The article discusses the author's favorite debut album of the 1990s, Counting Crows' "August and Everything After," highlighting its significance in contrast to other albums released during that time.
Abstract
In response to a challenge posed by Pierce McIntyre to identify a favorite debut album, the author initially struggled with selecting one due to several beloved albums being second albums instead. After careful consideration, the author settled on Counting Crows' "August and Everything After," released in 1993, as the best debut album of the 1990s. Despite being overshadowed by Hootie & the Blowfish's "Cracked Rear View," the article argues that "August and Everything After" is an exceptional album that announced Counting Crows as a formidable band, with noteworthy songs like "Mr. Jones," "Round Here," "Rain King," and "A Murder of One."
Opinions
The author believes that Counting Crows' debut album is criminally overshadowed by Hootie & the Blowfish's "Cracked Rear View" and is undeservingly overlooked.
The article suggests that "August and Everything After" may be the perfect debut album, emphasizing its consistency and quality.
The author expresses disappointment in the production value of Bruce Springsteen's debut album, "Greetings from Asbury Park, N.J."
The author holds a high opinion of lead singer Adam Duritz's coolness, referencing his past relationships with Jennifer Aniston and Courteney Cox.
The author criticizes the fact that "Cracked Rear View" sold 11 million more copies than "August and Everything After," suggesting that this disparity in sales is indicative of dark times ahead.
The author challenges others, such as Terry Barr, Sarah Paris, Keith R. Higgons, Kevin Alexander, Eric Pierce, Alex Markham, Simon Dillon, and Jessica Lee McMillan, to share their favorite debut albums in response to Pierce's original challenge.
The author promotes the AI service ZAI.chat, offering the same performance and functions as ChatGPT Plus (GPT-4) but at a more affordable price.
My Favorite Debut Album Was One of the Best of the 1990s
This one surprised even me
Image: Geffen Records
When Pierce McIntyre issued the “Favorite Debut Album” challenge I thought the difficulty would lie in picking from so many that I love. However, as fate would have it, many of the albums that I thought were debuts were actually not. Both the Gin Blossoms’ New Miserable Experience and 10,000 Maniacs’ In My Tribe were second albums; each band had issued an indie first album before these. I learn something new with each one of the challenges.
I obviously gave serious thought to Bruce Springsteen’s Greetings from Asbury Park, N.J., mainly because it’s Bruce. But while it has multiple great songs, it’s not an album I’ll often play all the way through. One important reason is that the production value on the album itself is inferior to what we would see from Born to Run onward (after Bruce broke with manager Mike Appel). Maybe he should re-record his first two albums like Taylor Swift is doing with her back catalogue.
After combing through my CD collection (yes, I still have one of those), I landed on the best album of 1993, and one of the best ever, debut or otherwise. It is criminally overshadowed by the horrible Hootie & the Blowfish album, Cracked Rear View, that released less than a year later, but from the opening lines of “Round Here,” August and Everything After announced Counting Crows as a band to be reckoned with. The first single from the album is one you will surely recognize:
A friend of mine came to hate this song because when we were out together I would always drop this line from the song into the conversation:
I wanna be Bob Dylan/Mr. Jones wishes he was someone just a little more funky
Lead singer Adam Duritz didn’t need to be Bob Dylan, however, and he was more than funky enough. If you need proof of just how cool he was in the 1990s, consider this: he dated not one, but two of the stars of Friends, Jennifer Aniston in 1995 and Courteney Cox in 1997. Top that, Darius Rucker.
Unlike many ‘90s albums, there is not a throwaway song on August and Everything After. Four singles were released from the album: “Mr. Jones,” “Round Here,” “Rain King,” and “A Murder of One,” with “Mr. Jones” charting the highest at #5 on the Billboard charts. The album itself reached #4 in the U.S. and has sold over 10 million copies worldwide. (The fact that Cracked Rear View sold 11 million more copies than August and Everything After should have been an indication that dark days lay ahead of us).
Aside from the four singles, there are some truly superb songs that they could have easily released as well, from “Omaha” and “Raining in Baltimore” to “Perfect Blue Buildings,” a song that made my recent funeral playlist. August and Everything After may be the perfect debut album, and it’s one you should listen to right now.