participants based on limited, edited footage, but refrains from doing so to avoid reducing complex human experiences to simplistic narratives.
  • They express concern about the ethical implications of contributing to a discourse that can lead to depression and suicide among reality TV participants.
  • The author is critical of the tendency to label and generalize individuals based on their on-screen personas, recognizing that everyone has their own inner work to do regardless of their behavior on TV.
  • They admit to the potential financial gain from writing about popular reality TV shows but choose not to prioritize profit over the well-being of the individuals involved.
  • The author emphasizes the importance of being mindful about sharing harsh opinions in writing, as they can perpetuate negative stereotypes and potentially hurt the real people they're about.
  • Despite their decision not to write a sensationalized piece, the author expresses their genuine interest in reality TV, indicating that they enjoy discussing it with friends and family while being cautious about the impact of their commentary.

I Was Going to Write about ‘Love is Blind’, But I Didn’t

I’m not perfect.

Photo by the Author

I was going to write about Love is Blind Season 3.

I was going to psychoanalyze a group of people I didn’t know.

I was going to tell a story of their lives pieced from 1-hour edited and produced snippets of their existence.

I was going to speak about an experience I’ve never had; where 3rd parties (producers) are a catalyst for drama and excessive wine is a lubricant for loose lips. One where “private” conversations are made public and if it isn’t on camera, it never happened.

I was going to imply words unsaid and things unseen to create a narrative driven by characters that can neatly fit a prototype when, in reality, humans are complex.

I was going to fill in the blanks with my own perception and projections.

I was going to put it up on the internet where it would never die and the real people behind my characters might stumble across it.

I was going to call my characters names and place those names right next to their names to make myself feel better, smarter, and more mature.

I was going to use my characters — a sample size of 10 to make generalizations for the general population, mostly by gender — probably a bit by race.

I was debating titles like “Love is Blind: Why Men Need Therapy”, and “Love is Blind: Opening Our Eyes to Today’s Dating Challenges.”

I was going to garner clicks and host conversations on a subject I don’t have enough context for.

I was going to immortalize my thoughts, feelings, and opinions as strongly with a group of strangers online as I do with close family and friends behind closed doors, letting them pile onto it and spin it as they wish.

I was going to lend my voice to a narrative that contributes to depression and suicide among reality TV participants.

I was going to chime in on a saturated narrative of who sucks for saying “beauty matters” on a show called Love is Blind; who has anger issues; who is gaslighting. It doesn’t matter who, because each of them needs inner work as much as the next person.

I was going to mind someone’s business instead of the business that pays me — although their business would have paid me.

I was going to make a lot of money off of it; I watched other writers do.

I was going to write about Love is Blind.

I was going to write about people who “signed up for it”, though they might have had no way of knowing what it truly entailed — the villain edit, the death threats, their weakest moments televised, and their mundane joys left on the cutting room floor.

In the end, I wrote about Love is Blind, but I tried to see the people at stake.

I love reality TV as much as (if not more than) the next person. I wrote my entire dissertation about reality TV. I gossip about different shows with my sister and scrutinize onscreen behaviors with my friends. I’m not perfect. I try to be mindful about sharing harsh and hurtful opinions where they’ll live forever...in writing...and one of the real people from a reality show might stumble upon it.

Thank you for reading! If you’re wondering why I’ve been publishing less frequently, here’s why (still writing every day, just a lot in the drafts pile).

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Love Is Blind
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