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er” and “Champion.” While the tracklist is not as consistent as his first two albums, <i>Graduation</i> sees Kanye re-invent himself and create another album that feels good to listen to.</p><p id="b8b9">Favorite tracks: Good Morning, Champion, Stronger, I Wonder, Can’t Tell Me Nothing, Flashing Lights, Everything I Am, Homecoming, Big Brother</p><figure id="148f"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*XvWY34OnDQW3e0hwaA0Ggw.png"><figcaption></figcaption></figure><p id="5993"><b>7. <i>ye</i> (2018)</b></p><p id="2265">Being a Kanye West fan in 2018 was not an easy thing to do. The lead-up to <i>ye</i> dropping was filled with controversial statement after statement, but on possibly his most introspective album we see behind the walls of this behavior. Kanye uses <i>ye</i> to address his mental health, relationship with Kim Kardashian, and other factors on its very consistent seven-song tracklist. The lightning-in-a-bottle energy this album has, combined with it being one of his most personal and honest albums out, makes <i>ye</i> a strong entry in Kanye West’s discography. Not to mention, “Ghost Town” is a gorgeous song.</p><p id="5078">Favorite songs: I Thought About Killing You, Yikes, Wouldn’t Leave, No Mistakes, Ghost Town, Violent Crimes</p><figure id="b245"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*kCjl_AuiLnCRKkTcWHyA_A.jpeg"><figcaption></figcaption></figure><p id="d246"><b>6. <i>The Life Of Pablo</i> (2016)</b></p><p id="5a3e">From this point on in the ranking, every album is incredible. <i>The Life Of Pablo</i> is no exception to that. It is a mix of ideas and songs that on paper should not be on the same album, but somehow it all comes together and works. This album constantly throws out new ideas and changes, keeping things interesting. Some highlights are the gospel-influenced intro song “Ultralight Beam,” the personal and introspective run of “FML,” “Real Friends,” and “Wolves” all in a row, Kanye and Kendrick rapping over a Madlib instrumental on “No More Parties In LA,” and the gorgeous closing track, “Saint Pablo.”</p><p id="b817">Favorite tracks: Ultralight Beam, Father Stretch My Hands Pt. 1, Famous, FML, Real Friends, Wolves, Frank’s Track, 30 Hours, No More Parties In LA, Saint Pablo</p><figure id="943e"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*32hpPZT6creIOHSh1rMMEQ.jpeg"><figcaption></figcaption></figure><p id="257d"><b>5. <i>Late Registration</i> (2005)</b></p><p id="02f6"><i>Late Registration</i> is a continuation of the ideas presented on Kanye’s debut album. Still traditional by his standards, but with a more cinematic touch this time around, in part due to the contributions of film score composer Jon Brion. All the songs build on each other on this record, constantly moving forward. The instrumental arrangements and samples are all gorgeous. It is hard to pick out any flaws on this project, there isn’t a single bad or even okay song anywhere in the tracklist. The rapping on this album is all at an elite level, with Kanye delivering confident flows and witty punchlines while focusing mostly on socially conscious topics like poverty, the war on drugs, racism, addiction, and materialism, among other things. The features on this album are great too, with highlights coming from rappers Lupe Fiasco, Common, Jay-Z, Nas, and Consequence. In addition to being socially conscious, this album is very celebratory too(and not just the song “Celebration”). The whole thing feels like a victory lap after the success of the album before it, <i>The College Dropout</i>.</p><p id="0571">Favorite Tracks: Heard ’Em Say, Touch The Sky, Gold Digger, Drive Slow, Roses, Bring Me Down, Diamonds From Sierra Leone Remix, Hey Mama, Gone, Late</p><figure id="de96"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*6jhSzn2vNgy42cmJDTZhRw.png"><figcaption></figcaption></figure><p id="1345"><b>4. <i>808s & Heartbreak</i> (2008)</b></p><p id="1320">Possibly his most boundary-pushing and influential album to date, <i>808s & Heartbreak</i> is a complete shift from everything Kanye had done before and everything he has done since. Kanye West isn’t the first rapper to sing, nor is he the first person to use autotune, but he perfected a style and helped create a lane for rappers to be more melodic in their music, even if they aren’t technically gifted singers. Countless artists have cited this record as an influence, and the sound of this album still permeates mainstream hip hop to this day.</p><p id="f441">Influence aside, <i>808s & heartbreak</i> is still an extremely well-put-together album. This is Kanye West’s saddest album, fueled by the loss of his mother and a breakup with his fiancée at the time. A lot of the songs here a vague enough to tackle both topics at the same time, but each song has a unique lens through which it addresses the major themes of this album. It all comes together as one cohesive experience. Every single note, instrument, lyric, and song feels very purposeful and intentional. <i>808s & Heartbreak </i>manages to perfectly walk the line as a patient record while still maintaining its sense of urgency and importance, and it has aged like a fine wine since its release in 2008.</p><p id="ffd7">Favorite Tracks: Say You Will, Welcome To Heartbreak, Heartless, Amazing, Love Lockdown, Paranoid, RoboCop, Street Lights, Bad News, Coldest Winter</p><figure id="b3d4"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*MmxK5iOhtIC1Oz3kna7zWQ.jpeg"><figcaption></figcaption></figure><p id="ec63"><b>3. <i>The College Dropout </i>(2004)</b></p><p id="ef66">This is the album that started it all. Early in his career, Kanye West had an undeniable charm & charisma in his music. The braggadocio is still all over this album, but “All Falls Down” is an amazing song that peels back the layers and shows it is all rooted in self-consciousness. Much like <i>Late Registration, </i>Kanye is rapping at a high level throughout the entire album. What sets this album apart is its focused themes. There is the obvious one about the education system and how college can be a scam, but the underlying message of this album is to trust your own decisions and everything will work out. This point is driven home by ending the album with a 9-minute monologue telling his success story, detailing the challenges he had to go through to get where he is today. There is also a really good set of skits that are all on topic and tie this album together very well.</p><p id="2c5b">The production here is incredible throughout the album. Kanye proved very early in his career that he is as skilled as any other producer at finding and using soul samples to make great hip hop instrumentals. Being that this album came out long before Kanye was the billionaire megasta

