avatarErika Burkhalter

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’s Note</i>: Nesmith playfully encourages Burton, drawling “Aw, pick it, Luther” midway through the renowned chicken pickin’ guitar solo in a nod to Johnny Cash’s original lead guitarist Luther Perkins.] James also led me to the Wrecking Crew. I didn’t follow Rick’s work at all.</p><figure id="4ccf"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*HZDCimzchmzc8JS_zl2T7A.jpeg"><figcaption><b>Twenty-four-year-old newly married rocker Rick Nelson shields his eyes from an unrelenting sun for the album cover of “The Very Thought of You,” dropped with little notice during the onslaught of the British Invasion on August 3, 1964, via Decca Records. The bouncy title cut, a clever reimagining of a pop standard written in the 1930s and cut by Bing Crosby, was nearly Nelson’s final Top 30 single until the iconic “Garden Party” literally arrived outta nowhere eight years later. Image Credit: 45Worlds user Vidman45 / Universal Music Group</b></figcaption></figure><p id="971d"><b>In hindsight, was RCA Victor the best label to launch your solo career?</b></p><p id="85d1">It was the only option I had. By that time the Monkees were a pariah among the show business and creative community — and the Monkees fans were confused by this. My venture into my solo efforts was not well received in 1969 but I think the RCA execs thought they could market my music on the back of my Monkees celebrity in a way no other record company could.</p><p id="8c03">However as time went on they actually became interested in the songwriting and Felton Jarvis and Chet Atkins took notice — but no one — not even them — from the record company got too close. They didn’t know what to make of the Monkees backlash and so they sat on the sidelines well clear of me to see how it would all shake out. I can hardly blame them. Those were rough seas.</p><figure id="d8dd"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*ZWYt0CPTl7Cb45nTTqnJeQ.jpeg"><figcaption><b>Pedal steel guitarist Red Rhodes, bassist John London, partially obscured drummer John Ware, and Michael “Papa Nez” Nesmith constitute the First National Band in this revealing 1970 candid, possibly taken during a television taping due to the confined stage area. Image Credit: The Dana Harris Rhodes Collection</b></figcaption></figure><p id="573b"><b>The B-side to “Silver Moon” was “Lady of the Valley”, both ultimately included on <i>Loose Salute</i> in December 1970. Red Rhodes has a memorable pedal steel solo, the rhythm section is locked in tight on a Latin-influenced groove, and your multilayered vocals have a soothing, ethereal effect, particularly on the following couplet: “Days, sleeping days, waves, gentle waves, join in the rhyme…” Can you recall your inspiration for the song?</b></p><p id="51aa">“Lady of the Valley” was one of those songs that Red propelled. The sonics of his steel and the way he played it seemed to make the song appear in my head almost complete. I think I recall sitting in rehearsal one day and starting to play the song and it came out almost all in one piece.</p><p id="32fc"><b>In listening to your effective covers of “Tumbling Tumbleweeds” [<i>Nevada Fighter</i>, May 1971] and “Prairie Lullaby” [<i>Pretty Much Your Standard Ranch Stash</i>, October 1973]</b>, <b>I am reminded of the B-western singing cowboy phenomenon of the late ’30s thru early ’50s, an era when the Sons of the Pioneers, Roy Rogers, Gene Autry, and Tex Ritter captured the hearts of many adolescents and adults alike. In fact, ”Tumbling Tumbleweeds” made its official debut in the 1935 Autry film of the same name. As a young boy growing up in Texas, did you attend Saturday matinees and possibly develop an admiration for any of the singing cowboys?</b></p><p id="0af7">I was never very interested in singing cowboys. I didn’t understand the creative dynamic. It was more a source of puzzlement than inspiration. So I did not go to the movies or buy the outfits. Some adults would give me hats or cap pistols — but I never used them.</p><figure id="4057"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*jgPXhlIdlABMwhqeZEE-tQ.jpeg"><figcaption><b><i>Papa Nez tackles a guitar riff on his ubiquitous Black Beauty Gibson Les Paul at the RCA Music Center of the World recording studio in Hollywood circa 1971. Image Credit: Videoranch3D</i></b></figcaption></figure><p id="de65"><b>“Mama Rocker” contains one of your best rock ’n’ roll vocals alongside some dynamic, fuzz-drenched guitars recorded with the short-lived Second National Band. Where did you get the idea for the song?</b></p><p id="a686">The band was a lifeboat band when the First National Band disassembled. Mike Cohen [keyboards, Moog synthesizer] and drummer Jack Ranelli were advanced musicians and opened some doors for me I don’t think I could have gone through otherwise.</p><p id="2e98">“Mama Rocker”, the lead-off track on <i>Tantamount to Treason</i> [February 1972] was one of them — although I don’t know if they ever got the connection between the inspiration for that and their jazz chops.</p><p id="97d6"><b>Does “Roll with the Flow”, a tale of an individualist’s encounter with a lackluster lover who tries to convince him to build a relationship and a didactic minister who wants to convert him to Christianity, accurately reflect your life philosophy? The applicable final verse, “In the final analysis it’s foolish if you resist the changes that come into your everyday life, there might be some trepidation but don’t let hesitation deprive you of hope and try to replace it with fear…”, demonstrates that the song is worthy of rediscovery. The chorus has a sing-along vibe that appears to be tailor-made for a live setting.</b></p><p id="8e4c">The last song on <i>And the Hits Just Keep on Comin’</i> [August 1972], it has some of the early notions of my present thought about things — constant change has a familiar ring to all of us — but the song is not so much about that. It is more Taoist than anything, although I hate to saddle a tune like “Roll with the Flow” with such weight.</p><p id="02f4">I thought it might flourish at the hands of some hard rockers but I have no clue who that might be — and the rhyme and meter don’t seem to be natural to contemporary music. The most notable aspect of the song in my life was that my Uncle Chick asked me to play it several times whenever I visited him.</p><figure id="411d"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*pBIQ-DenOFyozrZclV2lZA.jpeg"><figcaptio

