avatarMario López-Goicoechea

Summary

The author of "Urban Diary" shares their experience of capturing London in black and white photography on Armistice Day, despite the vibrant autumn colors, to honor the fallen and celebrate the living.

Abstract

In "Urban Diary," the author expresses ambivalence about the Globetrotters' challenge to produce black and white photography, especially during London's colorful autumn. Initially reluctant to forgo the rich yellows and golds of the season, the author ultimately embraces monochrome to capture the solemnity and celebration of Armistice Day. The resulting images, including scenes from St Paul's Cathedral and the Lord Mayor's Show, convey a nostalgic and timeless London that resonates with the author's personal history and love for the city in both color and black and white.

Opinions

  • The author initially feels conflicted about the black and white photography challenge, considering it a potential disservice to the beauty of autumn in London.
  • Despite the initial reluctance, the author justifies the decision to use monochrome by focusing on the significance of the photos taken on Armistice Day.
  • The author finds that the black and white photos suit the mood of the day, capturing the essence of both remembrance and celebration in London.
  • There is a sense of nostalgia in the author's reflection on London, highlighting a deep connection to the city that transcends the choice between color and black and white photography.
  • The author appreciates the contributions of other 'trotters to the monthly challenge, acknowledging their diverse interpretations of the theme in their own work.

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Urban Diary

Out and about in Londontown on Armistice Day

All photos by author

I feel torn. On the one hand, the challenge by the editors of Globetrotters is right up my street. I love black and white photography and given half a chance I would turn most of my images into slate-grey snaps. On the other hand, we’re enjoying a glorious autumn in good ol’ Londontown. Trees in parks are ablaze in rich yellow-gold, and pavements are flooded with bronze-dark leaves. Switching to monochrome pictures feels like an act of treason against nature. One that should see the culprit hanged from a copper-coloured sycamore.

In the end, I relented. I justified my decision by focusing on the meaning of the photos on this most solemn of weekends. On Saturday just gone I was leading a group on a walk towards St Paul’s Cathedral (entry is free on Armistice Day, but the only two spaces available for visitors are the ground floor and the crypt) when we accidentally found ourselves in the middle of a crowd as part of the Lord Mayor’s Show. Multicoloured floats and traditionally (and not so traditionally) dressed performers filed past us.

When I looked at my (now black and white) pictures later on, I realised that the monochrome tones suited them completely. The shaft of light penetrates through the windows of the ground floor of St Paul’s Cathedral, one of the towers of Christchurch Greyfriars Church, the lonely bicycle in Barts Square, and the crowds photographing the parade. This was not just London honouring the fallen, but also celebrating the living. This was also an autumn-tinted nostalgic London. The one I moved to almost twenty-six years ago. A London I’ve learned to love both in full colour and in black and white.

Shoutout to these ‘trotters for their lovely contributions to this month’s challenge

Serhii Onkov

Oksana Kukurudza's Sunflowers Rarely Break

Travel
Monthly Challenge
Writing
Creative Writing
London
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