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Summary

The website content provides a review of Gail Honeyman's debut novel "Eleanor Oliphant Is Completely Fine," highlighting its unique narrative, complex protagonist, and exploration of mental health, trauma, and social adjustment.

Abstract

The book "Eleanor Oliphant Is Completely Fine" is a profound exploration of a socially-challenged woman's life, narrated with wit and an impressive vocabulary. The protagonist, Eleanor Oliphant, navigates daily life with obsessive-compulsive tendencies and a past marked by trauma. The reviewer, Sana Rose, describes a relationship with the book akin to a classic romantic comedy, with a slow-burning appreciation that developed over time. Despite the book's demand for a broad vocabulary and its deviation from a fast-paced plot, it offers a fresh perspective on societal norms and the complexity of human relationships. The novel's strength lies in its ability to present the mundane through the lens of someone who exists outside typical social conventions, providing a humorous and unfiltered view of the world.

Opinions

  • The reviewer admires the book's sassy writing and expansive vocabulary, which prompted frequent dictionary use despite a general aversion to it while reading fiction.
  • The use of uncommon synonyms is seen as intentional and effective in developing the character of Eleanor Oliphant, who is well-read and enjoys crossword puzzles.
  • Some readers may find the book's language and the protagonist's character off-putting, but the reviewer believes these elements are central to the book's unique appeal.
  • The novel is not for those seeking a plot-driven thriller or a light, easy read, but it is recommended for readers looking for a fresh perspective and a break from stereotypes.
  • The reviewer compares the book's impact to that of Julian Barnes' "The Sense of an Ending," with a twist that provides a surprising depth.
  • The book is categorized as psychological fiction with a hopeful and effective twist, diverging from the typically dark and haunting nature of trauma literature.
  • The reviewer suggests that the second half of the book has a faster pace than the first, which may influence readers' perceptions of its overall tempo.
  • Sana Rose, the reviewer, is an award-nominated author and therapist, which may lend credibility to her literary analysis and insights into the book's themes.

BOOK REVIEW | TRAUMA LITERATURE | PSYCHOLOGICAL FICTION

Eleanor Oliphant Is Completely Fine By Gail Honeyman

Eleanor Oliphant has learned how to survive — but not how to live.

Photo credit: Sana Rose

Book lovers form relationships with books they read. Believe me, it is possible and sometimes, enough. If you ask me what kind of relationship I had with this book, I would say it was like When Harry Met Sally.

I bought this book on January 20th, 2019. I began reading this book after the Amazon order delivered. But then, I would leave it aside and read something else, and then return to it, and leave it aside again, tend to my writing needs and return to it. I have returned to this book and left it aside about ten times in the past one year.

Finally on New Year, when my writing tank drained empty and I wanted a break, I picked this book up and again and told myself to be done with it. And on January 9th, 2020, I wrote this review on Instagram, amused, in love, although it was laborious and took me time to admit. Just like When Harry Met Sally.

Right from the beginning, I fell in love with the sassy writing, the immensely impressive vocabulary which has made me move my phone dictionary app from the 'work' folder to the 'shortcuts screen' to the 'home screen' of my phone, very next to the 'call' icon — that's how frequently I needed the dictionary to read through this book and I am generally against using a dictionary while reading fiction and advocate learning words and their usage through context.

Now, that might be a turn-off for many readers. Reading itself is seen as a challenge by a lot of people. So, when a book calls for the dictionary every now and then, it can be tiring. However, I took up the challenge, because primarily I have always been a book worm and later on, a writer. And writers need to read and learn new words, techniques,usages and everything. So I was ready to learn like this, too.

Also, it was indispensable for the author since the protagonist is a socially-challenged woman suffering from verbal, personal and social Obsessive Compulsive Disorder (OCD) and too well-read and addicted to Crossword puzzles.

The use of the most alien synonyms of the most common words was deliberate so as to nourish the character. Narrated in first person by Eleanor Oliphant, the novel shows how the normal world is seen through a person who is not able to adjust to a normal social life and form relationships, and how they adjust to this grey world when all they can be is black and white and nothing in between.

The unfiltered views, thoughts and speech of 30-year old Eleanor Oliphant simplifies this world into a few equations and often, the humor in it is uncompromising. How we, as social animals, really complicate things just to make life interesting, how much we take things and people for granted and how lucky that we are able to — these realization left me bewildered because, they can be seen only when we look at them standing out of the box, as an Eleanor Oliphant, to who the society is an alien planet.

We conform to the world to fit in, to be appreciated and to be loved, and yet that is not enough!

This book is about survival, childhood trauma and mental health. And Eleanor Oliphant is a character that I will never forget because of how unique she is. Gail Honeyman has done a commendable job with her debut book. While writing this book, it was also shortlisted for Lucy Cavendish Fiction Prize as a work in progress.

I saw several negative reviews stating how boring the book was and how tedious it was to go through the day-to-day life of a judgemental, obsessive and drab woman with unrelatable metaphors. But I think that is exactly the point of this book and what makes this book different. The day to day life and observations of an anti-social in a normal society is nothing less than different and interesting.

The Verdict

Photo by Jonas Jacobsson on Unsplash

So this book is not for you if:

  • You are looking for a thrilling, plot-driven novel.
  • You want a light read to feed an idle brain.
  • You want fast-paced novels (but it depends on how you define pace because the second half is pacier than the first).
  • You want simple words that will not leave a mark in your thoughts after you are done reading.
  • You want tons of dialogues (the book is in first person narrative and has more monologues and stream of consciousness than conversations)
  • You are looking for a cliched book.

But pick it if you:

  • Want a fresh read.
  • Want new perspectives (that defines the book).
  • Need a break from stereotypes (because society creates them and this is about an antisocial).
  • Love unique, crude and unfiltered observations of the most mundane things.
  • Love books that seem like a straight read but surprises you on the second last page with a twist that you didn't see coming (like Julian Barnes did in his Booker winning The Sense of An Ending — review coming soon).
  • Love psychological fiction/trauma literature with a difference (usually they are dark and haunting, this was summery, hopeful and still effective).

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Sana Rose is an award-nominated novelist, poet, physician, counseling therapist, freelance writer and mom. She is based out of Kerala, India. Her debut novel ‘Sandcastles’ was shortlisted for ARL Literary Awards 2018 for Best Author soon after publication.

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Book Review
Fiction
Mental Health
Trauma
Literature
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