Summary
The content reflects a conversation about the preference of traits, metaphorically expressed through an interaction over the piano and the appreciation of art.
Abstract
The text presents a dialogue where an unnamed individual questions whether another, presumably "he," has the courage to assert an opinion, indicated by the phrase "Do you have the balls?" In response, "she" counters with "Breasts are better," suggesting a preference for feminine attributes. This exchange transitions into a contemplative shared experience described as a "silent communion" at the piano, capturing the essence of human connection through music and visual art. They engage in the act of photographing portraits on the wall, further emphasizing the layering of artistic expression. The narrative extends to a harmonious and intimate relationship between the subjects, likened to "catching the moons in each other’s eyes," evoking imagery of mutual understanding and emotional depth. The setting is enhanced by the sensory experience of the "breath of rain pelting down," which adds an atmospheric element to their connection. The piece is attributed to Aimée Gramblin, suggesting it was composed during the mid to late 1990s.
Opinions
“Do you have the balls?” he asked. She said, “Breasts are better,” and they played a silent communion on the piano: photographing photos of people hanging on the wall.
A content duet, catching the moons in each other’s eyes and feeling the breath of rain pelting down.
~Aimée Gramblin circa the mid to late 1990s
PomeroySaysMy friend, I’ll call her Missy*, 45 years old, implicitly trusted her 55-year-old husband, Bart*. He was very kind and trustworthy. She…
Ossiana TepfenhartNo, for real, this is terrifying.
