avatarNatalie Frank, Ph.D.

Summary

The text is a haibun, a poetic form combining prose and haiku, that describes the author's longing for the perfect Autumn night, filled with inspiration and creativity, culminating in a reflective observation of a lunar eclipse and its transformative effect on the senses and emotions.

Abstract

The author expresses a deep yearning for an ideal Autumn evening, one that is neither too humid nor too cold, but filled with the crisp scent of apple cider and the promise of inspiration. This perfect setting leads to a productive period where ideas flow freely, often requiring the author to capture them hastily. The author reflects on the fleeting nature of creativity and the exhaustion that follows, yet there is no frustration, only a sense of fulfillment akin to the joy of a day well-spent by the shore. As the night deepens, a total lunar eclipse occurs, and the author describes the moon's transformation from a blood-red orb to a pinkish hue, resembling a false sunrise. This celestial event is observed with awe and serves as a metaphor for the passage of time and the washing away of past disappointments. The changing moon ushers in new scents, signaling the transition from summer to winter, and the author experiences a moment of sensory overlap, smelling vanilla, gardenia, and cinnamon. The poem concludes with the stars appearing like gemstones, their dance reflecting hope for a glorious future, and the author feeling a connection with the universe, cleansed and ready for what's to come.

Opinions

  • The author has a profound appreciation for the sensory experiences associated with the changing seasons, particularly Autumn.
  • Inspiration and creativity are personified as a muse who visits the author on these perfect Autumn nights.
  • There is a sense of gratitude and contentment for the creative process, even when it is exhaustive.
  • The lunar eclipse is portrayed as a significant and almost sacred event, enhancing the author's sense of wonder and connection to the cosmos.
  • The author values the transformative power of nature and celestial phenomena, viewing them as catalysts for personal reflection and renewal.
  • The haibun form is effectively used to convey a narrative that flows from the personal to the universal, culminating in a haiku that encapsulates the essence of the experience.

An Original Haibun

All Within a Changing Seasons

I long for the chill of an Autumn night. True autumn, not too humid, for that is still summer. Nor too cold, causing shivers, for that already is winter. Just the absolute perfection of crisp honeyed air, a hint of apple cider on the back of the tongue. I long for the kind of night when inspiration is guaranteed, when my muse can’t keep herself from coming to dance.

For these few days we are friends, genuinely enjoying each others’ company, as the luscious nights fill with scribbled ideas on cocktail napkins, and advertising flyers and the backs of hands when words still aren’t through. When I tire, I don’t have to turn to know she is gone.

But whether this was due to my own exhaustion, too many ideas taken down and partially developed too quickly to not lose the moment. Or perhaps my exhaustion is but a reflection of her own so she felt the need to flee. Anything further from me tonight will come from sheer work devoid of inspiration.

But even though the time of ideas has passed for now, it is not frustration that I feel, but a delicious weariness of played out creativity. It is the feeling of coming in out of the sun after a wonderful day of pure happiness along the shore line. Now, like then, I stay a bit longer in this mindset.

The night grows deeper, darker, blacker still, til the moon, totally eclipsed, turns to blood. With no one else to notice it, it bends toward the breakwater and me. Not wanting to disappoint, I move hesitantly to meet it, but stop just short. I don’t think I am meant to climb right beneath it’s red drenched mantle and so I stand back.

Even far away I must crane my neck to take in it’s enormous girth. I look directly at it as a more normal light begins to seep around the edges of Luna’s gentle form, causing the deep red to pinken, like a false sunrise. The stars, like gemstones, flicker to life again, scared before by the unusual machinations of the planets, which even ones as old as they have only observed a handful of times.

But even as I gaze upon the rust colored orb set aways a distance, it leans in closer and I can see it’s outline freed from the earth on which I stand. Without need for words or ideas, my writing done, I can just appreciate it, let it fill me up, it’s power washing over me, washing me clean of another year’s disappointment.

Within me, the blood red moon shifts the clear cool air to gently move my summer scents of vanilla and gardenia and usher in my winter with to scent of cinnamon. For an instant I can smell all three and feel them on my lips.

I close my eyes, inhale deep, then open them to see all about me the wistful stars. They caper and careen as if they are courting, their pale faces turned up in joyful supplication, hopeful in the coming of a glorious future. Their dance says they wish the same for us.

early sleepless fall yearning for what never was mind sharpened heart hopes

Natalie Frank (Taye Carrol) has had work featured in Haunted Waters Press, Weirdbook Magazine, Siren’s Call Publications, Lycan Valley Press & Zero Fiction among others. Her poetry has been featured in several anthologies. She is Editor for 1-One-Infinity, The Partnered Pen & One Table, One World and is Editor in Chief for Promposity & Mental Gecko. She is also the Managing Editor for Novellas & Serials at LVP Publications.

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Poetry
Creativity
Life
Psychology
Hope
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