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r he is today, this is also his most relatable work for a lot of people. Kanye just isn’t making songs about working a dead-end job like “Spaceship” anymore. The great rapping, production, and constant barrage of classic songs like “Jesus Walks” and “Through The Wire” keeps the replay value of this album very high.</p><p id="10b2">Favorite Tracks: We Don’t Care, All Falls Down, Spaceship, Jesus Walks, Never Let Me Down, Get Em High, Slow Jamz, School Spirit, Two Words, Through The Wire, Family Business, Last Call</p><figure id="ef99"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*Bz1vin3bMzz7XtJttq3nJA.jpeg"><figcaption></figcaption></figure><p id="b011"><b>2. <i>KIDS SEE GHOSTS</i> (2018)</b></p><p id="89e9">Given how chaotic and somewhat messy Kanye West’s output has been in the second half of his career, and how tumultuous the rollout around all of the Wyoming releases was, this collaborative album with Kid Cudi sounding as clean and well-executed as it does is somewhat of a miracle. There is still a ton of energy and chaos on this album, but it is all reigned in, well-intentioned, and carefully orchestrated unlike anything else. Kanye West and Kid Cudi have always had amazing chemistry together, and it is on full display here as Cudi’s hums and smooth delivery is perfectly balanced by Kanye bringing tons of energy and consistently rapping at his best that he has in the past decade. Kanye is screaming all over the intro track, “Feel The Love,” but it never sounds out of focus. On the same song Pusha T kicks things off with one of the most confident verses he’s ever given, it’s a jaw-dropping way to start an album.</p><p id="ef1e"><i>KIDS SEE GHOSTS </i>takes heavy influence from psychedelic rock, but still maintains its roots in hip hop, while also working in eclectic samples like using a 1930s Christmas song on the haunting but uplifting “4th Dimension.” “Freeee (Ghosts Town Pt. 2)” works to tie this album into <i>ye </i>which came out just a week before, but the two albums could not be more different. if <i>ye</i> is an expression of mental illness and a cry for help, <i>KIDS SEE GHOSTS </i>is an expression of freedom from mental illness, with faith in a higher power dominating the repeated mantra that closes the album. On this album, Kanye West and Kid Cudi find a way to push boundaries and create a spiritual experience that feels complete, all in under 25 minutes.</p><p id="0099">Favorite tracks: Feel The Love, Fire, 4th Dimension, Freeee (Ghost Town Pt. 2), Reborn, Kids See Ghosts, Cudi Montage</p><figure id="7a8d"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*mBLgrjl3oT3y2hpDFxoPAw.jpeg"><figcaption></figcaption></figure><p id="f5ee"><b>1. <i>My Beautiful Dark Twisted Fantasy</i> (2010)</b></p><p id="98aa"><i>My Beautiful Dark Twisted Fantasy</i> is not only Kanye West’s magnum opus, it is one of the best albums of all time. Across all genres, this album has stood up over the past decade as one of the grandest and most well-crafted albums in all of music. Some might call this a “basic” pick, but there is absolutely nothing basic about this album. It is the true definition of a masterpiece in every way.