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ide that big rig, snowman! “Texas Bound and Flyin’”, distributed Sept. 10, 1980, as Jerry Reed’s 26th album on RCA Victor rose to No. 43 C&W and No. 208 POP. The title cut plays prominently during “Smokey and the Bandit II” and was a Top 30 C&W hit, but Reed’s commercial instincts were dwindling by the dawn of the decade of greed. A visit to Muscle Shoals, Alabama, and producer Rick Hall fortunately reversed Reed’s trajectory a couple of years later with “She Got the Goldmine [I Got the Shaft],” “The Bird,” and a freewheeling cover of Creedence Clearwater Revival’s “Down on the Corner.” Artwork by Jack Davis / Art Direction by Herb Burnette / Pinwheel Studios / Sony Music Entertainment / Discogs</b></figcaption></figure><figure id="6771"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*GxyoZ_owWgCSr4DgjbCrOg.jpeg"><figcaption><b>Elvis Presley’s original drummer D.J. Fontana [1955–1968], Conan O’Brien, Elvis’ founding guitarist Scotty Moore [1954–1968], and guitarist Jimmy Vivino of the Max Weinberg 7 converge in a dressing room at “Late Night with Conan O’Brien.” Moore and Fontana sat in with the band on the Feb. 24, 1998, telecast of the NBC late night staple since they were in New York to attend the Grammy Awards on behalf of their Grammy-nominated all-star record, “All the King’s Men.” Image Credit: Scotty Moore’s <a href="http://www.scottymoore.net/conan.html">official website</a></b></figcaption></figure><figure id="938b"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*RBJ4jrZz6x06trcoa8cQ3w.jpeg"><figcaption><b>Just a driftin’ cowboy in the aftermath of acrimoniously exiting “The Tonight Show:” A fantastic publicity shot for a bearded, supposedly cigarette smoking Conan O’Brien’s debut trek across North America, “The Legally Prohibited from Being Funny on Television Tour,” which plotted 43 dates between April and June 2010. Image Credit: <a href="https://teamcoco.com/">Team Coco</a></b></figcaption></figure><figure id="d924"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*1sfwTWjPzgLp4gaj8MwJqA.jpeg"><figcaption><b>Fan art depicts Conan O’Brien as a Kentucky Colonel resembling musician circa Dec. 9, 2014. The red lipstick on O’Brien’s white collar is a nice token of affection. Image Credit: Team Coco’s official <a href="https://twitter.com/TeamCoco">Twitter</a></b></figcaption></figure><figure id="d283"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*b2tDwGFw7F8uT3G2kefl0Q.jpeg"><figcaption><b>During the week of March 31-April 3, 2014, Conan O’Brien brought his “Conan” TBS late night talk show to the historic Majestic Theatre in Dallas, Texas. This “Late Serenade” illustration was created by Ryan Howerton / <a href="https://www.behance.net/gallery/16326261/Conan-Dallas-Week">Behance</a></b></figcaption></figure> <figure id="69ca"> <div> <div> <img class="ratio" src="http://placehold.it/16x9"> <iframe class="" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FVZY7L0p2Gj0%3Ffeature%3Doembed&amp;display_name=YouTube&amp;url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DVZY7L0p2Gj0&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FVZY7L0p2Gj0%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" allowfullscreen="" frameborder="0" height="480" width="854"> </div> </div> </figure></iframe></div></div></figure> <figure id="8e87"> <div> <div> <img class="ratio" src="http://placehold.it/16x9"> <iframe class="" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2F70-EUO1zezM%3Ffeature%3Doembed&amp;display_name=YouTube&amp;url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D70-EUO1zezM&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2F70-EUO1zezM%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" allowfullscreen="" frameborder="0" height="480" width="640"> </div> </div> </figure></iframe></div></div></figure> <figure id="3861"> <div> <div> <img class="ratio" src="http://placehold.it/16x9"> <iframe class="" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FkRPAXlziYGI%3Ffeature%3Doembed&amp;display_name=YouTube&amp;url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DkRPAXlziYGI&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FkRPAXlziYGI%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" allowfullscreen="" frameborder="0" height="480" width="640"> </div> </div> </figure></iframe></div></div></figure><div id="c105" class="link-block"> <a href="https://readmedium.com/tony-bennetts-last-christmas-with-zany-late-night-host-conan-o-brien-a2ce8fc9ae3c"> <div> <div> <h2>Tony Bennett’s last Christmas with zany ‘Late N

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Conan O’Brien’s shout-out to great guitar picker Jerry Reed

Forty-two-year-old badass axe slinger Jerry Reed knows he’s hot on the October 1979 cover of Country Music magazine, then “America’s Number One Country Publication.” Image Credit: Cumulus Media / Pinkeye-Private-I [Tumblr]

Three-time Grammy winner and Fender Telecaster maven Brad Paisley is on record as contending, “Because Jerry Reed was such a great, colorful personality with his acting, songs, and entertaining, sometimes people don’t notice that he was just about the best guitarist you’ll ever hear.” In the intro of the Dec. 5, 2022, SiriusXM Conan O’Brien Needs a Friend podcast with guest Lizzy Caplan, the former late night pro concurred.

