Redux

In the fields, long ago, in the blistering summer heat, he dreamed of freedom and a time…when he would not get beat.
Beaten down by the “Massah” whose skin was the color of milk, milk gone bad over a heart gone cold like so many of their ilk.
His daddy and his daddy before him wore the vicious scars of protest, so that their son and grandson could break free from the viper’s nest.
But it took too long and he worked too hard though the beatings never stopped, and he died there in the fields, amongst the cotton tops.
“We shall overcome,” said Dr. King before he too, was beaten down, and our silence since has fanned the flames that burn from town to town.
“Brutality ain’t no thang,” says the white man who wields his power, because he’s small and he’s weak and he lives to make you cower.
He lives to hurt and maim, that which he does not understand, how can he when he’s never been taught that he’s nothing but a man?
Where do we go from here after we’ve fucked up time and again? Ask George Floyd, who’s gone home to be with his Mama…again.
“There must be something we can do,” we cry, something to make things right, oh yes, there’s something we can do and that’s to forget we’re white.
Because “white is not right” and if we don’t get that and get it, very soon, prepare yourselves my friends for hell and despair and doom.
The honorable thing is to raise our voices peacefully, yet with passion, add a signature to a petition, as is the current fashion.
Above all, we need to treat black people like the brothers and sisters they are, and maybe…we’ll be forgiven.
Thank you for reading my response to a Poetry Salvage prompt by Marla Bishop, using the following words. I hope you enjoyed it.
- brutality
- freedom
- silence
- overcome
- home
- together
- protest
- signature
- petition
- honorable
Sherry McGuinn is a slightly-twisted, longtime Chicago-area writer and award-winning screenwriter. Her work has appeared in The Chicago Tribune, Chicago Sun-Times, and numerous other publications. Sherry’s manager is currently pitching her newest screenplay, a drama with dark, comedic overtones and inspired by a true story.
