avatarPaul Mansfield

Summary

A graveyard worker in Lanarkshire unearths a one-armed corpse during a night shift, leading to dark humor and reflection on the value of life and death.

Abstract

In the chilling night of Lanarkshire, a graveyard worker named Joe, alongside his foreman George, exhumed bodies for profit, a grim job that Joe finds preferable to worse alternatives. When Joe uncovers a corpse missing an arm, a remnant of a mining accident, George quips about feeding it to pigs, emphasizing the callous nature of their work. The story, inspired by writing prompts about historical jobs and characters from the author's previous works, delves into the macabre realities of life and death, with a touch of gallows humor.

Opinions

  • The author presents the graveyard work as undesirable but suggests it's a step above other terrible jobs of the era.
  • Joe, the narrator, seems to accept the grim nature of his work without much moral reflection, indicating a level of desensitization.
  • George's dark humor and pragmatic approach to the situation ("NO bodies go to waste") convey a disregard for the sanctity of the dead, prioritizing profit over respect for the deceased.
  • The story subtly critiques the exploitation of the dead for financial gain, a practice that devalues human life.
  • The reference to Joe's previous occupation and the manner of his death hints at a societal disregard for worker safety and the human cost of industrial labor.

One-Armed Bandit

Day’s end for Joe

Photo by Einar Storsul on Unsplash

The nights are cold in Lanarkshire, but there’s an extra fierce chill in the graveyard. I shiver and call out to George, our foreman, “Bit of a chill here, tonight.”

George, a thick brute of a man, was leaning, as usual, on his shovel, holding the gas lantern so that we could squint and see what is around us. You don’t want to fall into an open grave, after all.

“If you're cold, dig faster, ya lazy git,” was all that George grunted at me.

So I dig as fast as I can. The job is terrible, but there are worse. At least I’m not using my legs as a leech feeding ground.

Thunk!

I’ve hit something. I quickly clear the dirt off the old pine box and pry open the lid. Good thing a shovel is a multi-use tool.

The stench hits me like a wave, nearly causing me to lose the meat pie I had for dinner. I was wearing a scarf over my face because the smell is revolting, but this one was extra odoriferous.

The corpse was bloated, with a greenish tinge. And worse, it wasn’t even whole. Most of the right arm was missing.

“Oi! This one’s no good,” I yell to George.

George comes over, takes a look at the corpse, pulls his lantern close to the gravestone and squints as he struggles to read the inscription.

“Shite, this is clumsy old Joe. He lost his arm down in the pits, sticking his hand where it shouldn’t be. Remember,” George admonishes. “Even if we can’t sell the body, we can still feed it to the pigs. Nobody, wait, I mean NO bodies go to waste.” George doubles up in laughter. I shake my head and go back to exhuming the poor old fellow.

I based this story on the following writing prompt:

as well as this story by Mark Farrar

and continued to use the characters introduced in another of my stories

Paul Mansfield is a writer, a photographer, a guitar player, a philosopher — some he does well, some not so well, but he still tries them all.

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