avatarJonathan Poletti

Summary

The provided text discusses the frequent depiction of Jesus in various states of undress throughout the history of Christian art, challenging traditional modesty and highlighting the erotic undertones present in religious imagery.

Abstract

The text explores the recurring theme of Jesus' nakedness in Christian art, suggesting that Jesus is portrayed as the most naked man in history. It delves into the author's personal experience as a stripper to draw parallels with the unclothed or partially clothed depictions of Jesus in art, emphasizing the eroticism and sensuality in these portrayals. The article argues that these images often present Jesus as a desirable and hunky figure, sometimes even with homoerotic overtones, as noted by gay Christians and scholars like Donald Boisvert and Leo Steinberg. The text also references biblical narratives that describe Jesus in the nude, such as his birth, circumcision, baptism, footwashing, and crucifixion, and how these scenes have been interpreted and depicted in art over the centuries. The author suggests that these depictions of Jesus' nakedness are tied to theology of new beginnings and the return to an Edenic state, contrasting with society's general discomfort with male nudity.

Opinions

  • The author posits that Jesus' frequent portrayal as naked or semi-naked in art is a notable and somewhat scandalous aspect of Christian iconography.
  • There is an underlying opinion that the church's discomfort with male nudity contrasts with the biblical accounts of Jesus' life, which include several instances of public nakedness.
  • The text implies that the sensual and erotic portrayals of Jesus in art reflect a subconscious desire to see the divine in a physically attractive form.
  • The author suggests that the depiction of Jesus' nakedness in art serves as a theological statement about humanity's return to innocence and the Garden of Eden, as well as the idea of Jesus as the "new Adam."
  • The article hints at a critique of the art world and the church for sometimes altering biblical scenes to conform to public modesty standards, as seen in the changes made to Ford Madox Brown's depiction of the footwashing scene.
  • The author seems to appreciate the honesty and vulnerability in the naked portrayals of Jesus, viewing them as a celebration of the beauty and truth of the human form as divinely created.

Jesus was a male stripper

The Christian messiah loves to flaunt that body

I’m looking over the history of Christian art when the deity is unclothed, or nearly so—and that’s a lot. Jesus is the most naked man in history.

Since I might be an unusual Bible commentator to have worked as a stripper, I ought to discuss the many times that Jesus does his routine. It all feels strangely familiar.

Alvise Vivarini, “The Resurrection of Jesus Christ” c.1446

Over and over, Jesus is doing his routine.

He knows how to move, what to flaunt, and what to conceal.

Christ, part of The Resurrection Sculptures By Germain Pilon, Louvre Museum, Paris
Baptist of Jesus in the church Chiesa di San Giacomo in Augusta by Domenico Crespi — Passignano (1600)

When Christians think of Jesus, they want to see a hunky man.

And who doesn’t?

Christians wouldn’t say that God is hot.

Or rather, gay Christians might say it. As Donald Boisvert writes:

“I have no doubt that my first religious palpitations were intensely caught up subconsciously with this desirable figure of a man…”

And after all, Jesus is that muscular, magical, and mostly naked man who hovers above you. Doesn’t everyone wonder what’s under that loincloth?

Or wish it might ever-so-innocently…fall off?

Cathédrale Saint-Maurice 1819 (Angers, France)

In depiction after depiction, there just seems to be erotic excess in odd contrast to the idea of Jesus being tortured or dead.

The dead Christ on the knees of the Virgin Pieta. Painting by Charles Lebrun (1645)

To this day, Jesus is often imagined as quite sexy.

There’s Diogo Morgado’s rather stunning turn as the Son of God in 2013.

Diogo Morgado as Jesus in “Son of God” (2013)

I think of many sexy Jesuses…including Raquel Welsh.

Terry O’Neill, promo image for “One Million Years B.C.” (1966)

Sometimes Jesus is emaciated, or strange.

There are plenty of “weird Jesus” images in Christian history. Are they an effort to distract from sexy Jesus? For so many times, his body is a wonderland of rippling muscles.

Onlookers — human or angel — can seem agitated by his exposed form.

Abraham Janssen van Nuyssen, “The dead Christ in the tomb with two angels” (1610)
Rosso Fiorentino, “The Dead Christ with Angels” (c.1527)

Sometimes Jesus works his stripper pole.

With Caravaggio’s Christ at the Column, I keep finding the focus is the nipple…until then, the eye glides down to his divine abs.

Jesus is always teasing us with that body.

Caravaggio, “Christ at the Column” (1607)

A painting of Jesus is an intricate interplay of eyes and hands.

In the paintings, Jesus is centrally positioned in his unusually unclothed state, often in langorous poses. He is also touched. Is this even the gospel story? Another narrative can seem to be playing out, in which the male body is a subtly sensual, but forbidden form.

Jesus is so teasing, so coy!—so often letting his hand fall to his groin.

Because of course he would.

Giambattista Cima da Conegliano Conegliano, “Dead Christ supported by the Virgin Mary, Nicodemus, Saint John the Evangelist, and the Two Marys”

Lord knows, people around him are often trying to cop a feel.

