Origins of the Song “Hey Joe”
From Greenwich Village coffeehouses to 7000 Polish guitarists

“Hey Joe” is a song about a man on the run to Mexico after shooting his unfaithful wife. It was a 1960s rock standard and it was the song that turned Jimi Hendrix into a star.
Some claim that “Hey Joe” is a traditional song. However, no documentary evidence backs this up, and folk singer Billy Roberts is generally credited with authorship. In late 1965, Los Angeles garage band, The Leaves, recorded the earliest-known commercial release of “Hey Joe.
Billy Roberts’ authorship rights
In the early 1960s, Roberts played in coffeehouses and on the streets of Greenwich Village, New York City. There it’s said he composed “Hey Joe”, registering it for copyright in 1962. He performed the song on the Greenwich Village hootenanny scene and later in San Francisco.
Before Roberts could record and release “Hey Joe”, he heard that a musician friend from New York, Chet Powers (also known as Dino Valenti), had listed himself as songwriter on some early releases of “Hey Joe”. Then in 1965, Roberts’ friend and producer, Hillel Resner, told him about The Leaves’ recording of “Hey Joe”.
It turned out that Valenti had signed a publishing contract with Third Story Music (now Third Palm Music). With help from Resner’s attorney father, Roberts retrieved his authorship rights. But this didn’t stop the release of recordings of “Hey Joe” with other songwriters listed as the author.
Roberts was injured in a serious car accident in the 90s and didn’t perform or record after that time. He passed away in 2017. Royalties from “Hey Joe” continued to be paid to Roberts through Third Palm Music.
Online you can find folksy, banjo-plucking versions of “Hey Joe” that some people say are original Roberts recordings. However, the consensus is these are fakes.
Another Greenwich Village musician, Tim Rose, performed “Hey Joe” and said it was a traditional song he’d learned as a boy. The actual origin and authorship of “Hey Joe” isn’t clear, but credit tends to be given to Roberts, who has the strongest claim.
LA garage rock versions
By the mid-1960s, “Hey Joe” had become popular on the Los Angeles music scene. Bands like The Leaves, The Standells, The Surfaris, Love, The Music Machine and The Byrds all recorded garage rock versions of the song. Love’s and The Byrds’ recordings of “Hey Joe” feature slightly different lyrics than the other versions.
Love’s lead singer, Arthur Lee, claimed that his band’s version brought “Hey Joe” to Hendrix’s attention, as well as to most of the other LA bands who covered the song. In 1966, Rose recorded a slower version of “Hey Joe” which he said influenced Hendrix.
The Byrds’ lead singer, David Crosby, wanted to record “Hey Joe” as early as 1964, but the other band members were unenthusiastic. So it wasn’t until 1966 that The Byrds released a version of “Hey Joe” on their album Fifth Dimension.
Some claim The Surfaris’ recording of “Hey Joe”, released on the B-side of their single “So Get Out”, was the original recording of the song. But its catalogue number places the release at mid-1966, before The Leaves’ version.
“Hey Joe” was popular in the mid-1960s for many reasons. “Old Americana and romantic gloom” were going through a resurgence and the song fit in nicely with these themes. The chord pattern C-G-D-A-E, a circle of reversed fifths, sounds great and the lyrics tell a timeless story.
The Leaves’ version
The Leaves released their recording of “Hey Joe” in late 1965. But it didn’t sell well, so they re-recorded and re-released in 1966. This version of “Hey Joe” became a US hit. In fact, this version by The Leaves was the only version of “Hey Joe” to reach the Top 40 on the Billboard charts.
The Leaves’ “Hey Joe” is fast-paced with a screaming guitar and thumping bass, pure garage rock. It’s completely different from the Hendrix version, but a cracking good tune.
