avatarUlf Wolf

Summary

The provided text discusses the importance of curiosity in fiction writing, emphasizing its role in capturing and maintaining reader interest from the opening paragraph to the story's end.

Abstract

The article "Elements of Fiction (65): Curiosity" delves into the significance of arousing a reader's curiosity as a fundamental element of effective fiction writing. It references Sol Stein's perspective on the opening paragraph's ability to excite curiosity about characters or relationships, introduce a setting, and resonate with the reader. Stein underscores the role of suspense in keeping curiosity piqued, suggesting that even a conventional story can be made intriguing with unconventional elements. The article also cites E.M. Forster and Walter Scott, highlighting the primal appeal of storytelling in sustaining suspense and satisfying the human desire to know what happens next. Additionally, the text references Scheherazade as an example of the power of curiosity in narrative survival. William Zinsser's advice on crafting a compelling lead that captures the reader's attention through various means is also mentioned. The article concludes with an encouragement for writers to harness the power of curiosity in their storytelling.

Opinions

  • Sol Stein believes that the primary goals of an opening paragraph are to excite the reader's curiosity, introduce a setting, and lend resonance to the story.
  • Stein emphasizes that suspense, a key component of keeping the reader engaged, is achieved by consistently arousing and maintaining the reader's curiosity.
  • Stein acknowledges that even a master like John Cheever uses unconventional elements to rouse curiosity, suggesting that this skill is not solely dependent on years of experience.
  • E.M. Forster's view is that the story's primitive nature appeals to our basic instincts and that understanding the novel in other aspects requires moving beyond just the storyline.
  • Forster also notes that Walter Scott's narrative power lay in his ability to keep readers in suspense and play on their curiosity.
  • The article mentions Scheherazade as a classic example of how curiosity (keeping the king wondering what would happen next) can be a matter of life and death in storytelling.
  • Madison Smartt Bell describes curiosity as a fundamental human appetite to know the outcome of any narrative.
  • William Zinsser advises that a lead must be crafted to immediately capture the reader through various means, with the ultimate goal of nudging their curiosity and compelling them to continue reading.

Elements of Fiction (65)

Element 65: Curiosity

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Here is another close relative to both Opening and Attention. If you can grab the reader’s Attention and stoke his Curiosity with your open paragraph, well, if you know how to follow through, you might have a masterpiece on your hands.

I think that Sol Stein would agree based on this quote, “The ideal goals of an opening paragraph are: To excite the reader’s curiosity, preferably about a character or a relationship; to introduce a setting; to lend resonance to the story.”

Then he goes on to say this, there these are Stein’s italics, “Suspense is achieved by arousing the reader’s curiosity and keeping it aroused as long as possible.

Also from Stein, “A craftsman like Cheever will season even the most conventional beginning with just enough that is unconventional to rouse the reader’s curiosity.”

And Stein wraps his take up with, “If one understands the principles of intriguing the reader, one doesn’t need decades of experience.”

I also think E.M. Forster’s view is worth pondering, “The story [action through time — what happens next] is primitive, it reaches back to the origins of literature, before reading was discovered, and it appeals to what is primitive in us. The story is neither moral nor is it favorable to the understanding of the novel in its other aspects. If we want to understand that we must come out of the cave.”

Then he goes on to elaborate, “He [Walter Scott] had the primitive power of keeping the reader in suspense and playing on his curiosity.”

“She [Scheherazade] only survived because she managed to keep the king wondering what would happen next.”

“Qua story, it can only have one merit: that of making the audience want to know what happens next. And conversely it can only have one fault: that of making the audience not want to know what happens next.”

Curiosity, says Madison Smartt Bell, is “The very human appetite to know the outcome of any narrative, for better or worse.”

Here’s William Zinsser’s take, “Your lead must capture the reader immediately and force him to keep reading. It must cajole him with freshness, or novelty, or paradox, or humor, or surprise, or with an unusual idea, or an interesting fact, or a question. Anything will do, as long as it nudges his curiosity and tugs at his sleeve.”

And I think we’ll leave it at that.

Happy writing.

© Wolfstuff

Elements Of Fiction
Writers On Writing
Author Quotes
Storytelling
Curiosity
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