avatarMai Yamamoto

Summary

The web content discusses the traditional structure of Haiku poetry and the flexibility of the 5-7-5 syllable rule in English adaptations.

Abstract

Haiku poetry traditionally follows a 5-7-5 mora structure in Japanese, which is often mistaken for syllable count. In English Haiku, the focus is on syllables rather than moras, but the strict adherence to the 5-7-5 structure is not mandatory. The content explores the idea that the essence of Haiku lies beyond the syllable count, emphasizing simplicity and the evocation of imagery. It acknowledges that some Japanese Haiku poets have deviated from the standard 17 moras, and similarly, English Haiku can be flexible in structure, allowing for variations like 4-7-4 or 2-3-2 syllables. The author suggests that the priority in Haiku should be the conveyance of a 'Haiku moment' using simple language, rather than strictly following the syllable rule.

Opinions

  • The author believes that the beauty of Haiku poetry is not solely dependent on the 5-7-5 syllable structure.
  • There is an acceptance of deviations from the standard Haiku structure, with examples of "Ji-amari" (too many letters) and "Ji-tarazu" (not enough letters) in Japanese Haiku.
  • The author emphasizes that simplicity and the choice of concise words are more critical in Haiku than the syllable count.
  • The author quotes Mr. Kiuchi, who advocates for the use of short, less syllabled words in Haiku poetry.
  • The content suggests that the joy of Haiku comes from inspiring the audience with a vivid depiction of a moment, using minimal expression.
  • The author invites readers to explore their Haiku and Tanka poetry in the "Etude of Creativity" publication for further insights into creative writing practices.

Does Haiku poetry always have to have only 5–7–5 syllables?

I know it’s a basic rule of Haiku, but can I violate it?

Image by Jiradet Inrungruang, on Pixabay

Haiku is a traditional poetry style in Japan. It has to be composed of 5–7–5, a total of 17 moras in Japanese. (The term ‘mora’ is confused with a Japanese letter. Lots of Japanese people even believe that Haiku has 17 letters, but precisely speaking, it should be said ‘moras.’)

When it comes to Haiku written in English, you need to focus on syllables. Haiku poem is supposed to have 5–7–5 syllables in English. This structure makes your poem be a Haiku poem.

Though I know it is the basic rule of Haiku poetry, but I am a person who always thinks about going my way. My question is: how strictly do we need to follow this rule? Is it essential that Haiku poem always have to have 17 syllables only?

In Japanese Haiku poetry, there are some exceptions. There are some Haiku poems with 18 moras or 16 moras. Standard Haiku has 17 moras, but some poets composed Haiku poems with 18 moras or more which we call “Ji-amari,” meaning ‘too many letters.’ On the other hand, a Haiku poem with 16moras or less is called “Ji-tarazu,” which means ‘not enough letters.’

I researched some more information. I read about Haiku poetry in English and Japanese. My conclusion is: you don’t always have to write Haiku poems with 5–7–5 syllables.

Haiku poetry in Japanese, it has a 5–7–5 moras structure, but in English, it doesn’t really matter. They say that you don’t have to be obsessed with the rule of syllables, because the composition of 5–7–5 English syllables don’t always sound beautiful, so you can write 4–7–4 or even 2–3–2 syllables.

I think that you need to focus more on simplicity. You should not be wordy when you write Haiku poetry. Mr. Kiuchi also said that short words, less syllabled words, are preferred. Big and long words are not very suitable in Haiku poetry, he wrote.

What I understood is: the joy of Haiku poetry is using simple words and minimising your expression to draw a colourful picture of your ‘Haiku moment’ so that you can inspire your audience. The rule of syllables is less important than that.

If you are interested in my Haiku & Tanka poems, please visit my publication ‘Etude of Creativity,’ category ‘Haiku 100.

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