avatarMario López-Goicoechea

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ed their flame. I think of Constantine Cavafy’s poem “Candles” and at the same time of the horrors witnessed by and visited on these refugees and asylum seekers.</p><p id="e9ba" type="7">The days past remain behind us,</p><p id="3534" type="7">a mournful line of extinguished candles;</p><p id="2657" type="7">the ones nearest are still smoking,</p><p id="b077" type="7">cold candles, melted, and bent.</p><p id="9f9b" type="7">I do not want to look at them; their form saddens me,</p><p id="3a4c" type="7">and it saddens me to recall their first light.</p><p id="f40a" type="7">I look ahead at my lit candles.</p><p id="7f06" type="7">I do not want to turn back, lest I see and shudder</p><p id="2fcc" type="7">at how fast the dark line lengthens,</p><p id="832a" type="7">at how fast the extinguished candles multiply.</p><p id="0e4a">In silence, and in my head, I light a

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candle for them.</p><p id="2c3b"><a href="https://www.austinmacauley.com/book/cuban-immigrant-and-londoner"><i>Cuban, Immigrant, and Londoner</i></a><i>, on sale now.</i></p><p id="e4bb">You can buy me a coffee <a href="https://www.buymeacoffee.com/mariolopez">here</a>.</p><div id="f0a0" class="link-block"> <a href="https://readmedium.com/urban-diary-9cda4064e306"> <div> <div> <h2>Urban Diary</h2> <div><h3>An old varieties music hall pirouettes back to life on a wall in east London</h3></div> <div><p>medium.com</p></div> </div> <div> <div style="background-image: url(https://miro.readmedium.com/v2/resize:fit:320/1*Zx46TBBI6U-q80BFtRZt4Q.jpeg)"></div> </div> </div> </a> </div></article></body>

Urban Diary

A Cavafy-tinted London’s winter day

Photo by author

First weekend of the year and we’re at Charterhouse. This is the former Carthusian monastery that has served as private lodgings, a boys’ school, and an almshouse.

By now we have become used to this routine. We take our walking party for a stroll around the area whilst others go and play football. The two groups are made up of refugees, asylum seekers, and volunteers.

On entering Charterhouse, just outside the chapel, I notice candles. They’re not burning. It’s as if the Arctic-like wind we’ve just braved when going through the Barbican estate has smothered their flame. I think of Constantine Cavafy’s poem “Candles” and at the same time of the horrors witnessed by and visited on these refugees and asylum seekers.

The days past remain behind us,

a mournful line of extinguished candles;

the ones nearest are still smoking,

cold candles, melted, and bent.

I do not want to look at them; their form saddens me,

and it saddens me to recall their first light.

I look ahead at my lit candles.

I do not want to turn back, lest I see and shudder

at how fast the dark line lengthens,

at how fast the extinguished candles multiply.

In silence, and in my head, I light a candle for them.

Cuban, Immigrant, and Londoner, on sale now.

You can buy me a coffee here.

Writing
Creative Writing
Creativity
Culture
London
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