Riffing about the excellence of Burt Reynolds’ late ’70s box office behemoth Smokey and the Bandit, the 100% Irish O’Brien’s quick-witted improv lieutenant Matt Gourley, also the songwriter and guitarist for Americana quartet Townland, set the train in motion when he said, “Jerry Reed, the finest musician who ever lived.” Seizing the ball, O’Brien elaborated, “Shout out to the late Jerry Reed, one of the great pickers of all time who wrote wonderful songs for Elvis Presley [‘Guitar Man,’ ‘U.S. Male,’ ‘A Thing Called Love,’ and ‘Talk About the Good Times’], among some [e.g. Brenda Lee’s ‘That’s All You Gotta Do,’ ‘Misery Loves Company,’ a hit for Porter Wagoner and eventually Ronnie Milsap, Dean Martin’s ‘Georgia Sunshine,’ and Johnny Cash’s essential ‘A Thing Called Love’].

“Jerry was a great recording artist in his own right [‘Hallelujah I Love Her So,’ ‘Amos Moses,’ ‘When You’re Hot, You’re Hot,’ ‘Ko-Ko Joe,’ ‘Lord, Mr. Ford,’ ‘She Got the Goldmine (I Got the Shaft),’ and ‘The Bird’]. He went on to be the sidekick in the Smokey and the Bandit trilogy [and wrote the oft-covered theme song, ‘East Bound and Down’]. A terrific actor [Reynolds’ Gator, Robin Williams and Walter Matthau’s The Survivors, Gene Hackman’s Bat*21, and Adam Sandler’s The Waterboy]. I never got to meet him. I wish I had.”

When O’Brien’s absurd comedy gained momentum in the late ’90s—the aspiring guitarist’s trademark red pompadour graced the cover of Rolling Stone—Reed’s career was also on the upswing after a decade of radio silence, major record label indifference, and crummy hole-in-the-wall gigs. The multitalented wild man had a new album named Pickin’, joined the Shel Silverstein-assisted Old Dogs country supergroup with Waylon Jennings, Bobby Bare, and Mel Tillis, and tormented Waterboy Adam Sandler in the role of redneck college football coach Red Beaulieu. O’Brien’s Elvis adulation knows no bounds, so it’s perplexing why Late Night music booker Jim Pitt never made the call to Reed’s Nashville office.

Listen officer, ole buddy, ole pal, I won’t speed again, have you gotta write me a ticket? The rear cover of Jerry Reed’s “East Bound and Down” LP, dropped in August 1977 by RCA Victor and containing three new songs from the “Smokey and the Bandit” movie — Reed’s title cut co-written with Dick Feller, Feller’s “The Bandit,” and Reed’s “The Legend” — and seven previously released songs. The album rose to No. 10 on the C&W chart and saw a little crossover action on the pop chart at No. 203. Photography by Herb Burnette / Art Direction by Mary Lancaster / Sony Music Entertainment / Discogs
Ride that big rig, snowman! “Texas Bound and Flyin’”, distributed Sept. 10, 1980, as Jerry Reed’s 26th album on RCA Victor rose to No. 43 C&W and No. 208 POP. The title cut plays prominently during “Smokey and the Bandit II” and was a Top 30 C&W hit, but Reed’s commercial instincts were dwindling by the dawn of the decade of greed. A visit to Muscle Shoals, Alabama, and producer Rick Hall fortunately reversed Reed’s trajectory a couple of years later with “She Got the Goldmine [I Got the Shaft],” “The Bird,” and a freewheeling cover of Creedence Clearwater Revival’s “Down on the Corner.” Artwork by Jack Davis / Art Direction by Herb Burnette / Pinwheel Studios / Sony Music Entertainment / Discogs
Elvis Presley’s original drummer D.J. Fontana [1955–1968], Conan O’Brien, Elvis’ founding guitarist Scotty Moore [1954–1968], and guitarist Jimmy Vivino of the Max Weinberg 7 converge in a dressing room at “Late Night with Conan O’Brien.” Moore and Fontana sat in with the band on the Feb. 24, 1998, telecast of the NBC late night staple since they were in New York to attend the Grammy Awards on behalf of their Grammy-nominated all-star record, “All the King’s Men.” Image Credit: Scotty Moore’s official website
Just a driftin’ cowboy in the aftermath of acrimoniously exiting “The Tonight Show:” A fantastic publicity shot for a bearded, supposedly cigarette smoking Conan O’Brien’s debut trek across North America, “The Legally Prohibited from Being Funny on Television Tour,” which plotted 43 dates between April and June 2010. Image Credit: Team Coco
Fan art depicts Conan O’Brien as a Kentucky Colonel resembling musician circa Dec. 9, 2014. The red lipstick on O’Brien’s white collar is a nice token of affection. Image Credit: Team Coco’s official Twitter
During the week of March 31-April 3, 2014, Conan O’Brien brought his “Conan” TBS late night talk show to the historic Majestic Theatre in Dallas, Texas. This “Late Serenade” illustration was created by Ryan Howerton / Behance

© Jeremy Roberts, 2023. All rights reserved. To touch base, email [email protected] and mention which story led you my way. I appreciate it sincerely.

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