</p><p id="3a2e">By the time this album came out, Kanye West had solidified himself with his first three albums, then he put out <i>808s & Heartbreak</i> to mixed reactions from fans, people didn’t get it yet. He became one of the most hated celebrities in middle America, after numerous antics, most notably interrupting Taylor Swift at the VMAs, it was time to leave the public eye for a while. So with everyone against him, did Kanye West come back with an album apologizing for his behavior? Of course he didn’t. He began having various artists fly to Hawaii to contribute to this project.</p><p id="d328">This backstory is important, <i>My Beautiful Dark Twisted Fantasy</i> is a reflection and idealization of life as a villain in the public spotlight, and the sheer number of high-profile names on this contributes to the concept. “All of The Lights” alone contains over a dozen vocalists, some of them being Kid Cudi, Rihanna, Fergie, Drake, Elton John, Alicia Keys, and of course Kanye himself. All of the features on this album provide value to the album as Kanye plays the role of orchestrator, using every feature to help execute his vision, but never letting them outshine that vision or take away from his spotlight.</p><p id="809a">The Album feels larger than life, the production behind this album is detailed and grand, leading to some of Kanye West’s most iconic and important songs. With an incredibly varied but still cohesive track-list, there are songs like the 9-minute piano-driven post rap epic that is “Runaway,” as well as gritty hip hop posse cuts like “Monster” and “So Appalled.” The samples chosen for this album are as genius as ever as well. “Devil In A New Dress” makes use of classic soul like Kanye has been known for, while “Hell Of A Life” uses a Black Sabbath sample to create one of Kanye’s most abrasive songs to date. These are not the only samples used, the album is filled with them. Another notable sample is the album’s closing track, “Who Will Survive In America,” on which a piece of a Gil-Scott Heron poem is chosen to perfectly wrap up the album.</p><p id="7ac0">I could go on or hours about this record, but there is nothing that hasn’t already been said about it before. <i>My Beautiful Dark Twisted Fantasy</i> is one of the most important pieces of modern music, as well as the greatest album in Kanye West’s discography.</p><p id="4227">Favorite Tracks: Dark Fantasy, Gorgeous, POWER, All Of The Lights (Interlude), All Of The Lights, Monster, So Appalled, Devil In A New Dress, Runaway, Hell Of A Life, Blame Game, Lost In The World, Who Will Survive In America</p><p id="f735">Enjoy this read? Check out more in Modern Music Analysis with the link below — we can also be found on <a href="https://www.facebook.com/modernmusicanalysis">Facebook</a>, <a href="https://www.instagram.com/modernmusicanalysis/">Instagram</a>, <a href="https://twitter.com/ModernAnalysis">Twitter</a> along with our <a href="https://www.modernmusicanalysis.com/">official website</a>!</p><div id="1eaa" class="link-block"> <a href="https://medium.com/modern-music-analysis"> <div> <div> <h2>Modern Music Analysis</h2> <div><h3>Here we deeply analyze the meaning of individual songs, albums, and even artists. We specialize in music in the 21st…</h3></div> <div><p>medium.com</p></div> </div> <div> <div style="background-image: url(https://miro.readmedium.com/v2/resize:fit:320/1*Z3aRn_eVnrQuXs0FeG5yMw.png)"></div> </div> </div> </a> </div></article></body>

