avatarBecca Frasier

Summary

A person recounts a memorable experience of listening to Paul Simon's "Graceland" album while stuck in traffic on a winter evening in Chicago.

Abstract

On a chilly, snowy drive to Midway International Airport in Chicago, the author serendipitously tunes into an NPR show playing Paul Simon's "Graceland" album in its entirety. As the music plays, the author is transported back to childhood memories associated with the songs and finds comfort in the album, which perfectly complements the solitude of the journey. The experience culminates with the album's final notes coinciding with the author's arrival at the rental car return, marking an unforgettable convergence of music and personal nostalgia.

Opinions

  • The author expresses a profound connection between Paul Simon's "Graceland" and personal memories, particularly with the song "You Can Call Me Al," which reminds them of their father.
  • The author views the chance encounter with the album on the radio as perfect timing, suggesting that the music enhanced the otherwise lonely experience of navigating traffic on a cold winter night.
  • There is an appreciation for the album's ability to evoke nostalgia and provide comfort, with the author describing the listening experience as keeping them company during the drive.
  • The author seems to believe that the setting and mood—a quiet, snowy evening in a rental car—were ideal for a full, uninterrupted listen to "Graceland," making the journey home particularly special.

The Right Place at the Right Time: Paul Simon’s Graceland

On a cold evening several years ago, I found myself driving through the suburbs of Chicago, slowly fighting traffic en route to Midway International Airport. The sun had set early, as the sun likes to do in Chicago in the wintertime. The occasional snowflake fell on my windshield. It was surprisingly quiet considering I was on a busy highway.

Upon realizing I was going to be stuck in that car for a while, I decided I should put on some music to make the drive more enjoyable. The rental car was still unfamiliar; I’d only used it to drive between my hotel and my client’s office every morning and evening for the last week. I squinted through the dark, trying to figure out how to turn on the radio and toggle between stations. I finally paused on a station when I recognized the telltale lilt of a seasoned NPR commentator. My timing was perfect; he had just begun to introduce his show for the evening. He wasn’t going to play his usual curated mix of music. Instead, he was going to play one of his favorite albums in its entirety — on vinyl. That album was Paul Simon’s Graceland.

The needle clicked, and “The Boy in the Bubble” began to play. I got so lost in the music that I was shocked when the DJ came back on to announce that side one was complete. He flipped the record, and the needle clicked again. Familiar horns announced the arrival of “You Can Call Me Al,” a song I have forever associated with my dad. When I was little, I’d run and get him every time the video came on MTV because I knew he liked Chevy Chase. I cracked a smile and was happy that I was at least working my way toward home.

The rest of the album played on as I drew closer to my destination. The final notes of “All Around the World or the Myth of Fingerprints” finished as I exited to the rental car return. When the album ended, I realized I had never listened to it from start to finish before that evening. On that day, at that moment, in my mindset, it was the absolute perfect album to keep me company on an otherwise very lonely trip. With that, I parked the car, turned up my collar to brave the cold, and made my way across the parking lot. I was going home.

Music
Essay
Vinyl
Solitude
Driving
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