avatarUlf Wolf

Summary

The text recounts the author's childhood memories associated with radios and music, particularly the impact of Swedish radio stations and the introduction of the Beatles into their life.

Abstract

The author reminisces about their childhood, filled with the comforting presence of radios, notably the Luxor in the kitchen, which was a constant source of music and connection. They describe the limited radio offerings of the time in Sweden, with two main channels: P1 for more serious content and P2 for lighter fare. The author fondly recalls morning routines with their mother, who was an avid music lover and excellent cook, setting the scene with music from the Luxor radio as a backdrop to sweet morning air and breakfast. The Centrum portable radio, with its FM band, introduced the author to the Beatles and other popular music of the time. A homemade crystal radio set provided a glimpse into international music from Radio Luxemburg. The author reflects on the ephemeral nature of songs and the lasting impression they leave, despite sometimes missing fleeting moments within the music.

Opinions

  • The author expresses a deep emotional connection to the music from their childhood, particularly the songs heard on the radio.
  • There is a sense of nostalgia for the simplicity and warmth of the past, as symbolized by the radios and the music they played.
  • The author has a clear preference for the music of their youth, as evidenced by their enjoyment of the Beatles and Brian Hyland, among others.
  • There is an appreciation for the technological advancements of the time, such as the introduction of FM radio and the clever design of the Centrum radio with a built-in car antenna jack.
  • The author values the experience of listening to international broadcasts on a homemade crystal radio, suggesting a sense of wonder and adventure in accessing distant cultures.
  • The author seems to cherish the shared moments with their mother, highlighting the importance of family and tradition in their memories.

Songs

Childhood Radios

Image by Author

A song ends too soon An ear catching up What was that color?

My childhood is filled with radios.

The big brown Luxor in the kitchen, always on — sometimes by the kitchen table, sometimes perched atop a cabinet, but always on. Mom loved music and would listen to just about anything (not that there was much to choose from — Swedish radio, at that time, sported two channels P1 and P2 (Program 1 and Program 2). P1 was the serious channel: news, discussions, radio theater, book readings, classical music and such; P2 the more entertaining one, quite often music, both light classical and popular, though no rock and roll as yet — that was to come later, in the early 1960s.

She’d always be up when I came down from what we called the children’s chamber to, literally, see what’s cooking — Mom was a great cook. “Good morning,” I’d say. And she’d reply with her stock response, “That should have been this morning.”

And there would be the music wafting out of that big, brown well of, yes, I guess you’d call it comfort. The kitchen window was open just a little but enough to say the morning outside was breezy with sweet air that promised that all was well with the world.

Mom asked me to sit, and then served up some oat meal porridge, not my favorite, but it was palatable if you poured enough sugar on top and if the milk didn’t have too many flakes of cream floating about like ice floes around the snow-covered porridge iceberg. I hated cream floating about but there was no getting around it: this milk came straight from the farmer, no homogenizing here. Let it sit overnight and the top inch or two will be thick, slightly off-white cream — wonderful as whipped, poison as floes.

The brown Luxor provided my childhood morning soundtrack.

Another radio: The black portable Centrum with FM (yes, I forgot to mention that the Luxor only had AM bands) and a built-in jack for your car antenna — clever, if you ask me. It was on this radio, lying in a summer field one Saturday afternoon (listening to the Swedish top-ten program) that I, for the very first time, heard the Beatles: “Please Please Me.” I don’t remember where it placed on the list that week, but I do remember that I liked Brian Hyland’s “The Night Has a Thousand Eyes” just as much, and would often, in the near future, confuse the two songs in my mind — I’d picture night stars when I listened to “Please Please Me.”

This radio followed us around a lot. On short drives, on long drives, on boat rides, and when resting it would sit somewhere in the kitchen as well, perhaps by the Luxor showing off is FM band.

Another radio: This was a crystal radio, a kit that I believe I put together myself, or (perhaps) with a little (or a lot of) help from Dad. It wasn’t much larger than a big (kitchen size) matchbox and it was blue. Only AM here, but late at night, if the weather conditions were conducive, I’d manage to tune in Radio Luxemburg from down on the continent (whose signal, I later found out, would actually bounce off the atmosphere and down into my blue little radio) and through star-like static listen to that far-away, wondrous world of my (Pop/Rock and Roll) music.

And the song ended with my mind still tossing about. Something had slipped me by, a word, a glimpse, a color. I had missed it, my ear trying to catch up, but it too late, now there was only starlight.

© Wolfstuff

Songs
Childhood Soundtrack
Radios
Music
Rock And Roll
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