avatarNatalie Frank, Ph.D.

Summary

The poem "Pandora’s Kin" by Natalie Frank reflects a personal struggle with creative stagnation and the search for hope amidst feelings of despair and invisibility.

Abstract

The poem "Pandora’s Kin" by Natalie Frank is a poignant exploration of the author's internal battle with creativity and motivation during a period that feels late in the season. The speaker describes a daily recommitment to creativity that is repeatedly undermined by a sense of giving up, exacerbated by the passage of time. The poem conveys a transition from hope to despondency, with the speaker feeling increasingly invisible despite external clarity and light. The narrative arc moves from the abandonment of grand dreams to the pursuit of small, forward steps. The author uses the metaphor of a sunbeam, hesitantly embraced, to symbolize the fragile hold on warmth and hope, which eventually takes residence within the heart to combat the coldness of betrayal and past disappointments.

Opinions

  • The speaker feels a growing sense of despair as creativity wanes with the season.
  • There is a palpable struggle between holding onto hope and succumbing to despondency.
  • The poem suggests that the author's soul is under attack, being sucked at by metaphorical lampreys, rendering them invisible.
  • The speaker has given up on grand aspirations, now focusing on smaller, more achievable goals.
  • The act of pretending to sleep is a method of coping with the stillness and foreignness of peace.
  • The poem conveys a delicate dance with hope, represented by a sunbeam, which the speaker attempts to capture and internalize.
  • The author implies that even the smallest amount of hope can significantly impact one's inner landscape, suggesting resilience in the face of adversity.
  • The poem reflects on the pain of betrayals and how they can overtake one's emotional landscape, emphasizing the need for healing.

Pandora’s Kin

Image by Jonatanya from Pixabay

It is late in the season Or early depending on your viewpoint But it feels late to me Each night I recommit to a day of creativity And each morning I rise still in the mind frame But it takes less and less time With each sun’s rotation Before I give up on it all again It rains, I run, I walk, I sit Late and early get mixed up In between hope and despondency Moving a bit more away from the first And closer to the second As seconds tick to minutes tick to months But there is no lady in the lake Only lampreys Which suck at my soul Trying to loosen it from its moorings Rendering me Invisible Even on days which remain Completely cloudless With nothing to block the light That should light all within its kingdom No more big dreams of starting everything over Instead I look to the smallest of steps forward I pretend to sleep Even though it has been years since My eyes held closed til dawn had stolen forward Chariot arriving furiously in its wake Pretending, though stillness is foreign to me In the hours it should reign Only arriving when cogs and wheels should be keeping pace But now I steady my breath And lock my eyelids Ignore the itch in my right cheek The restless left leg Inhibiting even the sigh that seeks to escape Though it is a fair approximation Of lightening slumber Nothing that would give away my plan The gentlest sunbeams creep closer And closer still Across sun room tile Climbing over threshold to regain their progress Across wooden bedroom floorboards And now Touching the bottom threads of my comforter Rising an inch at a time When I’m certain there are enough rays near Not to miss I begin to snake my hand forward Only to scare the more skittish beams Which rush back to hide in shadowy corners But there, one remains, trembling Holding tight to the woven cover I reach out ever so carefully Without suddenness or shock To gently stroke along its length Thus calmed, it climbs onto my outstretched hand It’s warmth suffuse throughout my arm I bring it in and hold it to me And there, sensing the emptiness It takes up residence within my heart To thaw the frozen landscape Where closest betrayals Had overtaken with hopes to rule

Natalie Frank (Taye Carrol) has had her poetry featured in several anthologies including Untimely Frost. Her fiction has been published in Haunted Waters Press, Weirdbook Magazine, Siren’s Call Publications, Lycan Valley Press and Zero Fiction among others. She is the author of Disguised I Breathe, In Love I Hold, a collection of her poetry for sale on Amazon.

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Poetry
Psychology
Mental Health
Hope
Creativity
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