On Growing as an Artist, Dancer, and Dance Educator through STEEZY Studio Dance App
An interview with Jessica Holyfield

Jessica Holyfield was one of the community’s most active, friendliest, and most encouraging dancers, whom I noticed as a newbie when I joined the STEEZY community Facebook Group in November of last year. She even hosted dance instructor and freestyling challenges, motivating us to learn dance routines from one specific STEEZY dance instructor together and practice freestyling based on one specific technique taught in a STEEZY class. It’s inspiring to watch her new dance video (sometimes even more!) each day and to receive her appreciative and encouraging comments on our dance videos. And most recently, she has been collaborating with other active dancers in the community to perform STEEZY routines together.
I’m truly amazed at how she is focused on excelling in both the technicality and creativity in her dances and how she appreciates and supports fellow dancers, regardless of our dance experience and skills.
This was what inspired me to interview her. We had a lovely, casual chat over Zoom, and here are some of the highlights of our chat. My questions are in headers, and Jessica’s answers are underneath each question. Her responses are edited for brevity and clarity.
How Jessica got started on STEEZY
When did you first subscribe to STEEZY, and what motivated you to do it?
From where I’m located in the USA, it isn't easy to access authentic and commercial hip-hop and street dance choreographies. I would need to travel to Los Angeles (LA) to learn them, so STEEZY is a great way to learn without needing to travel to LA all the time. STEEZY has many great foundational programs, such as Popping, House, and Whacking, where the key cultures to these dance styles are introduced in a very well-thought way, so this helps me become a better teacher in my local dance community.
I saw some recommended videos from STEEZY on YouTube and signed up for the membership in 2016. But I wasn’t active on STEEZY until I discovered and joined its Facebook community in 2021.
Yes! How does joining the community help you in being more active on STEEZY?
By holding myself accountable to the community, I took many more classes and pushed myself to improve. Whenever I announce a challenge in the group or tell a fellow dance buddy I want to do something; I’m much more likely to follow through with my commitment and do my best at it.
That’s why I made the Instructor challenge, learning all the dance routines from a specific Instructor, as it forced me to learn from choreographers I would never have picked for myself. This allowed me to grow in an accountable environment versus just doing it alone. If you were to ask me to collaborate on a dance routine together, I would do it because you’re holding me accountable.
I think what sets STEEZY apart from most other online dance apps is the accountability and support of its online community.
On balancing STEEZY with her personal life
Since Jessica is using STEEZY to achieve both her personal and professional goals, I was curious to know how much time she spends on STEEZY, and how she balances that with her personal life.
How are you making full use of the STEEZY subscription? Did you have a specific plan, and how has it evolved so far?
I feel like I get my money’s worth for sure because I pay US$99 for an annual subscription, and I take more than 99 classes in a year! I’m spending less than a dollar to take each class using the app.
If you take even just ten classes on the app within a year, you are already getting your money’s worth. A physical drop-in class with the same instructors in LA costs around US$12, and that excludes transportation costs to get there.
The downside, of course, is that some of us learn better in a physical class environment. STEEZY has started introducing ‘live’ classes where we can zoom in on the instructor and interact with the instructor and other participants ‘live’, so I think that’s the best an online platform can do to mimic the physical ‘live’ class environment.
Since you spend so much time taking STEEZY classes, I’m curious to know how you plan your daily or weekly schedules to do these classes. Do you plan them? How do you prevent yourself from being too obsessed with it?
Well, I used to take classes without resting much. I sacrificed spending time with people who matter to me to take those extra classes. That was alright for a season, but not for my entire life.
So after a season of doing that, I relaxed into a healthier rhythm where taking STEEZY classes is like a part-time job. I make time for these classes, but it doesn’t usually take up my entire day. If there’s something specific I want to learn, I schedule my learning over a few days instead of letting it take over my entire day because my body doesn’t learn well in a one-day marathon.
I’m focusing on learning choreography this year, so I aim to complete learning 200 routines. Right now (this interview was in early November), I have 40 more routines to complete by the end of these two months, which can be split into 20 routines each month. This feels very doable. I also want to take at least one class from each instructor on STEEZY and feel good learning each routine. So I let these intentions guide me to pick the next routine to learn.
I also pick routines according to the attire I wear for the day. I’d probably pick a more masculine style if I wore baggy clothes like a hoodie and joggers. But I'd pick a more feminine style if I wore a crop top and leggings.
Next year, my goal is to hit a thousand classes. I’ve taken almost 700 classes, which makes this a doable goal. I will focus on taking quality classes and enjoy the process.
I always have a goal in mind. I always have something I’m working towards, which helps me discipline myself.
You train like a Kungfu Master!
Aww, I’m flattered! Thank you!
Bingz: I’m so envious that Jessica went to the physical STEEZY Studio earlier this year and had her performance recorded against the famous STEEZY backdrop! Here’s Jessica’s super cool rendition of Chris Martin’s choreography to Winter Blues by Joyner Lucas.






