
A Moment That Ricochets for a Lifetime
Watching a trailer is an odd experience. Everything is compressed, short-circuited. In the case of my new movie, Match, almost five weeks of work reduced to two and a half minutes. But not inappropriately. The movie compresses my character Toby’s life into 90 minutes.
I’m fascinated by those moments, incidents, encounters that go on ricocheting about for years. We make choices and move on, and mostly those choices simply blend into our lives. But not always — every so often a choice, decades old, knocks on the door, makes the phone ring, or walks ’round the corner, and BLAM, everything will never be the same again. That’s the story of Match, directed by Stephen Belber and adapted from his Tony-nominated play, in which my character, a Juilliard dance teacher, faces one of those very moments.

Every moment of our lives we are making some kind of a choice, and actors make ‘choosing’ a career.
Even when I was very young I think it was this that made acting — well, movie acting — so fascinating. The differences between watching choices being made that were conventional, anticipated, predictable, almost, and those that were surprising and, most of all, unanticipated. The tough longshoreman Marlon Brando played in On the Waterfront picking up Eva Marie Saint’s white glove and trying it on, playing with it. Shocking!
Shocking… but momentary. Not like Toby’s choice in Match… life changing.

We had to choose quickly filming Match. No multiple takes. All made easier by the unique — for me — experience of living on/in the ‘set’. An ordinary New York apartment. My costars, Matthew Lillard and Carla Gugino, and I ate our breakfast at Toby’s kitchen table. I napped on his bed. Opened his windows to get a breath of air. I hope you are intrigued by this trailer for Match. And I hope it makes you curious to see the movie.






