avatarBritni Pepper

Summary

Britni Pepper discusses her approach to writing erotica, emphasizing the importance of adding adventure, travel, and quirky elements to create engaging and satisfying stories, while avoiding fetishes and formulaic writing.

Abstract

Britni Pepper, an erotica writer, shares her philosophy on crafting erotic stories that go beyond the conventional. She advocates for incorporating unique experiences, such as a surreal encounter with red Cadillacs in a Texas field, to inspire narratives that are memorable and exciting. Pepper's stories aim to blend travel, sex, and quirkiness, steering clear of fetishes which she finds problematic due to concerns about consent and gender roles. She emphasizes the need for erotica to be entertaining and arousing, suggesting that without elements like conflict, uncertainty, and exotic settings, the stories risk becoming as mundane as a supermarket trip. Pepper encourages writers to use imagination and avoid formulaic structures, making the sexual content an enhancement rather than the sole focus of the narrative.

Opinions

  • Pepper finds traditional sex scenes lacking in mystery and excitement once the novelty wears off and seeks to infuse her writing with more intriguing elements.
  • She expresses distaste for fetish-centric erotica, considering it strange, disturbing, and potentially involving non-consensual or unequal power dynamics.
  • Pepper believes that erotica should be crafted with care, using proper grammar and context, and should not just be a depiction of body parts engaging in sex.
  • She criticizes a significant portion of erotica for being formulaic and predictable, which she equates to boring storytelling.
  • Pepper suggests that the key to good erotica is to make the sex scenes the "icing on the cake," enhancing a story that is already compelling due to its characters, plot, and setting.

Making Erotica an Adventure

Get a little bit of weird in your writing

Image by author

Amarillo at sunset. The light was low, a long day of driving behind, but I wasn’t going to hurtle past in the dark.

One of the most surreal sights of my life. A line of classic Cadillacs planted nose down in a Texas field, all painted bright red, a crew of manic workers at the end of their long day of hot sun and paint fumes and perhaps the odd bit of horseplay with the brushes dripping red.

I made a few photos of the weird scene and oddly enough, it’s lodged in a corner of my memory like a pubic hair stuck in a back tooth. Kind of irritating, kind of fun.

I’ve got a rough idea of a story based around this scene. With the working title of Jolly Rancher, I’ll have my lady photographer character happen by — in the morning rather than at sunset — take some photographs of the iconic scene, offer to help paint the thing red, labour along with the crew all day long, splash a bit of red paint around and in the showers later get hands-on with the group leader.

Adding colour to the bare story

This is what I want to explore in my writing. A combination of travel, sex, and quirk. Not fetishes. Fetishes are strange and disturbing and raise all kinds of flags in my mind about consent and gender roles and the idea that one party isn’t enjoying the process as much as the other(s).

I get no fun out of that; if I write about such things, this will come through to the reader, and I want my readers to finish my stories with a happy sigh of satisfaction.

Photo by TOPHEE MARQUEZ from Pexels

Personally, I find sex exciting enough without getting into the kinks and fetishes that my fellow erotica writers assure me keeps the money rolling in. Hotwives and submissives, bondage and breast milk, stepdads and dinosaur sex. Ewww.

But, let’s face it, once you’ve gotten over the first few times, a lot of the mystery and excitement of sex is gone for good. Oh yes, it’s still something that will get the expected results if you do it right, and it’s generally fun, especially as you gain skill and confidence.

But is your own regular Tuesday evening sex romp anything special? Is it a story worth telling, with all the beats and the tempo, the exposition, the conflict, the (ahem) rising action, the climax, and resolution? Or is it more of an A to B journey, as interesting a dramatic tale as a visit to the supermarket?

Readers might be keen on a written description of that — perhaps if they are teenagers looking for information and titillation — but they aren’t likely to come back and pay money for another story if it doesn’t entertain as well as arouse.

There has to be conflict, an element of uncertainty, an exotic twist of setting, maybe some danger. Will the conductor want to punch your ticket halfway through your random screw in the second-class compartment? If your boyfriend reaches into your lap during the ballgame, just how far will he get?

OMG, but there’s some awful erotica around

I’ve been researching erotica. Kind of fun, kind of irritating. A lot of it is well-crafted and arousing. A lot is horrid, just body parts sliding around without the benefit of grammar or context. And a lot of both ends and most of the middle is formulaic; a bit of setting, a couple of characters, enough unlikely sex in the latter pages to support a one-handed reader.

Formulaic equals boring in my eyes. You know what’s coming, you read on regardless. The half-witted characters either plough on without worrying too much about whether the relationship is at all plausible, or they obsess about whether the other party is interested in their well-described charms. (News flash: they are.)

If you are writing erotica, try a bit of imagination and quirk. Make the sex the icing on the cake, not the main course.

Britni

Britni Pepper writes for Kindle Direct Publishing. She runs a blog where she reviews erotica, and rambles on about this and that. She may be reached on Twitter and Facebook.

Writing
Erotica
Route 66
Sex
Storytelling
Recommended from ReadMedium
avatarAnn Marie Steele
The Love Bandit

Exploring Ekphrasis

3 min read