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Summary

The web content provides a commentary on the 2020 film "The Invisible Man," featuring insights from director Leigh Whannel and actress Elizabeth Moss, and offers storytelling advice for writers.

Abstract

The article titled "Dear Writers: COMMENTARY ON COMMENTARY: The Invisible Man (2020)" delves into the behind-the-scenes details of the film, as shared by its director and lead actress in the Blu-ray commentary. It highlights the unexpected humor in Whannel's commentary style, his confession about a location being infested with spiders, and the authenticity of Moss's performance in a scene where she draws from her real-life personality. The piece also extracts valuable storytelling lessons from the commentary, emphasizing the importance of leveraging suspense, focusing on unique story elements, and making strategic editing choices to maintain narrative rhythm. The article concludes with a plug for the author's Patreon and editing services.

Opinions

  • The commentary track for "The Invisible Man" is praised for its light-hearted and humorous tone, despite the film's intense atmosphere.
  • Leigh Whannel's approach to storytelling, which includes taking risks and not always playing it safe, is highlighted as a key strength.
  • The article suggests that a crossover commentary between Whannel and director Taika Waititi would be entertaining, particularly with the inclusion of a "proper trans girl/movie nerd" as host.
  • The author appreciates the film's trailers for not spoiling the suspenseful elements of the plot.
  • The article encourages writers to focus on what makes their stories unique and to trust their instincts when it comes to editing and pacing.

Dear Writers: COMMENTARY ON COMMENTARY: The Invisible Man (2020)

Source: the Blu-ray (but also this excellent detailed analysis by Rob Hunter at FilmSchoolRejects)

Participants: Leigh Whannel, Elizabeth Moss

1. For a movie that’s relentlessly tense…

…the commentary is full of laughs. Leigh Whannel has the charm of Taika Waititi (and a similar accent…).

2. Wouldn’t it be awesome…

…to hear Leigh record commentary for a Taika movie? And vice versa Taika for a Leigh movie. Maybe Upgrade…but it would only work if they had a proper trans girl/movie nerd as their host…

3. Leigh confesses to Elizabeth Moss…

…that the shooting location where she is picked up by a driver at the beginning of the movie…was secretly full of funnel web spiders. He’s very sorry! Especially given how horrified Elizabeth sounds learning this.

4. You can see the real Elizabeth Moss…

…in the scene where Cecilia gives Sydney the money for college. Leigh asked Elizabeth to be her authentic self. The person he knows. I find it easy to believe in her joy from the act of generosity ❤

5. Take advantage of…

…empty space. Set the audiences expectations. Then don’t betray them — just delay what you promised. String them along. Sometimes until the end of the book. Sometimes until the end of the series.

6. Leigh says to keep your focus on…

…what makes your storytelling unique. You’ll have a lot of voices telling you how to make your story better. Sometimes, they’re just saying play it safe. But the fun part of storytelling is in taking a risk.

7. No matter how good a scene is…

…once you get into editing the finished manuscript/film, you need to base your decisions on the rhythm of the advancing story. Some moments can be reduced to a line/look. Others really need to breathe.

8. Leigh offers an amazing analysis of…

…the moment when Cecilia first confronts brother at the possibility is alive and invisible.

The brother says, “You know what’s better than being invisible? Not being invisible — but making your tortured ex believe you are.”

The movie holds you in suspense over whether Adrian is really able to turn invisible. Whether he’s still alive. Whether this is all in her mind.

9. Even the trailers…

…were magnificent in not spoiling that for sure.

10. There is no tenth fact, but there is an ad!

If you enjoyed this article, please go to my Patreon to support me writing more content like this. I need to share these stories — most of them for the first time with anyone.

If you want help telling your own story, please go to Stephenie Edits

NEXT: STORY STRUCTURE WITH BLACK PANTHER

Movies
Cinema
Storytelling
Leigh Whannell
Elizabeth Moss
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