avatarCarley Moore

Summary

The web content discusses the value and practice of keeping a notebook, inspired by Joan Didion's essay "On Keeping a Notebook," and encourages writers and non-writers alike to use notebooks for personal reflection, observation, and creativity.

Abstract

The article delves into the concept of notebook-keeping as a tool for self-awareness and creative exploration, drawing on Joan Didion's insights. It emphasizes that a notebook is not merely a diary but a space for capturing thoughts, observations, and even lies, serving as a means to stay connected with oneself. The author reflects on Didion's influence on personal essay writing and contrasts it with Myriam Gurba's critique of Didion. The piece advocates for the use of notebooks to enhance observation skills, combat writer's block through freewriting, and maintain a record of one's thoughts and experiences. It also suggests that the act of writing in a notebook, regardless of one's artistic ability, is a liberating exercise that can contribute to personal growth and creativity.

Opinions

  • Joan Didion's essay "On Keeping a Notebook" is revered for its exploration of the notebook as a personal and creative tool, distinct from a diary.
  • The author of the web content expresses admiration for Didion's contributions to personal essay writing but also appreciates Myriam Gurba's critical perspective on Didion's work.
  • Notebooks are seen as essential for writers and beneficial for anyone with interests in various forms of expression, including list-making, visual arts, and digital content creation.
  • The author endorses the practice of freewriting and "parking" thoughts in a notebook to navigate the writing process effectively.
  • There is a personal anecdote about the author's history with diaries and the transition to a more freeform style of notebook-keeping influenced by Julia Cameron's "The Artist's Way."
  • The article suggests that the choice of notebook and writing instrument should be a pleasure but cautions against being overly precious about these tools.
  • The author promotes a single, all-purpose notebook over multiple specialized notebooks to avoid hindering the flow of ideas.
  • A list of potential notebook content includes overheard language, sensory descriptions, rants, plot ideas, dialogue, outlines, food experiences, future fantasies, poems, intimate thoughts, emotional processing, unsent letters, self-reflection, reminders for self-improvement, political thoughts, fashion notes, and freewriting exercises.
  • The author invites readers to share images of their notebooks, fostering a sense of community around the practice of notebook-keeping.

On Keeping a Notebook

Yes, yes, Joan Didion, and goodbye and hello to all that

Photo: Isabel Pavia/Getty Images

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In her now-legendary essay “On Keeping a Notebook,” Joan Didion writes:

Keepers of private notebooks are a differ­ent breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.

And later:

How it felt to me: that is getting closer to the truth about a note­book. I sometimes delude myself about why I keep a notebook, imagine that some thrifty virtue derives from preserving everything observed.

Didion is adamant that it’s not a diary and that it may be full of lies. But ultimately it’s about “keeping in touch” with oneself. I like all of this. I was once a big Didion fan. I still love her for all that she opened up for personal essayists. I don’t find her to be a journalist at all, but that’s okay.

Photo: Taylor Simpson/Unsplash

I’m also really fond of Myriam Gurba’s brilliant homage and takedown of Didion, “It’s Time to Take California Back from Joan Didion,” which begins with these perfect sentences:

Amado Vazquez, a Mexican botanist, named an orchid after Joan Didion. While that was a chic gesture, I don’t think of her as an orchid. I think of her as an onion. She’s very white, very crisp, and she makes people cry.

Ha, you will love Gurba’s essay. If I were ever to teach Didion again, I would only teach her with Gurba.

Back to notebooks. You should keep one if you are a writer of any sort. You should keep one if you don’t feel comfortable calling yourself a writer but you like notebooks or pens or lists or markers or paintbrushes or cats or motorcycles or TikTok or really if you have likes and dislikes of any kinds.

Notebooks are good for keeping track of shit and making yourself more observant of both yourself and the world around you. Writers need these skills. Observation in and observation out.

Notebooks are perfect for freewriting, which is what you should be doing quite a lot of; freewriting can also stave off writer’s block, you know.

I don’t keep a diary, although my parents gave me my first diary when I got out of a very scary and too-long-for-me stay in the hospital when I was in the third grade. It was small and plaid with a matching plaid pencil. To say I loved it would be an understatement. I wrote in it the day I got home from the hospital and then read it to my family that night at the dinner table. You see where this is going.

I also kept one in high school, and my dad used to sneak into my room and read it, so that was kind of it for me and diaries.

But a notebook is where I do what my former colleague and friend Sandie Friedman calls “parking.” It’s for the freewriting before and after a writing session, so I know where I was and where I am going. Parking is the notes you take to find the car of your novel in the very big Target parking lot.

I used to keep a tidy notebook, but after reading The Artist’s Way a couple of summers ago, I got into morning pages for a bit and the whole idea of making a big mess. Now I write really sloppily, which for me was a wonderful, freeing shift.

I keep a big notebook. I like blank pages and watercolor-like markers. Sometimes I draw things even though I’m not an artist. It doesn’t matter. The pen moving freely on the paper without self-censoring or fixing is what matters. Here’s mine:

Photo courtesy of the author

You should buy a notebook and pen or pencil that pleases you, whatever that happens to be. You also probably shouldn’t get super fetishy about it, but hey, that’s your business.

I don’t have separate notebooks for separate things because it slows me down, and I don’t want to have to worry about having the right notebook at any given time.

This also fits in with my #OneCarley theory which is for another post perhaps.

Some things to keep in your notebook:

  1. Overheard language
  2. Imagery/descriptions of what you see, hear, smell, taste, and feel around you
  3. Rants
  4. Plot ideas
  5. Dialogue
  6. What scene is next, though not too much ahead of that
  7. Outlines, if you must, though I’m not a big outline person myself
  8. Things you ate that made you happy
  9. Fantasies for the future
  10. Poems
  11. Sexy thoughts
  12. Misery/rage
  13. Letters you won’t send
  14. Reflections on things you fucked up and/or patterns you are working on
  15. Reminders to be nice to yourself and/or not be a dick to others
  16. Political actions
  17. Fashion
  18. Freewriting!

Send me pics of your notebooks?!

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Writing
Writing Tips
Writing Tips From Writers
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