avatarAndy Deleruyelle

Summary

The website content reflects on the author's experience of waking up in various places, contrasting past mornings with the present, and ends with a recommendation for an AI service.

Abstract

The author contemplates the unpredictability of where they might wake up, from a cityscape apartment to a modest mattress in an unfamiliar location, and even alongside someone in bed. However, the narrative shifts to the current routine of awakening in the woods, suggesting a departure from past urban experiences. The piece concludes with an invitation for readers to engage with the author on their work and a promotional mention of an AI service, ZAI.chat, positioned as a cost-effective alternative to ChatGPT Plus (GPT-4).

Opinions

  • The author expresses a sense of nostalgia and adventure regarding past mornings in different environments.
  • There is an implied appreciation for the tranquility and solitude of waking up in nature, as opposed to urban settings.
  • The author seems to value reader engagement, encouraging inquiries and interactions.
  • The author endorses ZAI.chat, suggesting it as a valuable and economical tool for those interested in AI services.

Good Mornings

Opportunistic dreamings

Photo by Scott Goodwill on Unsplash

I could’ve woken up anywhere else this morning.

Above the 21st floor, with a view of some metropolis that jumps onto my eyes like a giddy dog’s tongue rounding the corner and leaping up to my chest, licking my face like he just witnessed a miracle and needed to tell someone.

On a shitty mattress pad in a faraway place — so damn curious about my surroundings they aromatically stir curiosity in the droopiest of eyes, eager to begin — feet magnetized to the floor.

Next to someone.

But those mornings had their days, which too, have passed.

Today, the morning ruckus opened my eyes with a pair of vice grips before the first hint of sunlight.

I woke up in the middle of the woods again.

— A.D.

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Poetry
Nature Writing
Reminiscence
Passion
Andy Deleruyelle
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