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Summary

The web content celebrates female bassists throughout music history, challenging gender stereotypes and highlighting key moments and contributions of women in the field.

Abstract

The article "Women Respond To Bass" is a celebration of female bassists and their significant, yet often overlooked, contributions to the music industry. It refutes the stereotype that women are drawn to the bass for nurturing reasons and instead showcases a range of influential female musicians who have excelled in this role. The piece highlights the talents of various artists, such as Suzi Quatro, members of bands like The Liverbirds, and individuals like Megan Davies from The Applejacks, Debbie Googe from My Bloody Valentine, Patricia Morrison from The Sisters Of Mercy, Laura Ballance from Superchunk, and Gail Ann Dorsey, known for her work with David Bowie. It also touches upon the broader context of gender dynamics within the music scene, emphasizing the need for recognition and representation of female musicians.

Opinions

  • The article criticizes the notion that women play bass because it is a naturally nurturing role, suggesting that such views are reductive and ignore the diverse reasons why anyone might choose an instrument.
  • It sarcastically comments on the idea that women are childless if they are guitarists or drummers, implying that such stereotypes are baseless and outdated.
  • The piece suggests that the bass is often undervalued as an instrument, yet it is central to many bands' sounds, and women have been key in shaping that role.
  • The author expresses that women bassists are not just part of the band but can be leaders and innovators within their musical communities.
  • There is an opinion that the presence of female bassists in bands has been historically significant, contributing to the evolution of various music genres.
  • The article implies that the music industry and society at large should acknowledge and celebrate the contributions of female bassists more explicitly.

Women Respond To Bass

Photo: TopPop. Suzi Quatro. A woman’s bass is not in the kitchen.

“Kim Gordon from Sonic Youth posited the idea that women are drawn to the bass because it is a naturally nurturing role, demurring away from the egomaniacal wail of showy guitars or destructive drums.” — Tom Taylor, Far Out Magazine.

Presumably this is why throughout the world all female guitarists and drummers are childless.

Woman: Childfree

Me: Exactly.

Man: It has been said that women play bass because it’s an easy instrument to play.

Me: Is that why most bassists are men?

Anyway, let’s celebrate female bassists and key moments in their history.

Photo: getintothis.co.uk. The Liverbirds. “Look! She playing bass!”

No. I don’t mean bassists in bands like Slave To Sirens, Skinny Girl Diet, Warpaint, Childbirth, Luscious Jackson, Dickless, Lunachicks, We’ve Got a Fuzzbox and We’re Gonna Use It, The Go Go’s, Girlschool, Fanny or The Liverbirds.

1st Person: I beg your pardon?!? Fanny!?!

Me: Fanny. You know. Fanny.

Or, you lucky UK people, Fanny.

Back to base.

No. I mean women who hang out with the boys.

Lone wolf bassists who are leaders of the pack, I would have thought getting money for nothing, and chicks, and/or dicks, for free.

Let’s celebrate some female bassists and key moments in their history.

Hello [insert name of place where you live].

We are,

Women Respond To Bass!

Megan Davies from The Applejacks

Al Jackson (lead vocals): ….Right then lads….

Megan: Ahem!

Al Jackson: ….and Megan. The record company wants to make a film of us performing our song whilst miming to our pre-recorded backing track.

Don Gould (organ): What, make a music video?

Al Jackson: I know not of what you speak. So, smart dress yeah. Edwardian/Beatnik suits.

Megan: I’ve a babydoll dress I can wear.

Al Jackson: We’re not Grungey enough

Debbie Googe from My Bloody Valentine

1st Person: You know there’s another woman in the band don’t you?

Me: Semantics.

Back in the 80s….

Kevin Shields (vocals, guitar, sampler): So, we’re all agreed, yes? A wall of noise.

Bilinda Butcher (vocals, guitar): A wall of noise.

Debbie Googe: A wall of noise

[silence]

Kevin Shields: Colm. Colm!

Colm Ó Cíosóig (drums, sampler): Yeah yeah, a noise wall.

Patricia Morrison from The Sisters Of Mercy (1987 line up)

The Goth Rockers split into two separate bands during the mid 80s. Goths eh? So ‘The Sisters’ recruited Pat….

Andrew Eldritch (lead vocalist): Great news. You’re in the band.

Patricia Morrison: Ace! Actually, did I mention I can also sing?

Andrew Eldritch: Good, because I can’t.

Laura Ballance from Superchunk

Mac McCaughan (singer-guitarist): Unfortunately we’re in a basement for the video shoot.

Laura Balance: Don’t care, as long as there’s space to do that knee slide I invented.

Mac McCaughan (singer-guitarist): You know that shit’ll never catch on, right?

Gail Ann Dorsey with David Bowie

David Bowie is chiefly famous for singing over Gail’s basslines between 1995 and his untimely death in 2016.

David Bowie’s Manager: ….She’d be a good choice, she sings as well, so we’d save a shitload of money.

David Bowie: Mmm. She would provide an interesting live dynamic.

David Bowie’s Manager: ….Yeah. ….That as well.

Oh, alright then. Kim Gordon from Sonic Youth

“Look how she’s playing the bass guitar. She’s holding it like a bay bee.”

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Feminism
Women
Music
Women In Music
Bass Guitar
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