avatarMilana Marsenich

Summary

In September 1918, a wolf dog roams Butte, Montana, observing the town's socio-economic disparities and sensing the impending threat of the 1918 influenza pandemic.

Abstract

The narrative follows a wolf dog as it traverses the diverse neighborhoods of Butte, from the mining fumes and impoverished shanties to the opulence of French mansions. The dog witnesses the stark contrasts of life in a mining town, including the criminal underbelly of the Cabbage Patch and the resilience of the Irish in Dublin Gulch. As passengers disembark at the train depot, the dog feels an ominous presence heralding the arrival of the influenza pandemic. The miners, who toil in dangerous conditions and leave offerings for the dog, are unaware of the microscopic threat. The town is still reeling from the tragic hanging of labor activist Frank Little and a devastating mining accident. Amidst this backdrop, a motherless boy, who has found a new family and a sense of purpose, forms a deep bond with the wolf dog. The dog's instincts are alert to an invisible danger that poses a threat to the boy and the community, a danger that is too small to fight with teeth or claws. This excerpt is from the novel "Beautiful Ghost," which explores the impact of the 1918 flu pandemic on Butte.

Opinions

  • The author portrays Butte as a town of extremes, with wealth and poverty existing in close proximity.
  • The wolf dog is depicted as a sentient observer of human life, capable of understanding and being affected by the town's social dynamics.
  • There is a sense of foreboding and inevitability regarding the spread of the influenza pandemic, likened to an unstoppable force of nature.
  • The miners and their families are shown to be tough and resilient, yet vulnerable to both the dangers of their work and the new threat of the pandemic.
  • The boy's story arc suggests themes of found family, hope, and the capacity for love and growth even in the face of adversity.
  • The narrative implies a critique of the oppression of miners and the injustice faced by labor activists like Frank Little.
  • The wolf dog's concern for the boy hints at a deep emotional connection between humans and animals, as well as the dog's intuitive sense of the looming health crisis.

September 1918

The Wolf Dog

Picture created on Bookbrush by Lolo Paige

The wolf dog wanders through the town where mining fumes singe the air, and tin shacks, thrown together in desperation, sit next to French mansions and yards flagged with cobblestone. He rambles past the Cabbage Patch, where bootleggers and criminals live in downtrodden shanties and the king of the Patch rules the poor with an iron club. The dog walks through Dublin Gulch, a rough bit of Butte, inhabited by stubborn Irish people and sour-faced old women, who rarely shop for fine china or cast-iron pots at the town’s one department store. He continues his journey through Chinatown, past the opium dens, and down to the train depot on East Front Street.

He sits on the platform, under a center overhang, out of the rain, and watches the passengers disembark. Soot covers every surface of the depot, and, as the sky darkens, the wolf dog feels something coming. Something rising up out of the ground, on the wind, or perhaps in a blanket. Or maybe, a young woman carries it in her lap as the train roars across the country from the east to Montana. This tiny thing is barely a whisper. But it’s there, wanting to live and live strong. It floats among the people hugging and kissing in the depot’s large waiting room. It lights on jackets of men smoking, and hovers in the perfumed air where women tend to private matters.

When the travelers disperse, the wolf dog’s great haunches carry him up to the black metal head frames. Butte miners cramped together in cages wait to be let down into the dark tunnels where they extract copper. Before work, they leave meat scraps and pieces of dried bread on a rock for the dog. At the end of the day, when they rise up out of the shaft, their faces grimed with dirt, they pat the dog’s head and tell him he’s good.

He lifts his large paws as he crosses Park Street and weaves his way through the people who haven’t yet recovered from last year’s fire on the hill. The town still spins from the dark mass of men who hung Frank Little. They hung a man for trying to do good, for daring to lend his voice to justice. They hung him for his words, for speaking out against those who oppressed the miners.

The fortunate in town have money and food and hold their loved ones tight. The fatherless children cuddle into their mothers’ skirts. They know loss and they know love. They know meatless stews and crowded boarding rooms where there are plenty of other children to play with. With their fathers taken by the mining accident and the town swirling just outside of grief, the kids pull water, carry wood, and take care of the younger children. Their mothers work in shops, cafes, and the mansions on the hill, and bring home a meager pay.

The wolf dog loves one of these children, a boy who never had a father or a mother. Someone dropped him off at The Polly May Home for Kids, and never looked back. Now the boy has a new family — a mother, a grandmother, a young sister, and a father who is off at war and writes glorious letters to him. “Be good, my boy,” his new father writes. “Take care of your mother and sister.” Almost ten years old now, the boy has grown tall. He works keeping the bakery clean, supplying wood for the bread ovens, delivering food to the sick and elderly.

The boy has heart and gumption. He has a good mind. Somehow, he learned to love. Maybe from the woman at The Polly May where he once lived. He misses her. Some good things happened there. The wolf dog found him there. He loves the wolf dog, and the dog feels it in the very center of his ancient being.

This speck of something that has entered the town, maybe on the train, or the leather straps of a trunk, or in the cough of a miner, worries the dog for the boy’s sake. The dog wants him safe. This tiny thing, this unseen element, hovers nearby, ready to pounce and steal the boy’s breath.

The thing is so tiny the dog can’t even tear it to shreds with his great teeth. His claws are nothing against it. He can’t find it so he can smash it into the dirt, or bury it. He can only feel it out there. Waiting. Lurking.

This is an excerpt from my novel, BEAUTIFUL GHOST, about the 1918 influenza pandemic going through Butte, Montana. This piece describes the flu coming to town.

Please visit my website at milanamarsenich.com to learn more about me and my writing.

Read about the inspiration for Beautiful Ghost and Copper Sky here:

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Fiction
Pandemic
1918 Influenza Epidemic
Literature
The Scribers Nook
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