Things I Learned From My First Week As A Production PA

Summary

A Production PA's first week on set is an eye-opening experience characterized by long hours, hard work, and a sense of gratitude for the job.

Abstract

The article "Things I Learned From My First Week As A Production PA" provides an insider's perspective on the demanding and dynamic life on a film set. The author highlights the grueling nature of the job, with early mornings, long workdays extending up to 60 hours a week, and the physical toll it takes on the body, necessitating comfort measures like Dr. Scholl's insoles. The role requires constant alertness and the ability to juggle multiple tasks, often without a moment's rest. Despite the challenges, including the disappointment of not hearing the iconic "Roger Dodger" on walkies, the author expresses a deep appreciation for being part of the production family, which is likened to having double the number of drunk uncles. The job is a mix of frenetic activity and downtime, with the latter spent anticipating meal breaks. Overall, the author conveys a sense of gratitude for the employment and the unique camaraderie experienced within the film industry.

Opinions

The author suggests that the reality of working in production sets in immediately, with extremely long workdays.
Comfort items like Dr. Scholl's become essential due to the physical demands of the job.
There is an expectation to always be ready with answers, even if it means scrambling to find them.
The author humorously notes that everyone on set seems to be named Michael.
The absence of the phrase "Roger Dodger" on walkies is presented as a significant letdown.
The author likens the production team to a family, albeit a quirky and somewhat chaotic one.
Practical attire, including a fanny pack, is recommended despite its uncool reputation.
The job involves periods of intense activity followed by stretches of inactivity, which can be monotonous.
Despite the challenges, there is a profound sense of thankfulness for being employed in the industry.

A view from a life on set.

You will grab a coffee at 6am but never actually get around to drinking it.

They say that you’ll eventually work up to 60 hours a week. And by eventually? They mean immediately. Ain’t no rest for the wicked.

You have a new God and his name is Dr.Scholl’s.

When giving notes, they will say “on the day,” even if the day in which they are referring to is this day and the thing that needs to happen needs to happen in five.

It’s frowned upon to play flashlight tag on the night shoots.

You’ll go to bed tired. You’ll wake up tired. Your existence is tired now.

Don’t wear white if you’d like it to stay white.

Your job is to answer questions. And if you don’t have answers? Say that you do…and then proceed to run around like a headless chicken until you find some.

Everyone is named Michael.

No one says “Roger Dodger!” on walkie. This will prove to be your greatest disappointment.

Working in production really is like being part of a family…but with double the amount of drunk uncles.

Who cares if you look like an ’80s camp counselor in training? That fanny pack is a lifesaver. Own it.

30% of your day will be filled with mind-numbing, sweat-drenched chaos. The remaining 70% will be spent standing around, scrolling through your phone, wondering what catering will offer for lunch that day.

But most important of all: You are employed and, for that, you are grateful.

Dedicated to my new set family. Thanks for making this crazy life a little crazier — but in the best of ways. ;)