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reshes… If when we work, we can look once a day upon the face of mystery, then our labor satisfies.” (Lewis Hyde, The Gift, page 25)</p><p id="f4ac">The second half — in which he scrutinizes the lives and gifts (“careers”) of Whitman and Pound — serves to gather together the earlier chapters. And in the conclusion, he speaks to how the journey of writing this book has changed his own mind in certain ways. The changes are not surprising; perhaps it is more about quiet and thoughtful acceptance of certain realities.</p><p id="ad39">On a personal note, he causes me to long for another time and place. But he has given me insight into “how it is.”</p><p id="ec71" type="7">“In a land that feels no reciprocity toward nature, in an age when the rich imagine themselves to be self-made, we should not be surprised to find the interior poverty of the gifted state replicated in the actual poverty of the gifted.” (Lewis Hyde, The Gift, page 195)</p><p id="2867">I can’t say the book has changed me, so much as it has caused me — as a writer — to feel seen and heard in the ways that are useful to feel seen and heard.</p><div id="e7ce" class="link-block"> <a href="https://readmedium.com/zack-wheat-the-life-of-the-brooklyn-dodgers-hall-of-famer-3d058df55e60"> <div> <div> <h2>Zack Wheat: The Life of the Brooklyn Dodgers Hall of Famer</h2> <div><h3>Author Joe Niese offers an exhaustively researched take on the life of one of baseb

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The Gift: Creativity and the Artist in the Modern World

A review of the book by Lewis Hyde

photo: by Alison Acheson

These words are a gift of validation, to the artist. Especially in these times, though written more than a quarter-century ago.

This is the second book I have read by Lewis Hyde, a man of eclectic thought and wisdom, yet all his words are imbued with humility that is heart-opening.

Each chapter begins several steps aside from its promise, and then circles (the whole does remind me of my Irish poetry instructor, once upon a time, and his story-telling…it does cause me to miss him). The closing paragraphs of each chapter require — from me anyway — a second or third close reading, with the impact. When Hyde arrives at what he is saying — it is all such a process of discovery — the result has a physicality to it; be prepared to have to right yourself, sit up, or get back on your feet.

He opens the early pages with the idea that “the gift must always move.”

“The gift leaves all boundary and circles into mystery… The passage into mystery always refreshes… If when we work, we can look once a day upon the face of mystery, then our labor satisfies.” (Lewis Hyde, The Gift, page 25)

The second half — in which he scrutinizes the lives and gifts (“careers”) of Whitman and Pound — serves to gather together the earlier chapters. And in the conclusion, he speaks to how the journey of writing this book has changed his own mind in certain ways. The changes are not surprising; perhaps it is more about quiet and thoughtful acceptance of certain realities.

On a personal note, he causes me to long for another time and place. But he has given me insight into “how it is.”

“In a land that feels no reciprocity toward nature, in an age when the rich imagine themselves to be self-made, we should not be surprised to find the interior poverty of the gifted state replicated in the actual poverty of the gifted.” (Lewis Hyde, The Gift, page 195)

I can’t say the book has changed me, so much as it has caused me — as a writer — to feel seen and heard in the ways that are useful to feel seen and heard.

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