In The Garbage Fishing For Diamonds
A poem on writing poetry
I had a few hours to kill before going to work.
So why not appeal to the poetry gods?
Or fish through the garbage pile of the English language
to see if I can fish out a nugget or two?
I might not be Pulitzer material, but sometimes
I get lucky with a metaphor or I’ll let passion take me
into a narrative with nerve and grit and blood and life.
In fact I find if I write what’s close to my chest
the words will come, the images will fall.
I don’t need the best, just something approximate,
something close to what I am trying to say.
It’s just a poem, I remind myself, one of many poems.
It might touch a handful of people, other poets
wandering the wide beach of desolate poetic waste,
passively turning over poems like so many sea shells
or broken sand dollars — ambiguous, half-formed
things that you wonder how they ever ended up
there, sounding like that, in just that pattern of vocabulary,
only to throw the thing back into the sand, no wiser,
as the immense sea drowns out whatever significance
a tiny diamond word may have had that pierced under your skin
interrupting your own daily poetry that runs through your head
like garbage, English riffraff, leftovers, reassembled nonsense
sometimes approaching real emotion only to forget itself like some kind
of dementia, the same way English forgot it was once Latin, or maybe
even Sanskrit, dementia-ridden old man, like some haughty red
bottle brush in love with its own feathery red flower forgetting
its own perineum root is mud deep in worms, mulch, snails, life
as these English words we innocently pluck like kids picking fruit
are only the tip of the iceberg, the froth on a cappuccino
drunk one minute, forgotten the next, flighty whims
most kids would never think to write down or record.
The worst of it is that I think I am the one writing
with two hands on the wheel in control of where I want to go,
driving images and narrative like a detective writer outlining
a fixed plot, when in reality it’s a fifty-fifty fight
my two hands on poetry, poetry’s two hands on me
spiraling into something I never intended, turning
it into a gamble when I hit the publish button
risking a round full of WTFs, or OMGs,
or worse, indifference, a quick click on the back arrow
making your “poem,” your drunken amble down crooked
English lane, only a half read poem at best, ending
at an emphasis you never even intended, half-eaten
fig some mocking bird gave one short sharp stroke into
before flying off to some fruit with more juice, more body,
more melody, sweeter frankly than your accidental
meandering, your opportunistic, shameless spinning just before
work, where you get paid to have shit thrown at you
so you can pay your bills knowing your “poems”
only bring in pennies, knowing you will need
to pen five of these suspect things just to fetch you
a coffee down the street, so you can keep
your caffeinated illusions alive in becoming the next Pulitzer.
© Carlo Zeno 2022
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This poem was prompted after reading Thomas Plummer’s honest piece, We All Start By Writing Badly. He didn’t intend it as a prompt, but it prompted me anyway. Check out his writing, as he is a seasoned, heartfelt poet.
Thank you to my readers for putting up with me, and thank you to Blue Insight for providing a platform for poetry. You can support here, or read two more poems below 🙏