The Jesus paintings often feature hands oddly placed on him, weirdly snaking into his space, approaching his divine package.

Isn’t that John the apostle…getting handsy?

Giovanni Bellini, “The Dead Christ Supported by the Virgin Mary and St John the Evangelist” c.1465–70

Sometimes, naked Jesus looks like a drunk guy at a bar being eagerly examined.

Even in a wasted state, the messiah’s body is a focus of intense, delighted scrutiny—the male eyes fixed on him, enraptured.

Peter Paul Rubens, “Lamentation of Christ by the Virgin Mary and St John”

The deity sometimes has an erection.

Leo Steinberg discusses the subject in his 1996 book, The Sexuality of Christ in Renaissance Art and in Modern Oblivion, pointing to Maerten van Heemskerck’s Man of Sorrows in 1532.

This is Jesus…waking up with a woodie?

Maerten van Heemskerck, “Man of Sorrows” (1532)

Maerten van Heemskerck did quite a series of sexy Jesus images. I always wonder how long it took to arrange the loincloth just that way.

Maarten Van Heemskerck, “Christ As The Man Of Sorrows” c.1525

Then so often, Jesus is just curiously…flirty?

Old Mission Santa Barbara in Santa Barbara, California
Ripped Christ, preacher of the Qore

But Jesus is often naked in the gospel narratives.

Indeed, they draws attention to him as a naked figure. A birth would often be mentioned, for example, without needing to refer to the child being naked. But there in Luke 2:7 we’re told about when Jesus was “wrapped in swaddling clothes” — evoking the figure of him unclothed.

There’s his circumcision, and baptism. He’s naked in both scenes.

The baptism ritual practiced by John the Baptist isn’t described, but as Jonathan Z. Smith notes in his classic 1966, “The Garments of Shame,” the suggestion seems to be that “the proselyte was nude.”

Reading Matthew 3:13–17, we’re left to imagine a gloriously naked man. The warm winds blowing on his skin.

The Baptism of Christ (c.1305) by Giotto. Fresco. Scrovegni (Arena) Chapel, Padua, Italy
Baptism of Jesus, Frescoes Ex Cappella della SS. Annunziata di Jelsi.
Baptism of Christ. Dome of the Arian Baptistery, Ravenna. 493–526
Baptism of Christ. Neonian (Orthodox) Baptistery Mosaic, Ravenna. late 5th c.
Baptism of Christ by Meister von Daphni c.1100 (Mosaiken der Kirche von Daphni, Szene: Taufe)
Winchester Psalter (12th century)
Paolo Veneziano, “The Baptism of Jesus” (detail of a mid 14th-c. Polyptych)

Jesus is naked in the footwashing scene.

The language of John 13:4 is a little vague. Jesus “removed his outer clothes, took a towel and tied it around himself.” As Joan E. Taylor notes:

“The ambiguity allows for us to imagine a completely naked Jesus with a linen cloth wrapped around his waist, using his only clothing to wash his disciples’ feet…”

The British painter Ford Madox Brown did a treatment — in two versions—of the footwashing scene. The first version was seminude, as survives in sketches and a watercolor. He wrote in his diary:

“…to suit the public taste…it must be clothed! To suit my own, not…”

That’s Christians for you. A painter is made to change the Bible’s scene into something else.

Ford Madox Brown, “Jesus Washing Peter’s Feet” (1852 sketch); “Jesus Washing Peter’s Feet” c.1858

He’s naked in his crucifixion, of course.

Jesus being naked is indicated in the text of the gospels, and was very important to the narration. It was part of the perceived violation.

Jewish men, by tradition, did not appear naked in public. As the scholar Michael L. Satlow has noted, it was seen as “an offense against God.”

Christianity dislikes male nakedness just as much. Despite the gospel text indicating Jesus was naked on the cross, a loincloth is usually depicted—though not always.

Crucifix of Santo Spirito (credited to Michelangelo; c.1492)

Once you go Black Jesus, you never go back.

Steven F. Arnold, “Black Jesus” (1988)

Baptisms were done naked.

That was a surprise to me. I never heard it in church, but early Christian records seem quite clear. Cyril of Jerusalem describes the ritual this way:

“Immediately, then, upon entering, you removed your tunics. This was a figure of the ‘stripping off of the old self with its deeds’. Having stripped, you were naked, in this also imitating Christ who was naked on the cross…”

Naked we follow the naked Christ,” went the old baptismal motto.

baptistery in Catacomba di Ponziano (Rome, Italy)

Nakedness returns us to the Eden we left.

The early Christian cleric John Chrysostom writes of early baptism:

“After stripping you of your robe, the priest himself leads you down into the flowing waters. But why naked? He reminds you of your former nakedness, when you were in Paradise and you were not ashamed.”

Jesus was the ‘new Adam’, and with him the follower re-enters the garden in a state of infancy—a new humanity, without concealment.

This is the New Testament theology, the ‘good news’.

Michelangelo, “The Risen Christ” (1521)

We conceal ourselves since our births.

We learn to lie about every imaginable subject. The truth becomes unthinkable. This is the story the Bible tells.

Then Jesus comes along and says: Naked is beautiful. 🔶

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