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n><b>Papa Nez embraces his inner cowboy as he defiantly wears a psychedelically inspired Nudie suit circa 1972, actually also worn to the premiere of the Monkees’ commercially underwhelming “Head” film in November 1968. The image also appears on the European CD reissue coupling “Magnetic South” and “Loose Salute.” <i>Image Credit: Camden International / Sony Music Entertainment</i></b></figcaption></figure><p id="573f"><b>In the early twenty-tens you toured significantly compared to the previous 30 years. Did it have an adverse or positive effect on your writing?</b></p><p id="06b8">Very positive in terms of making me want to do more performing — but I haven’t started “writing to the band” yet. I am comfortable with Paul Leim and bassist Joe Chemay but Chris Scruggs [mandolin, steel guitar, six-string guitar] and keyboardist Boh Cooper are discoveries for me and I am excited by what they are teaching me.</p><p id="58b3">I have more to learn before I start writing here. Just the thrill of playing the tunes I have written over 50 years with this group is about as much fun as I can stand right now — and it takes all my time. I am so glad I decided to do this. It has been an unimagined joy [<i>Author’s Note:</i> Much to fans’ consternation, Nesmith bowed out of the Monkees’ highly publicized 50th Anniversary Tour in 2016 to complete his debut memoir, <a href="http://www.videoranch3d.com/infinite-tuesday.html"><i>Infinite Tuesday: An Autobiographical Riff</i></a>, although he was thoroughly involved in their Top 20 comeback record, <i>Good Times!, </i>circulated earlier that summer].</p><figure id="6e56"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*UkF-Aea5pSeB2ktQAW2lJQ.jpeg"><figcaption><b>On August 5, 2016, Michael Nesmith mischievously clutches a pair of mustard yellow Converse sneakers backstage during a rare guest appearance on the Monkees’ 50th Anniversary Tour at the Golden State Theater in Monterey, California. Photography by Gemma “Coco” Dolenz [younger sister of Micky Dolenz]</b></figcaption></figure> <figure id="d3dc"> <div> <div> <img class="ratio" src="http://placehold.it/16x9"> <iframe class="" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FsdiEMIbqkBg%3Ffeature%3Doembed&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DsdiEMIbqkBg&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FsdiEMIbqkBg%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" allowfullscreen="" frameborder="0" height="480" width="640"> </div> </div> </figure></iframe></div></div></figure> <figure id="9ec0"> <div> <div> <img class="ratio" src="http://placehold.it/16x9"> <iframe class="" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FbTEz-7QjsyI%3Ffeature%3Doembed&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DbTEz-7QjsyI&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FbTEz-7QjsyI%2Fhqdefault.jpg&amp;key=d04bfffea46d4aeda930ec88cc64b87c&amp;type=text%2Fhtml&amp;schema=youtube" allowfullscreen="" frameborder="0" height="480" width="854"> </div> </div> </figure></iframe></div></div></figure> <figure id="c456"> <div> <div> <img class="ratio" src="http://placehold.it/16x9"> <iframe class="" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FDEUM5cUhLfM%3Ffeature%3Doembed&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DDEUM5cUhLfM&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FDEUM5cUhLfM%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" allowfullscreen="" frameborder="0" height="480" width="640"> </div> </div> </figure></iframe></div></div></figure><div id="1119" class="link-block"> <a href="https://readmedium.com/monkee-micky-dolenz-promises-piston-power-in-a-city-near-you-d6ff96e302a5"> <div> <div> <h2>Monkee Micky Dolenz promises piston power in a city near you</h2> <div><h3>Oddball Gretsch drummer Micky Dolenz tallied 12 Top 40 A-sides on Billboard’s Hot 100 with the Monkees, still the most…</h3></div> <div><p>medium.com</p></div> </div> <div> <div style="background-image: url(https://miro.readmedium.com/v2/resize:fit:320/1*uV-7hk5Nl88rAysjXEKhOQ.jpeg)"></div> </div> </div> </a> </div><div id="398c" class="link-block"> <a href="https://readmedium.com/you-dont-need-love-to-love-insists-monkees-heartthrob-davy-jones-ecc2479051b1"> <div> <div> <h2>You don’t need love to love insists Monkees heartthrob Davy Jones</h2> <div><h3>“You gotta have love to love, they all say it works that way, but if it’s true, why do I love you?” “Love to Love” was…</h3></div> <div><p>medium.com</p></div> </div> <div> <div style="background-image: url(https://miro.readmedium.com/v2/resize:fit:320/1*o7BORTUFirHCDSbQytXdFQ.jpeg)"></div> </div> </div> </a> </div><div id="12a8" class="link-block"> <a href="https://readmedium.com/listen-to-the-band-when-the-monkees-slayed-jacksonville-s-florida-theatre-97ec1e5616dd"> <div> <div> <h2>‘Listen to the Band!’ When the Monkees slayed Jacksonville’s Florida Theatre</h2> <div><h3>The Monkees performed a dose of good clean fun on June 6, 2011, at the historic Florida Theatre in Jacksonville…</h3></div> <div><p>medium.com</p></div> </div> <div> <div style="background-image: url(https://miro.readmedium.com/v2/resize:fit:320/1*Pi2b3hFJLZcUNh0FB1n3gw.jpeg)"></div> </div> </div> </a> </div><p id="6a2f"><i>© Jeremy Roberts, 2013, 2017. All rights reserved. To touch base, email <a href="mailto:[email protected]"></a></i><a href="mailto:[email protected]">[email protected]<i></i></a><i> and mention which story led you my way. I appreciate it sincerely.</i></p></article></body>

