avatarAngie Mangino

Summary

The web content emphasizes the importance of understanding and targeting the right audience for writers, as it influences the tone, voice, and platform for publishing.

Abstract

The article underscores the significance of audience awareness for writers, advising them to tailor their writing style, content, and publication strategy to the specific group they aim to engage. It illustrates how different writing genres, such as book reviews, essays, and historical works, require distinct approaches to resonate with their intended readers. For instance, book reviews should provide insights on the book's writing, plot, characters, and dialogue, while essays should be personal and relatable, allowing readers to see themselves in the narrative. Historical writing is also audience-dependent, with academic texts demanding a formal tone, whereas local history may adopt a more conversational style. The article concludes by encouraging writers to contribute to the "Reciprocal" publication, which fosters a community of writers helping writers.

Opinions

  • Writers should not assume a universal audience but instead focus on who will most relate to their topic.
  • Knowing the audience helps in selecting the appropriate tone and voice for the writing.
  • Book review readers are interested in the book's content and what they will gain from reading it.
  • Essays should not only share the author's story but also connect with the audience on a personal level.
  • Historical writing requires adjustments in word choice, sentence length, and tone depending on the audience.
  • Writing for a publication like "Reciprocal" can be beneficial for writers seeking support and readership.

Who is your audience?

Knowing helps you as a writer

Photo by Toni Cuenca on Unsplash

As writers I think it’s foolish for us to think that everything we write has an audience of everyone.

When you choose a topic to write about, I suggest you think about who will relate to it most. Who you see as your audience will set the tone and voice of your writing. It also helps in knowing where to publish it to reach the best audience.

If you’re writing a book review, the audience will be people who like to read. (It’s the same for movie, music, or any other venue reviewed.)

If you’re writing to readers about a book they want to know about the writing, the basic plot (most hate spoilers), the characters, the dialogue, etc., but most importantly they want to know what’s in it for them to read this book.

If you’re writing an essay you are sharing yourself with your audience. You’re going to write on a more personal level in a conversational voice.

The success of an essay, however, is not to just share your story, but to go deeper to reach your audience so they see themselves in the story you shared.

Some will have had a similar experience, or know someone who has gone through it. That’s how you give a more universal message out of your experience.

It’s about you, but if you want people to read it, it’s about them, too, or they won’t read it.

If you’re writing about history here, too, you need to know your audience.

How I wrote as a contributor for an academic book was totally different from how I wrote my book.

In Encyclopedia of the U.S. Government and the Environment [2 volumes]: History, Policy, and Politics one of my 2000-word articles began with this one sentence:

“The United States Department of the Interior a federal executive department of the U.S. government, is responsible for the management and the conservation of federal land and for the administration of programs relating to Native Americans, Alaska Native, and Native Hawaiians, and to insular areas of the United States.”

In 17th Century Tottenville History Comes Alive the book begins with these three sentences:

“Did you know? The history of Tottenville begins as all history in the United States begins — with the indigenous people already living here. In Tottenville, that would be the Lenni Lenape.”

Totally different audiences require different word choices, sentence length, and tone.

Hope this helps you.

To see what other writers have to say, here’s three I think you’ll enjoy reading.

Shaunta Grimes discusses the idea of writing for an audience of one.

Linda Caroll discusses writing for the reader or yourself.

Patrick discusses writing a story from the foundation up.

Thanks to these followers for your support in reading my writing.

I invite you to consider writing for the Reciprocal publication started by Sahil Patel if you don’t already.

This publication puts into action writers helping writers.

Bradley_Naranch , Megan Llorente , Meagan Martignoni , Taylor Hudson , Adesola Orimalade , Ginger Cook , Kenneth Watkins , Ofrates Siringan , Dates Galore , Kate , Elle Hanley , Madhukar Anand , Ann-Marie Luneau , Patrick Barrett , Rebecca Scott , David Perlmutter , Maggie Gigandet , Impromptu Dancing , Christophe Ferreira , Rach , neilhayeswrites , Alexandra Cowen , Holly Faupel , Dorothy “Dee” Umoh , Marc S. Boriosi, MS, CADC , Stuart Aken , Daniel Rutland-Author , Nita Jain , Malaravan Balachandran , Yash Pincha , Green Code , Karen Grant , Tiago Vieira , Nicholas Fair Nowak

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