The website content presents a collection of poetry that encapsulates the raw, visceral experiences of attendees at rock concerts, as part of a study on the value of these events to consumers.
Abstract
The content delves into the emotional and physical intensity of rock concerts through a series of poems that convey the anticipation, exhilaration, and communal spirit felt by concertgoers. These poems are the result of a research project that explored why people find rock concerts so valuable, despite the availability of recorded performances. The research, conducted by a marketing student in New Zealand, utilized qualitative methods, including observation and in-depth interviews, to capture the essence of the live music experience. The poems, which are unedited and personal, offer a glimpse into the transformative and almost spiritual journey that fans undergo, from the anticipation of waiting for the band to the primal energy of the mosh pit, and the sense of identity and pride that comes with being a dedicated fan.
Opinions
The author believes that the rock concert experience is a unique and valuable phenomenon that warrants academic study, particularly from a consumer experience perspective.
The poetry suggests that the live experience transcends mere entertainment, offering a sense of community, shared passion, and personal growth.
There is an emphasis on the physicality and aggression of the mosh pit, which is presented as both challenging and exhilarating, contributing to a sense of survival and invincibility.
The author expresses a personal connection to the subject, having attended over a hundred rock concerts and receiving a scholarship for their research on the topic.
The content implies that being a "real fan" involves more than just listening to music; it includes a deep understanding and appreciation of the bands, their music, and the culture surrounding them.
The author acknowledges the subjective nature of the poetry, recognizing that their usual focus on objective writing might affect the quality of the emotional expression in the poems.
Despite any potential shortcomings in the poetry, the author hopes to convey the powerful and transformative nature of the rock concert experience to the reader.
Poetry, Music
Rock Concerts: The Lived Experience
A selection of poetry constructed by peoples’ experiences at rock concerts
The band Soundgarden playing live (Source: author)
Ever been in a moshpit?
If not, hopefully, you might feel like you understand the experience a bit better after reading this poetry.
It’s a bit like the start of that Eminem song — “…Mom’s spaghetti.”
Hairs prickle, warm breath
the sweet smell of sweat
blood pulses, pushing, punishing
in the pit’s aggressive whirlpool
dancing, vibrating, exploding, dying
pain, surviving
“I” am invincible
“I” survive.
I wrote my thesis about the rock concert experience in New Zealand. I even got a scholarship — which helped pay for a lot of concert tickets!
It was great! Best idea ever!
Everyone that I told kinda looked at me like it was some kind of scam…
No, it’s totally legit! I’m studying the consumption experience! Nobody has done it yet.
And they hadn’t. From a consumer’s experience (I was a marketing student), nobody had really looked at the experience of a rock concert and explained why it was so valuable to people.
People like me.
Since I was about 16, I tried to go to every rock concert I could.
I have now attended over a hundred.
Living in New Zealand, the big rock acts only came here ever so often, so it is a pretty big deal when they tour.
I and thousands of others would pay upwards of $50 (now can be much, much, more) to attend. When you can watch a DVD or YouTube footage for free.
WHY?
What is it about the rock concert experience which is so valuable.
That’s what I was finding out.
A couple of my professors were big on using qualitative research and that approach really interested me. So I used observation as well as in-depth interviews as my main source of data.
I decided to use poetry to help represent the findings, from the words of the participants.
This would help ‘evoke the lived experience’, to help feel participants’ experiences.
Anyway, without further ado, here are the poems.
They are unedited from back then — so they might not be great, but they are what they are!
‘Waiting’
Waiting
Waiting
Waiting for your favourite band
Rain
Rain
Soaking into your socks
Anticipation
Adrenalin
Keeping you warm
Draft
Someone’s breath
Warm on your neck
Whiff
Smell of sweat
Waft of marijuana
Chants pulsing
“In X S”
“In X S”
Hairs
prickle on your neck
just hearing their name
Lights
Neon glow
(gasp) riff of a favourite song
Band appears
out of darkness
out of smoke
So stoked!
‘Being there’
There It is finally happening
Not in my wildest dreams
Excited and Overwhelmed
The music draws me in
Sends me to a different place
No inhibitions
Everyone is friends
I can’t help myself
My body vibrates
My head wants to explode
Playing right in front of me
I touch the guitar!
The lead singer looks at me and smiles
That little moment
It means so much
I’m singing
Jamming my air guitar
Moshing away to the beat of the drum
The music has completely taken over
I have to keep dancing
I have to keep raging
I am buzzing to the max
Out of body experience
I am one with the crowd
Tunnel vision
Massive smiles
Are all I see
‘Surviving’
Before we start, don’t have any illusions
The quiet personalities go to the back
You should leave your girlfriend at home
She won’t keep up
The ones that do get max respect
We treat them the same
Up near the front
you need to be prepared
Music drives aggression
Excitement fuels drive
I love it!
I’m in my zone — raging hard
This stampeding mosh pit
swirls into a whirlpool of aggression
People thrashing
Punishing themselves
Pushed, shoved
from all sides
Squeezed in so tight
you move with the crowd
Stray elbow
Shoulder in the back
Someone smashes my glasses
Then a helping hand
It is tough
It can feel like you’re dying
You don’t really feel pain — until the next day
When you struggle out of bed
notice the odd black eye, broken nose, dislocated shoulder