“I am a Starling, an iridescent, white polka-dotted creature of the sky.” Photo ©Erika Burkhalter

Nature, Photography

A Starling Sighting on Horseshoe Loop

Zooming in on Starlings with my Nikon COOLPIX P1000. What an intriguing little bird!

If you’ve been reading my hawk tales of late, you’ll know that I’ve been following “Andromeda, Alonso” and “Elena” while on my mountain bike rides through the hills of Southern California and in my own backyard.

I’ve always loved nature photography (and birds in particular), but I’ve never wanted to bring one of my nice cameras out on the trail with me, for fear of crashing my bike (which happens with some frequency) and crushing the expensive equipment. But I’ve been so curious about what the various birds I was seeing were doing, and what, exactly, types of birds they are.

So, I recently bought a Nikon COOLPIX P1000, which has a megazoom. It’s not sooooo expensive that if I land on a rock and kill it, I would be crushed. And it has a lot of really cool features. Namely, it can zoom. It has a 125x optical zoom (24–3000mm full-frame equivalent).

And, while some of the photos have been sharp as a tack, others, taken while birds are grooming or about to fly have not been quite as sharp as I’d like. But, nonetheless, a whole new world, which I wasn’t able to see before, has opened up in front of me.

I’ve seen my neighborhood crows courting for the last couple of weeks. It’s not quite time for nest building, but last year I watched them gathering twigs and frantically carrying them to the top of the pine tree a couple of houses over. Right now they are squawking to each other with urgency and flying side by side through the wild blue yonder.

So, when I saw some small black birds perched in a tree near the riparian corridor next to Horseshoe Loop, where I ride most days, I was sure they were baby crows.

Baby Crows? Nope. Photo ©Erika Burkhalter

I hopped off of my bike and tried to zoom in. But these birds were busy, busy, busy. They were chatting and grooming and would not sit still long enough to pose for a photo.

I got a lot of photos like this one:

“I am a headless bird.” Photo ©Erika Burkhalter

Or this one:

“If you try to take my picture, I will fly away!” Photo ©Erika Burkhalter

I did get a few decent shots of the one bird who stayed put for a bit while I was fiddling with my camera.

