avatarDennett

Summary

A woman named Sunny attends a women's writing class, where she and others confront their complex feelings towards their names, ultimately embracing new identities through storytelling.

Abstract

Sunny, a participant in a women's writing class, grapples with the significance of her name and its connection to her identity. The class, designed as a safe space for women to share their stories, begins with an exercise where each woman introduces herself and narrates the story of her name. Sunny, initially hesitant and carrying a name that doesn't resonate with her, decides to shed her past and adopt a new name that feels both ordinary and extraordinary. The narrative explores themes of transformation, the power of names, and the desire for consistency and conformity in life. Through the act of writing and sharing, Sunny and the other women in the class find empowerment, stepping beyond their histories to redefine themselves.

Opinions

  • The author suggests that names hold significant emotional weight and can influence one's sense of self.
  • There is a yearning among the women in the class for a sense of normalcy and happiness, which they associate with having a name that aligns with their identity.
  • The writing class serves as a transformative space where women can openly discuss and possibly reject the narratives tied to their given names.
  • The act of writing one's name on a check symbolizes a uniformity in societal transactions, contrasting with the individual's quest for personal identity.
  • The old, scarred table in the narrative represents the layers of history and neglect that the women, like Sunny, are trying to move beyond by redefining their identities.
  • The honor system used for collecting payments reflects a trust in the participants' integrity, mirroring the trust required to share personal stories in the class.
  • The moment Sunny introduces herself with her new name marks a pivotal transition from the past to a self-determined future.

Sunny

The power of a name

Photo by Timothy Eberly on Unsplash

She leaned over the antique table, hand trembling as she wrote, Ann Smith 40.00 Forty dollars and no cents Note: for women’s writing class

The pen stopped and started over the rough surface of a table older than she was — scarred with years of use or perhaps, neglect

She imagined the small table, dusty in the back of a frowzy barn, smelling of wet hay and cow dung, a trowel carelessly flung on its 80-year surface, leaving a small dent that now stopped the progress of her quivering pen

She scrawled her name, a name that didn’t feel like hers, along the line in the lower right-hand corner of the check and thought of how information on checks is uniform, no matter the financial institution or the printer of the rectangular documents that turn paper into currency

Consistency, conformity

She wanted those things in her life, she longed for normal and ordinary and even boring, tinged with happy

Carefully folding the check, making sure the sides aligned well, she placed the paper with her resented name in a basket that smelled as she imaged the imaginary barn did and tucked it amongst other checks and some $20 bills, no one counting, an honor system for those hoped to be honorable

She looked about the room — two tables placed side by side, chairs down the lengths and across the ends — fourteen total, all the chairs but one filled with women who looked surprisingly like her — too old to be middle-aged and too young to be old but holding enough years to possess stories that must be told

Heads and eyes turned as she filled the empty chair with her reluctant body, reluctant to have left home, reluctant to have dared be here, reluctant to fill space anywhere

Smiles beamed or grimaced as chairs scratched on a wooden floor that looked as old as the small table — sounds of arranging and settling as the ordinary-sounding Ann Smith said Welcome, ladies, let’s tell our stories.

We’ll start with our names. Please introduce yourself with a story of your name.

Ordinary Ann looked at her, straight at her with a smile of encouragement and welcome

She swallowed and decided today was the day she would no longer be who she was or the story she carried —  she stepped outside history, beyond narrative, leaving behind stories to be told, not repeated

Hello, my name is . . .

She said a name unknown to her until that moment when the past became a myth that she chose to tell but not live continually

A name that felt ordinary and extraordinary because it wasn’t hers until that moment when she felt like the grubby and scarred table being gently lifted and carried out of the hay dust and into the light

She opened the barn door and said,

Hello, my name is Sunny

This weekend, I attended a women’s writing class — a safe place for our stories to be told. The class began with each woman stating her name and telling a story about her name. I was shocked by how many attendees, myself included, had strong resentments and complicated stories about their names — names they want to shed like old skin.

In response to this Imagination and Observation prompt by David S.:

Personal Story
Names
Poetry
Prompt
Imagination
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