SINGING A TRUE BLUE* SONG
Well, Stone the Flamin’ Crows*
That pesky sheila* has me doin’ some hard yakka*

The band’s back together!
Krystal Morgan made a comeback album, “Wrecking Balls”, and somehow she involved me, Hollie Petit, Ph.D. and Kristen Stark. More to the point, we’re wrecking stuff, again! Wahoo! But just getting excited exhausts me these days — once I’ve had a nice lie down, I’ll be back ….
Crickets. White noise. Dog barks in distance.
… Anyway, Krystal said I should create an album to help wreck Songstories but this uncalled-for intrusion means I have been flat out like a lizard drinkin’*, trying to lube up my withered vocal cords and selecting songs for my newest release.
Seeing as I’m making an effort, I’m going to reinvent my whole Suzie Quatro-style persona.
What could be better than an aging bass-playing, tart-vocalist, all doo-dah’d* up in black leathers?
I’m sure there are a lot of worse things — I just can’t think of any right now.
Anyway, I had a problem holding the bloody thing (the bass) — the strap cuts into my slowly healing broken shoulder. It took me long enough to get used to wearing a slingshot* again, let alone the dead weight of a custom bass guitar that Dee fashioned out of an old ironbark tank stand, thirty-five years ago. That fecker weighs a bloody ton (tonne, if you’ve gone all metric)! The bass, not Dee, although he has put on a lot of weight lately.
He eats so much rubbishy tucker*, mostly choccies*, he’ll be cactus* if he’s not careful!
But I digress (it’s my age, and the Aussie sun, you see).
Dee is out in his workshop working on a crane/pulley contraption that can stand behind me when I play, to support my axe. He’s going to paint it black to match my moth-eaten leathers.
I reckon the other girls will think the whole rig looks ridgy-didge*, especially Hollie who used to rock it out in the olden days and Kristen, well, she’ll be like Krystal, and do whatever I tell her.
I’m going to make them all hold the bass for a few seconds just so they can feel the weight and imagine it smashing across the back of their heads when they least expect it! It’ll be handy if they get into an argy-bargy*.
The only other issue I have to deal with is Krystal and her crying, screaming, laughing, dog howling sound effects. I haven’t got a fricking clue what that’s all about but listening to her bloody caterwauling makes me agro*.
I can probably shut her up with a handful of my constipation-busting prunes — it’ll be a cinch to shove some down her gaping piehole* (after I’ve belted her head with my bass). She won’t see a thing coming!
All this talking has left me as dry as a dead dingo’s donger*.
“Fetch me a tinny*, will yah, Krystal?”
Bloody hell, that sheila is as much use as tits on a bull!
Christopher Robin is probs trying to block me from Songstories right about now, so to placate him just a tinsy bit, I’m throwing in an almost pertinent link to Stone the Crows, 1973, “Penicillin Blues”.
This rocks and I’m tryin’ to show you that I am still way cool because I listen to bitchin’ music that has lyrics about penicillin.






