The Right Place at the Right Time: Paul Simon’s Graceland
On a cold evening several years ago, I found myself driving through the suburbs of Chicago, slowly fighting traffic en route to Midway International Airport. The sun had set early, as the sun likes to do in Chicago in the wintertime. The occasional snowflake fell on my windshield. It was surprisingly quiet considering I was on a busy highway.
Upon realizing I was going to be stuck in that car for a while, I decided I should put on some music to make the drive more enjoyable. The rental car was still unfamiliar; I’d only used it to drive between my hotel and my client’s office every morning and evening for the last week. I squinted through the dark, trying to figure out how to turn on the radio and toggle between stations. I finally paused on a station when I recognized the telltale lilt of a seasoned NPR commentator. My timing was perfect; he had just begun to introduce his show for the evening. He wasn’t going to play his usual curated mix of music. Instead, he was going to play one of his favorite albums in its entirety — on vinyl. That album was Paul Simon’s Graceland.
The needle clicked, and “The Boy in the Bubble” began to play. I got so lost in the music that I was shocked when the DJ came back on to announce that side one was complete. He flipped the record, and the needle clicked again. Familiar horns announced the arrival of “You Can Call Me Al,” a song I have forever associated with my dad. When I was little, I’d run and get him every time the video came on MTV because I knew he liked Chevy Chase. I cracked a smile and was happy that I was at least working my way toward home.