“I’m sort of interested in what you are doing, photographer lady.” Photo ©Erika

Until he turned his back on me:

“I shall turn away!” Photo ©Erika Burkhalter.

But, he could not resist for long. He knew that I watching him and he was curious.

“OK, I’ll take a quick peek.” Photo ©Erika Burkhalter

And then he turned all the way back around, looking like a little god of birds with the wind ruffling his feathers and facing into the late afternoon sun.

“I am a god of birds.” Photo ©Erika Burkhalter

I was so certain that I had captured photos of baby crows, that I stopped a little further down the trail, at a spot where the crows tend to congregate (you can read about my experience getting caught out after dark (in mountain lion country) here) to watch a little family of crows getting ready to settle down for the night.

Getting ready to roost. Photo ©Erika Burkhalter

I saw this sleek and shiny lady keeping her eye on me and I thought, “who knows, that could even be ‘Crow Mama?”

Could you be “Crow Mama?” Photo ©Erika Burkhalter

But when I got home and put the photos into Lightroom, I realized that those little black birds were not crows at all. They were Starlings.

I’d heard of Starlings. But I don’t think that I’ve ever seen one up close before. I wouldn’t have been able to tell you what they looked like. But when I did a little research with the Cornell Lab of Ornithology site (a great reference site and an amazing organization), I learned that these stocky black birds with short tails, triangular wings, and long, pointed bills were first brought to North America by Shakespeare enthusiasts in the nineteenth century.

They are now among the continent’s most numerous songbirds and are sometimes resented for their abundance and aggressiveness. But they are dazzling birds when you get a good look. Covered in white spots during winter, they turn dark and glossy in summer. For much of the year, they wheel through the sky and mob lawns in big, noisy flocks.

It was the white spots that gave these guys away. If you look at the photo below (or the one where he has his back to me) you can clearly see the spots.

According to the Cornell Lab of Ornithology, all the European Starlings in North America descended from 100 birds set loose in New York’s Central Park in the early 1890s. They were intentionally released by a group who wanted America to have all the birds that Shakespeare ever mentioned. It took several tries, but eventually the population took off. Today, more than 200 million European Starlings range from Alaska to Mexico, and many people consider them pests.

Because they are only recently arrived on North America shores, all of our starlings are very closely related. Genetically, individuals from Virginia are nearly indistinguishable from starlings sampled in California, 3,000 miles away. Although such little genetic variation may be problematic for rare species, it does not seem to have effected the Starlings.

They, like Mockingbirds, are also great vocal mimics.They can learn the songs of up to 20 different species and they often copy the Eastern Wood-Pewee, Killdeer, meadowlarks, Northern Bobwhite, Wood Thrush, Red-tailed Hawk, American Robin, Northern Flicker, and many others.

I found that last tidbit interesting, since this group of starlings lives in such close proximity to several Red-Tailed Hawks.

Starlings have an interesting “wear molt” cycle. They turn from spotted and white to glossy and dark each year without shedding their feathers. The new feathers they grow in fall are tipped in white — that’s what gives them their spots. By spring, these tips have worn away, and the rest of the feather is dark and iridescent brown.

Starlings are also very strong fliers and can fly up to a whopping 48 mph!

I also found it intriguing that starlings can taste salt, sugars, citric acid, and tannins (bitter compounds that occur in many fruits, including acorns and grapes). And they can tell the difference between sucrose (table sugar) and other kinds of sugars, which is helpful since starlings lack the ability to digest sucrose.

I’m so glad to have stumbled across this little haven of Starlings. While I’ve been a bit besotted by the hawks of late, I will now have my eye out for what is happening in the Starling community.

“I can fly 48 miles per hour.” Photo ©Erika Burkhalter.

Erika Burkhalter is a yogi, neurophilosopher, cat-mom, photographer, and lover of travel and nature, spreading her love and amazement for Mother Earth’s glories, one photo, poem or story at a time. (MS Neuropsychology, MA Yoga Studies).

As many of you are aware, medium just changed their formatting and there is no option for full-sized photos anymore. But if you click on any of these photos, if you are viewing this on a computer, it will pop up in a full-size format.

I hope you enjoyed my photos and musings. You might also like:

Photos and story ©Erika Burkhalter. All rights reserved.

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And, because I’ve had a few people asking lately, if you’re ever interested in purchasing a photo, just leave me a note. I am working on a limited edition series of hawk photos on metallic paper right now. I am quite excited about how they are turning out.

Nature
Photography
Nature Photography
Nature Writing
Birds
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