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Summarize

The Theme of Sleep in The Mixtape of Taliesin

We might consider sleep an initiating theme in The Mixtape of Taliesin — the first poem of the first Suit (THE DECK OF TALIESIN: The Suit of Spades) starts with an author at their table, sitting by a window, and as their pen rolls off the table they lay their head down to rest on their forehead and thereby fall asleep.

I rest my forehead on my elbow

as gold filters thru my eyes to fall

in showers on a wilder land

It seems that the writing then happens in a dream

Ink drops from fragile tip

in random words to fill a line

who knows what names arise

on the horizon of one’s consciousness

where certainty becomes a lie

the pen then completes its rolling across the table top to fall off from it

Like a Falcon thru the sunlit sky

in other words released from the bounds of earth, of wakefulness, of limits to the imagination, the poet’s spirit flies free.

I crook my head within my arms

as visions blur their scarlet blooms

And the poet goes further into the Land of Dreams.

Remember that The Structure of The Mixtape of Taliesin is of two Suits of Cards (Spades, Clubs), the Ghosttrax (The Utah Quartets), and the final two Suits of Cards (Hearts, Diamonds), interestingly enough the first poem after the The Utah Quartets (TALIESIN ERRANT: The Suit of Hearts) is also a sleep and dreams poem, with similar referents.

It starts

Sleep is the Courting Bird

That droops its brilliant tail

Onto your cloudy brain

Then twirling thrice its regal neck

Pecks bronze & furious beak

Through your nascent thought

& settles in to guide the night.

The Deck of Taliesin was a summer poem, during the middle of the day, with falcons through a sunlit sky and goblin hedges that are green, but in this poem

…dreams arrive

In antique garb & manner

Complaining of a winter journey

In the Deck of Taliesin where the poet is falling asleep there is a pen and resting the forehead in an elbow, here where the poet is dreaming

Along his sleeve a pendragon scrawls

But in both poems the falcon appears

Above, a falcon stoops beneath a cloud

Sleep is perhaps the overarching theme of the leading suits in each section — it is returned to multiple times in the Suit of Spades and the Suit of Hearts but not as much in the Clubs and Diamonds, and also I just noticed this — there is no sleep in The Utah Quartets . Every poem in the Quartets is awake, even late at night:

Come Night -

The Tombs of Clubs

Masks of Arawn grid their front

Interior Music cuts us

Into Prismatic shards

Or

2 A.M. Shadow

tendriled on the giving grass

folded from a footfall

or sketched by slipshod crayon

There is waking in unpleasant circumstances:

In Dog-Piss Squat

A sizzle of bodies

Turns

bolts of hot light twist

thru the boarded windows

Strike

mucus-clotted eyes open

but no sleep; there are references to things that in other poems outside the Quartets would probably be connected to dreams and sleep. In the end of the last quartet sleep is close at 2. a.m in the morning:

Here in the heartbeat of night

in the moment between breaths

when your step trembles at the precipice

of your next step,

Here, on silken edges of sleep

curtailing the regions of prophecy

Dark Spirit, give the gift of your morphine vision

lift back a velvet tuck of emptiness

pull the curtain on the Window of Possibility

& let me climb thru, searching

So the ending of that poem is not with sleep, but close, and the next poem, the aforementioned Taliesin Errant is with the poet deep in dreams.

As noted the Suit of Spades has a lot of focus on Sleep and dreams

It starts with The Deck of Taliesin, wherein the Poet falls asleep — perchance to dream — and ends with The Nightmare of Taliesin in which it says

Wake me, Wake me to the Burial of our cares

For we play in the Mansion of a Moment

composing our own funeral aires.

Not sure why the archaic spelling, although there are some recurring archaic themes in the book as well.

The Suit of Hearts has, aside from Taliesin Errant, two Tarot poems with strong focus on sleep — The Moon and The Stars.

In The Moon sleep has a good deal of its traditional connection to death, it is a depressive sleep that cannot be achieved

Will I. . . . I will wake

In the silent room

Without will I will rise

Wipe the yellow grain

Out my eyes

Wistful for my severed sleep

Whereas the sleep of The Stars is a mythological rest

Gwyn Ap Nudd of Annwfn

take your rest on Ysgyryd Hill

from the exertions of your Walpurgisnacht

counterpoint to spiral mountains

breathing fine mist of Nebulae

raggedly, & your dogs

blowing out bouquets

steaming air that might ice up

into a Book of Kells Julia Set.

Gwyn Ap Nudd of Annwfn is taking a rest — reasonably close in a Welsh manner to Death taking a holiday or perhaps Death sleeping it off.

In conclusion the Suits of Spades and Hearts initiate their sections with Sleep and Dreams — in the case of Spades those dreams are nightmares which is a good lead in to the darkness, stresses, and violence of the Suit of Clubs, whereas the dreams of the Suit of Diamonds are aligned with death and:

A specific vibrant coldness

of the analytic mind

it is nonetheless a hopeful death, promising reincarnation — another of the major themes that we will address in some later article.

This was written by IG Agent 13.

The Mixtape of Taliesin is an accredited Illuminati Ganga publication.

This and other essays of criticism can be found on Luminasticity’s criticism Page https://medium.com/luminasticity/criticism/home

Poetry
Taliesin
Criticism
Sleep
Dreams
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