avatarIsak Dinesen

Summary

The website content reflects on the artistic and symbolic representation of a sculpture in alabaster by James Fletcher, capturing the essence of exile and heritage.

Abstract

The "Kings of Kings" piece, sculpted by James Fletcher, is depicted in a series of evocative images and poetic descriptions. The artwork is crafted from rough-hewed alabaster, which contrasts with the finesse of the sculpture's form, suggesting a transformation from raw material to refined art. The imagery of footings in the Nile and a child in exile evokes themes of origin, displacement, and the enduring legacy of cultural identity. The sculpture is presented as a powerful testament to the resilience of heritage against the backdrop of diaspora.

Opinions

  • The author appears to hold the sculpture in high regard, emphasizing the skillful transition from raw alabaster to a finished piece of art.
  • The mention of "hammer to hooves" suggests a reverence for the artistic process, highlighting the labor and craftsmanship involved in creating such a work.
  • The repeated reference to the Nile and exile implies a deep connection between the subject of the sculpture and a sense of loss or longing for one's homeland.
  • The use of personal photographs and captions indicates a personal engagement or connection with the sculpture, possibly reflecting the author's own experiences or reflections on identity and belonging.

Kings of Kings

Author’s photo of sculpture in Alabaster by James Fletcher

Rough-hewed alabaster

takes flight from flint,

as hammer to hooves.

Footings knee deep in The Nile,

the Child embraced by exile.

Author’s photo of sculpture in Alabaster by James Fletcher
Poetry
Illumination
Sculpture
Holy Family
Exile
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