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Summary

"Don't Worry Darling" is a film that, despite its intriguing premise and strong performances, falls short due to a controversial twist ending that leaves the audience wanting more.

Abstract

The film "Don't Worry Darling" has been met with mixed reviews, praised for its suspenseful narrative reminiscent of M. Night Shyamalan's early work, but criticized for its twist ending that echoes the unsatisfying reveals of films like "Serenity." Critics argue that the movie's conclusion, which occurs as the protagonist Alice wakes up from her 1950s alternate reality, is too abrupt, robbing the audience of a satisfying resolution to her struggle against the oppressive organization. However, some viewers interpret the film as a powerful allegory for escaping abusive relationships, suggesting that the ending successfully captures the crucial moment of initial liberation from such circumstances. Despite the divisive ending, the film has sparked significant discussion and has been compared to other complex narratives that tackle the theme of awakening from a controlled reality.

Opinions

  • The twist ending of "Don't Worry Darling" is seen as a letdown, similar to the disappointing twists in M. Night Shyamalan's later films.
  • Critics feel that the movie ends prematurely, denying viewers a climactic confrontation and a clear depiction of the aftermath of Alice's awakening.
  • The film's conclusion is defended by those who view it as an allegory for breaking free from an abusive relationship, where the focus is on the act of escape rather than the events that follow.
  • The desire for a more conclusive ending is linked to American cultural preferences for definitive victories, as discussed in Max Brooks' "World War Z."
  • Some argue that the film doesn't require a sequel or additional acts to complete its narrative, as the story's core message is effectively conveyed by the ending.
  • The movie is compared to "Vanilla Sky," where the protagonist's awakening provides a sense of closure, contrasting with "Don't Worry Darling," which leaves the audience hanging.
  • The twist in "Don't Worry Darling" is deemed more effective than that of "Serenity" because the main character, Alice, is portrayed as a real person rather than a computer program, making her struggle more relatable and her escape more impactful.

‘Don’t Worry Darling’ Leaves Every Reason To Worry

Follow these exact instructions or you’ll wake up trapped in 1950s Americana with Jordan Peterson

Don’t Worry Darling (Warner Bros)

Don’t Worry Darling, an almost-perfect movie, posits an alternate reality where Shyamalan continued to make incredible movies with terrible endings.

It was perfect until

I haven’t felt that compelled to simply understand wtf is going on since M Night Shyamalan’s early work — see Wide Awake, The Sixth Sense, and Stuart Little.

Then came the twist.

Lots of critics loved Don’t Worry Darling until the twist.

The twist is eerily similar to Serenity. Not the sci-fi western thriller, but the sci-fi thriller starring the guy with the southern drawl.

If you’ve seen that Serenity, then your heart maybe skipped a beat when the twist for Don’t Worry Darling came forward and tried to take the “oh it’s present day disguised as a historical period” crown from Shyamalan’s last great movie The Village.

Is the twist as bad as critics say?

RT Consensus: “Despite an intriguing array of talent on either side of the camera, Don’t Worry Darling is a mostly muddled rehash of overly familiar themes” (Rotten Tomatoes)

I don’t think it’s really that the twist is bad. I think it’s that the movie ends without showing what happens after Alice wakes up.

In his legendary anthology novel World War Z (adapted into a legendarily bad movie), author Max Brooks said that Americans tend to prefer not just a victory, but an overwhelming victory. Anything less feels like nothing.

Because Don’t Worry Darling ends as Alice wakes up, we’re denied the chance to witness a final confrontation with the organization she almost certainly will face once she opens her eyes. Her battle may have only just begun.

Compare that ending to Vanilla Sky — what some would consider the last great movie by Cameron Crowe (We Bought A Zoo was just fine).

Don’t Worry Darling (Warner Bros); Vanilla Sky (Paramount Pictures)

Tom Cruise follows the instructions to “abre los ojos,” thus awakening to what seems a hopeful far future run by the organization keeping him alive. We don’t need to know what happens afterward. A happily ever after is a happily ever after.

‘Don’t Worry Darling’ is a bad dream that never ends

Alice isn’t facing a nightmare that will leave her as soon as she opens her eyes. Even with Frank dead and Shelley taking control, the now-empowered matriarch is unlikely to intervene — at least in time — to stop the security coming to kill Alice.

There’s an easy third act — or an entire sequel — about Alice facing Shelley in the real world. You could fit a secret mid-quel into the trilogy, like Unbreakable, Split, and Glass, that essentially retells Don’t Worry Darling with a new cast, but with the subversive experience possible when the audience begins the story knowing better.

Remember what James Cameron did with Aliens once there was no point waiting to show the xenomorph? And like the Eastrail 177 trilogy, the third movie could join the two storylines with Alice taking on Shelley.

I’m going to step on my own point, though. The movie doesn’t need a third act, sequel, or trilogy.

It’s an allegory for escaping abuse

If you watch the movie as an allegory for escaping an abusive relationship, then the movie not only doesn’t need to show what happens after Alice wakes up, showing it would be redundant.

In Serenity, the twist undoes everything because the main character is a computer program that will disappear from existence if he succeeds.

If they’d found a way to Thirteenth Floor Matthew McConaughey’s character and bring him into the real world, I think we’d still be talking about the movie. In glowing terms, I mean. Not as another example of a great film that feels retroactively terrible once the big twist is unveiled.

Don’t Worry Darling works despite the same terrible twist

Don’t Worry Darling works despite the same terrible twist as Serenity because the main character isn’t a computer program. Alice is a real person. Save for a few easily-cut moments, the audience would have only vague suggestions what kind of “program” she’s trapped inside.

The ending — punctuated by Alice’s first woken breath — illustrates that the most important moment when escaping an abusive relationship is that first step toward escape.

I didn’t understand this until I watched the movie a second time

Don’t Worry Darling (Warner Bros)

For me, the obstacles standing in the way of that first step were nearly impossible to overcome. So many of them had to be confronted inside myself.

But once I managed to take that first step, you may as well call me the Juggernaut, bitch.

Don’t Worry Darling is streaming now on HBO.

The End

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Psychology
Abuse
Horror
Movies
Mental Health
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