Summary

The article provides strategies for crafting distinct character voices in fiction writing.

Abstract

The article "How to Write Distinct Character Voices in 11 Different Ways" offers actionable advice for authors to develop unique voices for their characters, emphasizing the importance of considering each character's motivation, lived experience, and influences. It suggests that character voice is not just about dialogue but also about how characters express themselves and interact with the world. The author, Aigner Loren Wilson, recommends focusing on character voice during the content edit phase, learning from scripts and literature, and paying attention to rhythm, sentence structure, and cultural nuances. Techniques such as the dialogue daisy wheel, acting out characters, and reading dialogue aloud are also proposed to help writers distinguish their characters' voices. The article concludes by stressing the significance of understanding characters deeply to create memorable and distinctive voices in fiction.

Opinions

The author acknowledes that character voice is a complex aspect of writing that many writers struggle with.
It is suggested that some writers naturally "hear" their characters, which is a unique gift, while others need to employ specific techniques to achieve distinct voices.
The article posits that scripts are valuable resources for learning how to write dialogue with unique character voices.
Copy work from literature is recommended as a method for internalizing the nuances of storytelling and dialogue.
Reading outside one's own culture is encouraged to broaden a writer's approach to character voice.
The author advocates for changing speech rhythm and sentence structure as effective methods for differentiating characters' voices.
The Dialogue Doctor's method, known as the dialogue daisy wheel, is highlighted as a useful technique for developing character voice based on who the character is and how they interact with their world.
Acting out characters is proposed as a way to physically embody and understand a character's voice.
The article advises that characters can be distinguished by whether they speak figuratively or literally.
Reading dialogue out loud is recommended to gauge the authenticity of a character's voice.
When writing patois, the author emphasizes the importance of avoiding caricatures and stereotypes, and instead focusing on authentic and respectful representation.
The author asserts that a writer's growth and ability to craft distinct character voices are crucial for creating compelling and memorable fiction.

How to Write Distinct Character Voices in 11 Different Ways

Actionable approaches to stop your characters’ voices from bleeding together.

What is meant by unique character voice?

A character’s voice is how they express themselves. So their uniqueness comes down to who they are: motivation, lived experience, and influences. That’s what it takes to create unique character voices, and it’s what most writers never think about.

We must think about our own characters not as talking heads, but as people with pasts, hidden motivations, and drives that propel them through our stories.

How to discover your own characters’ voices

Working with different levels of writers, I know that character voice is a hard topic to master and practice. A lot, I notice, comes down to the fact that writers can’t seem to tell if their characters sound different. I totally get it. How are writers supposed to hear their character’s voices if they happen within their own head?

Some writers who are stellar at it are so great because they can hear their characters as they talk. This is a unique gift that not everyone has. Like me, for one. I can’t really hear the characters in my head. I hear my voice in different inflections.

So I have to resort to different techniques that we’ll get into below. When talking about dialogue previously, I’ve mentioned that dialogue and the way characters speak is nothing like how we as real people speak. They speak like actors. All subtext and internal motivation battling with external forces.

Tackling character voice in your own fiction

The thing to remember about these techniques is that the purpose is to create character voices that are unique and dialogue that is not stale. But when it comes down to it, it’s up to you as the writer to find a method and system that works for you. Think about your intent and your character’s intent.

Save it for the content edit

Instead of bogging yourself down and worrying about how your characters speak during your first or even second draft, focus on getting your story out and understanding your characters. Then during your content edit, you can focus dedicatedly solely on your characters’ unique voices.

Read scripts to learn distinct voice

Guess what? Scripts are master classes in dialogue and studying distinctive voice. They are also a great tool to use when it comes to crafting lean stories with a lot of dialogue and action. Find a movie that you enjoy because of how unique and distinct the character’s sound. Search for the script online and study how the writers did it.

Copy work from literature

Copy work is rewriting passages and stories in order to learn the feeling of story. Find a book or story that you love. Pick a scene that’s heavy in dialogue and has more than one character. Rewrite the scene by hand or type it up. Pay attention to the sentence structure, the action framing, and word choice. Dissect, examine, and analyze the text while reading, writing, and reviewing.

Read outside your culture

Too often, writers stick to reading and learning from their own culture. It creates a hallow hall where nothing new or original can come out. By reading another culture's stories, writers can learn how to frame and write voice in different ways.

Change the rhythm of each characters’ speech

The quickest way to distinguishing characters’ voices is by writing out what their dialogue. Then chopping it up and changing the rhythm so that the flow is different and unique to the character.

Change the sentence structure of each character

Like changing the rhythm of a character’s voice or dialogue, changing the sentence structure works for those writers who can’t read or see rhythm. Like me. I can sometimes pick up on distinct rhythms in speech, but when I can’t, I focus on changing the structure of the sentences.

Use the dialogue daisy wheel

This is a method that I learned from the Dialogue Doctor, who, like me, sees voice as a bigger picture than what many writers view. It all comes down to who the character is, what their motivations are, and how they interact with the world. To listen to the Dialogue Doctor break down his method, check out his podcast episode where he walks writers through the technique.

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Act out your characters

When at a loss for how to find your character’s voices, try acting like your character. Let their image and idea embody you. Strut around like them and speak how they would. Write what you say or record it so that you can begin thinking about how they respond to the world and other characters. Pay close attention to word choices, inflections, slang, and catch phrases.

Have characters talk either figurative or literal

Like the Charles and Luther example, when it comes to designing your characters’ unique voices, you can make one or more speak either figurative or literal. A main character could fall into long-winded monologues that are teeming with poetry. Or they can be a short and soft-spoken literal person.

Read the dialogue out loud

This is better for later drafts or for people who edit while writing. After finishing a scene or even while writing it, speak the words. Say them how you think your characters would. How does it sound? Play test the dialogue of your characters to make them sound and behave differently.

On writing patois in an aware way

This is less of a technique and is more of a note about creating or using patois’ in your writing. There is a strong divide between people who think that writing out patois phonetically should be avoided and others who see it as an honest representation of a culture.

Whichever way you choose to write out marginalized characters’ patois should come down to not making them caricatures or stereotypes. If you start making a joke out of a culture’s way of speaking, you’ve done them dirty and are appropriate, making fun of, and generally being offensive toward someone else.

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Create better fiction by learning and growing

When it comes to characters and voice, there is no argument. Unique, distinctive voice is what makes each character stand out. It’s what creates memorable lines and pulls readers in. To do that, we have to understand our characters motivations, lived experiences, and influences.

It is up to us as writers and creators to craft those voices that make our fictions sing. We can’t do that if we write in a tunnel and refuse to change. Let your writing live on the tip of your tongue and focus yourself. Learn and grow to become a better writer.

Aigner Loren Wilson is a 6X Top Writer. Her work has appeared in P.S. I Love You, Arsenika, Illumination, and more. She is releasing a poetry collection, to be haunted, in the summer of 2021. For access to her Medium Writers’ Club, signup to her writing group.