avatarJanice Harayda

Summary

Jane Austen's six major novels, though often perceived as similar, are distinct in their themes and characterizations as highlighted by Hilary Mantel's succinct descriptions.

Abstract

The article emphasizes the unique qualities of each of Jane Austen's novels, refuting the common misconception that they are all alike. Despite sharing common elements such as the setting in Georgian England, focus on the gentry, and the central theme of marriage, Austen's works are diverse in tone and depth. Hilary Mantel, a renowned novelist herself, succinctly captures the essence of each novel: "Northanger Abbey" as a satire, "Sense and Sensibility" as a near-tragedy, "Pride and Prejudice" as a high comedy, "Mansfield Park" as a problem novel, "Emma" as a subversive farce, and "Persuasion" as a mature, reflective tale. The article also touches on the mysterious circumstances of Austen's death and mentions other literary works, including those by "Hungary's Jane Austen" and a book recommended by Hilary Mantel.

Opinions

  • Austen's novels, while all centered around the theme of marriage, each have a unique narrative and emotional depth.
  • "Northanger Abbey" is seen as a playful critique of societal expectations and literary conventions.
  • "Sense and Sensibility" is described as having a darker, more serious tone, contrasting the fates of two sisters.
  • "Pride and Prejudice" is celebrated for its comedic elements and underlying tension.
  • "Mansfield Park" is recognized for its challenging and less likable protagonist.
  • "Emma" is noted for its complex character dynamics and the heroine's misguided romantic notions.
  • "Persuasion" is appreciated as a poignant story with a heroine who has resigned herself to a life without love until a late change of fortune.
  • The cause of Austen's early death remains a topic of speculation, with recent theories suggesting arsenic poisoning from her eyeglasses.
  • The article's author, Janice Harayda, endorses further reading on related topics, including works by authors compared to Austen and books praised by Mantel.

Why Jane Austen’s Novels Are NOT ‘All The Same’

Hilary Mantel explains the differences in a line or two about each

Colin Firth and Jennifer Ehle in the 1995 BBC miniseries of “Pride and Prejudice” / Credit: BBC

Nothing frustrates Jane Austen’s most ardent fans — of whom I am one — more than hearing people complain that her six major novels are “all the same.”

Yes, the books are all novels of manners, set in England during the Georgian era. They all end in weddings, have vividly drawn heroines, and focus on a few families in a country village who belong to the gentry and have abiding concerns with money and property. The novelist Hilary Mantel writes in an essay on Austen in Literary Genius (Paul Dry Books, 2007):

“The single plot is this: a young woman must marry. Who will she marry? Will she make a good choice? She having chosen, will the man comply?”

Each novel has its own character

But from these basic materials, Austen wrested six distinctive novels, each with its own character. And perhaps no living novelist has briefly described their differences more aptly than Mantel, the author of the acclaimed Wolf Hall Trilogy. She writes in Literary Genius:

Northanger Abbey is an exuberant satire on writers, readers, and their expectations; indeed, a joke about expectations in general. Sense and Sensibility is dark, almost a tragedy. Two girls must marry; Elinor is injured despite her moral poise and discernment, but her sister Marianne, vulnerable and generous-hearted, suffers far more deeply and seriously than we think this sardonic author will permit. Pride and Prejudice is a romance, a high comedy with an underlying note of panic….Mansfield Park is a problem novel, with its plaintive, unlikeable heroine….Emma is a complex farce that subverts sexual stereotypes. It offers an excruciatingly class-conscious and wrong-headed heroine, who appears to be in love with another girl when the story begins….Jane’s last completed novel, Persuasion, is a hushed and autumnal story, with a happy ending fished from the depths for an isolated, strong-minded heroine who had despaired of romance.”

Austen died at the age of 41 from a cause that has never been firmly established. Various experts have speculated that she succumbed to cancer, a hormonal disorder, or the effects of unpasteurized milk. Five years ago researchers at the British library proposed another cause: accidental poisoning from a heavy metal such as arsenic, used in her eyeglasses.

@janiceharayda has been the book critic for Glamour magazine and for the Plain Dealer in Cleveland, Ohio’s largest newspaper.

You might like these posts on the novelist some critics call “Hungary’s Jane Austen” and on a more recent novel praised by Hilary Mantel:

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