avatarChristina Szeman

Summary

The provided content offers guidance on writing effective radio, TV, podcast, and YouTube commercial scripts, emphasizing time constraints, script formatting, and established copywriting formulas.

Abstract

The article titled "How to Write a Radio/TV Commercial." provides insights for freelance writers and copywriters on crafting scripts for various broadcast mediums, including radio, television, podcasts, and YouTube. It highlights the importance of understanding time constraints, with standard commercial lengths ranging from 15 to 90 seconds, reflecting human attention spans. The author, with experience in radio and podcasting, shares personal expertise and recommends tools like a stopwatch or script timer for accurate timing. The piece distinguishes between the text-based nature of radio/podcast scripts and the visual and textual components of TV/video scripts. It advises against novice copywriters worrying about camera angles, leaving such details to directors. The article reiterates classic copywriting formulas such as AIDA and Problem-Agitate-Solve as essential for creating compelling commercials and stresses the need for an attention-grabbing headline and a clear call to action.

Opinions

  • The author believes that time constraints are the most significant difference between scriptwriting and other forms of writing.
  • The author suggests that the "theatre of the mind" is a key concept in radio and podcast commercials, implying the power of audio to evoke imagery.
  • Camera angles are considered outside the scope of a new copywriter's responsibilities, with the author recommending that directors handle these aspects.
  • The author emphasizes the use of proven copywriting formulas, regardless of the medium, to effectively sell a product or service.
  • The author advises that in audio commercials, web addresses are more effective and memorable than phone numbers for call-to-action purposes.

How to Write a Radio/TV Commercial.

Or one for a Podcast and YouTube channel.

Photo by Lavi Perchik on Unsplash.

This is for all you Freelance Writers and Copywriters out there.

The question of how to write a TV commercial came up a few months ago on a Copywriting Facebook group that I was in. It was obviously from someone who doesn’t have broadcasting experience like I do.

Yes, I do have one from 10 years ago. However, most of my experiences were in radio and podcasting. But I do know the format of writing a great TV script.

The Big Difference Between Writing a Script vs. Any Other Form of Writing.

The most significant difference between writing a script and any other form like writing a blog, is time constraint. For screenwriters, a page is a minute. So 90 pages is an hour and a half. The same does go for writing for television, radio, or a podcast. But know that the time limits for those shows are 22 and 45 minutes.

The podcast that I have right now is 45 minutes. I use a stopwatch on my phone or David Tyler — Script Timer. To help me time my script.

If you are writing a commercial in audio or video form, the standard time limits are 15 seconds, 30 (The basic standard), 60, and 90 seconds. The reason for this is because that’s how long a human attention span is.

The best way to time your commercial is to use a stopwatch on your phone, and you do have to read it out loud to make sure that it is the correct time. Reading quietly to yourself won’t do because everyone cannot talk at the same speed that they read. Remember that a voiceover is going to record this.

What does a Radio Commercial Script Look Like

Print Screen by Christina Szeman

A radio/podcast commercial is what I would call the theatre of the mind. The above example, is one of my best scripts that I had written for two local department stores before they started doing it nationally.

What does a TV/Video

The biggest difference between writing a commercial for radio/podcast and writing for TV/YouTube is obvious video.

Even though I haven’t written for video/TV in years (The last time was in Broadcasting School), I have a sample of what the script format looks like:

Print Screen by Christina Szeman

And you do have to write in both columns.

Do I have to Write What Camera Angles to Use For Video?

For a new Copywriter, you don’t have to worry about what camera angles to write down. But you know something about screenwriting, then you could. However, it’s best to let who is going to direct this worry about that.

How do you Sell in a Commercial?

It’s the same copywriting formulas, no matter the medium you choose. For a refresher, here they are:

  • AIDA — Attention, Interest, Desire, and Action.
  • Problem-Agitate-Solve.
  • Feature-Advantage-Benefits.
  • Clear, Concise, Compelling, and Credible.
  • Useful, Urgent, Unique, and Ultra Specific.

Like in all forms of copywriting, you need an attention-grabbing headline in the first or second sentence of your script and a Call to Action. In the case of audio scripts, it’s better to say the web address compared to a phone number. Anything with a .com is easier for a listener to remember. Plus it’s easier for the voiceover to say compared to numbers.

Call to action in TV/Video is better because you can write the business address, phone number, and web address in the video column. It will appear on the screen as a text for the view to read.

I hope that you did learn something new. So you better write one now.

Radio
Television
Podcast
Vidéo
YouTube
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