How to Release the Merry-Go-Round of Unwanted Emotions

It can take just one minute of focused intention

Gerd Altmann

It seems wired into us to feel we don’t have enough, not what we need to have, be it friends, or money, or freedom, or life direction, or soul purpose. The truth is we are missing nothing — we just think we are. No hidden wires or trapdoors stop us. Only our own mindset stops us. And this happens with our permission.

What drives that mindset? Emotions. And emotions can be prison bars or the gates of freedom — it all depends on which ones we choose to express or keep hidden and how aware we are of doing exactly that and for what reason.

The problem that arises often is we refuse to become aware a particular negative emotion is there inside us and we remain unaware it is blocking us from moving forward. It is keeping us on the merry-go-round of an endless loop, carrying us along in a non-stop repetition of feeling — feeling tied to memory.

The fact is we might have actually outgrown the emotion and the memory we associate with it. We might no longer need either. But unless we give ourselves permission to let the emotion go, we can never find out, one way or the other. We stay spinning in the circle of the familiar. We think the emotions belong to us. Not really.

An Irish friend told me in her tradition, she was taught never to think about emotions as owning her, possessing her mind or heart because they are just passing through her — they aren’t permanent guests. This is actually true scientifically — whatever triggers an emotion and brings it to the fore has a biological and physiological duration of 90 seconds in every cell of our body. The only reason the emotion lasts longer than that is because we choose to dwell on it again. And again.

My Irish friend never says “I am feeling sad,” for example. She says, instead, “A sadness has come over me.” The emotion of sadness surrounds her, but it is not who she is. It doesn’t consume her. It drifts away, a cloud dissolving.

This happens with all emotions if we give permission. But too many times, we want to possess that negative feeling to extend its life cycle. This means we are subjecting every cell in our body to an onslaught of the electrical charge of that emotion over and over again, giving each cell its own version of CNN.

The difference is that our cells exist by electrical charges, and an excess of negative emotion charging over and over again can literally shut down cells, literally, as it were, shut off the light of its electrical energy. This fact has been measured in laboratories.

You can’t live the good life — a life of heart and wholeness and love — if your cells are losing energy. That loss translates into every organ, every molecule within us. By persisting in living continuously in the loop of negative emotion, we are shutting down a force meant to inspire us and meant to bring us access to creativity and joy. We are, to a varying degree, shutting down our life force.

The good news is once we let go of that negative emotion, our cells recover, absorbing the energy as before, lighting our way literally and figuratively into and onto our path toward living the good life — a life of heart and love.

But perhaps you hesitate because in letting go of that emotion, you are going to have to enter the unknown — that inner space now free of the old emotion so familiar to you. How to act? How to react? What to do?

The answer is to do nothing. Just relax in that newly-opened space. It is already reshaping itself into something more for you to enter, a space open to possibility, to vital acceptance of your own being. And you need to do nothing to make this happen. It is who we are — this space is always available to us — the reshaping is always offered.

In this way you are allowing the unknown to arise and give you new understanding, releasing you from old patterns that no longer serve you, identifying more of who you have become and who you are becoming.

You may think you will be adrift for a while and be afraid to let go of anything, but when you do, you relinquish your demand for life to exist on your terms.

You allow the extraordinary wonder of your own life force to reveal itself to you. You open your heart and emotions to that reality, not to the old one.

It doesn’t mean you are adrift — only that if something is not serving you, you acknowledge this, that is all. Then you decide if you want to change it, to move into another frame of reference. The choice is always yours.

In truth, what you are likely to feel afraid of is the act of changing your story, that story of who you are and what you feel with any given trigger that you have carried around for a lifetime, a story you created out of the external rules and requirements of your culture and family and society. You have believed this story for a very long time.

Yet, letting go of it is exactly how you bring freedom into your being. The freedom to be who you really are.

Letting go of emotions that do not serve you gets you off the merry-go-round.

If you are not sure yet, sit in stillness for a minute. Just one minute, and think about this thing about letting go of that emotion that has beset you.

What answer has come to you?

Regina Clarke is a writer of fantasy, mystery, and science fiction short stories and books. She is the author of mysteries Hidden In Stone and Winter’s Edge, sci-fi thrillers The Visitors and Retrieval, and fantasy novels Voices from the Old Earth and MARI.

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