avatarUlf Wolf

Summary

"Garbo's Faces" is a novel by Wolfstuff that begins with a prologue reflecting on a mother's changing perspective of the world from childhood innocence to adult disillusionment.

Abstract

The narrative opens with a glimpse into the protagonist's mother's past, where as a child, she innocently believed in the perfection of the world while directing plays on an outhouse roof. This idyllic viewpoint starkly contrasts with her present-day cynicism as she gazes upon the East River, realizing that the world is far from ideal. The transition in her perception, whether gradual or sudden, is a poignant revelation that dawns upon her. Despite this realization, she does not allow it to overshadow her day, as she prepares meticulously for her morning walk, ensuring she has all her essentials before leaving her home without a farewell to Claire.

Opinions

  • The protagonist's mother seems to have experienced a significant shift in her worldview, from one of unbridled optimism to one tinged with disappointment and perhaps regret.
  • The author, Wolfstuff, uses the juxtaposition of the mother's past and present to highlight the theme of disillusionment that can accompany the transition from childhood to adulthood.
  • The detail of the mother's meticulous preparation for her walk suggests a ritualistic attempt to maintain normalcy and control in her life, despite her newfound awareness of the world's imperfections.
  • The lack of a goodbye to Claire could imply a sense of detachment or a protective measure to avoid sharing her recent epiphany about the world.
  • The inclusion of the mother's age, the setting by the East River, and her attire choices contribute to creating a vivid and relatable character for the reader.
  • The mention of Wolfstuff's personal website and the link to purchase "Garbo's Faces" on Amazon indicates an effort to engage readers and provide them with avenues to explore more of the author's work.

Garbo’s Faces

a Novel — Part 1: Prologue

Cover by Author

When my mother was twelve years old, directing imaginary plays from the little outhouse roof in her tenement back yard, she knew that there was absolutely nothing wrong with the world.

Standing by her living room window, catching a brown and watery glimpse of the East River these many years later, she knew it to be a bad place.

Whether this knowledge had gathered little by little over the intervening years — cloud by cloud, regret by regret — and just now let on; or whether it had sprung: gray horizon to horizon upon an unsuspecting sky just moments ago, since breakfast, she couldn’t tell. Only that it was so obvious now.

But she mustn’t let this ruin her day. She slipped into her beige duffle coat, donned her sunglasses, covered her head with a gray and black scarf, patted her coat pocket to hear the keys tinkle, made sure she had her cigarettes, and her lighter, and without as much as a word of good-bye to Claire, headed out for her morning walk.

© Wolfstuff

Greta Garbo
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