avatarScienceDuuude

Summary

The author of the article expresses a deep fascination and love for onomatopoeia, a linguistic device that imitates the natural sounds of objects or actions, which has been a source of joy and humor since childhood.

Abstract

The article titled "Onomatopoeia, onomato-PEE-AHHHH" delves into the author's lifelong enchantment with onomatopoeic words. The author, who admits to being an avowed hater of poetry, finds solace and delight in the sounds of words that mimic real-life noises. From the playful sounds of bodily functions to the more sophisticated symphony of nature and mechanical actions, the author celebrates the beauty of these words. They recall the childlike amusement derived from words like "pee," "poo," and "puke," and appreciate the harmonious blend of sounds within words like "crash" and "bash." The author's love for onomatopoeia is not just auditory but also extends to the visual imagery and tactile sensations evoked by these words, as seen in their passion for woodworking and the sounds associated with it. The article is a response to a challenge posed by Michael Burg, MD, to choose a favorite sound, but the author instead opts to pay homage to the entire spectrum of onomatopoeic delights.

Opinions

  • The author holds a special fondness for onomatopoeia, considering it the only poetic device they can truly appreciate.
  • Onomatopoeic words are seen as a source of humor, particularly those related to bodily functions, which the author finds endearing since childhood.
  • The author is captivated by the range of sounds that onomatopoeias can represent, from the softness of "susurrations" to the impact of "thunk" or "clunk."
  • There is a preference for onomatopoeic pairings that combine contrasting sounds, such as "crash" and "bash," which the author likens to the pleasing combination of peanut butter and chocolate.
  • The author believes that onomatopoeias like "sand" encapsulate both the sound of the word and the action it represents, making it an "infinitely recursive onomatopoeia."
  • The author expresses gratitude to Michael Burg, MD, for the invitation to participate in the discussion but admits to deviating from the rules by not selecting a single favorite sound.
  • The author values the communal aspect of the challenge, acknowledging the patience and understanding of others involved.

Onomatopoeia, onomato-PEE-AHHHH

A childish infatuation with sounds…

Photo by freestocks on Unsplash

Oh my goodness Doc, there’s no way I can comply with the “favorite sound”, the singular requirement, as onomatopoeias have since childhood been the staple and perhaps only poetic device I could relish as an avowed hater of poetry.

In fact, when I first learned the word, I fell in love with it because I heard it as onomato-PEE-AHHHHH… and who hasn’t simultaneously made both sounds after running home from school waddling with a soccer ball of a bladder, ten miles uphill in ten feet of snow, and released both liquid and air from every membranous bag in the body.

And what child does not find the trifecta of P sounds to be the soul of humor, pee, poo and puke are the triune, da faddah, da muddah, and da Holy Ghost of onomato-PEE-AAAHHHHs.

So, flips and flaps and flops and snicks and thwacks and chocks nestle in my brain alongside flush and thrush and swish and swoosh… the wonderful movement of air or water perhaps reining only slightly with their susurrations, itself a beautiful word and sound, over the harder sounds of impact, like thunk or clunk or crash or bash.

And right there, those two, crash and bash, combining the hard crunching impact of a “C” or a “B” with the susurration of the “sh”, lovingly, within the body of the word, marrying the suddenness of the accident with the reverberation, the sustained sounds, retained in the memory of distance and air. Like peanut butter and chocolate, what is better in life than a beautiful pairing of opposites?

What kid doesn’t like animals, so chipmunks and chicks and chickadees and crows and cuckoos are words that embed instantly in the childish brain as their names encode their sounds and calls, and are as infinitely reinforcing as an echo.

So, my apologies for failing to pick a favorite, as I hem and haw and hum over my options, and instead I’ll hew the rules of the game, and cut and chop and chew my way into new behaviors not expected in the good request made by the good doctor… I’ll shave and shear and shape and shove my way into a new post and click and clack on my keyboard to make a link instead.

And of course, as a woodworker, I love to spend my days chipping and chopping and chiseling and whittling and hacking and carving and hammering. Sand is, to my mind, unambiguously an onomatopoeia, as it replicates the sound of sanding your work, whether wood or metal, as it does the sound of water rushing over the sand of a beach, or the sound of sand as it pours onto itself… it is an infinitely recursive onomatopoeia.

Thank you Michael Burg, MD for your kind tag, and I hope I can thank you (and the others) for your patience as I trample over all the rules of the game.

Y’all are wonderful.

Peace,

SD

Poem
Childhood
Sound
Creativity
Writing
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