avatarRichard Dee

Summary

A group of fairies are held captive in a glass jar by a human who uses them for entertainment, forcing them to dance in exchange for food.

Abstract

The fairies' daily routine consists of waking up to bright lights and preparing to dance to earn their food, a ritual enforced by their human captor. They were tricked into captivity by the human's belief in them, which made them visible and vulnerable. The fairies' magical abilities are rendered ineffective within the glass enclosure, and their numbers have dwindled due to hunger and accidents. The human audience pays to witness the fairies' dance, believing it to be a spectacle of enchantment, while others see only an artificial woodland scene. The narrative is part of a series or collection of stories and poems, and the author, Richard Dee, invites readers to explore more of his work and join the Lodestar Gazette's call for creative contributions.

Opinions

  • The fairy Danisk questions the necessity of the dance, indicating a sense of resignation and despair about their situation.
  • Ruskin, an elder fairy, expresses a belief that their predicament is a result of human trickery and the power of belief, suggesting a critique of human exploitation of the magical or the unexplained.
  • The narrative implies a loss of innocence and freedom, as the fairies are reduced to mere entertainment for humans, highlighting themes of captivity and the loss of autonomy.
  • The author's invitation to join the Lodestar Gazette suggests an appreciation for creativity and storytelling as means of expression and connection with an audience.

LODESTAR GAZETTE | LODESTAR PROMPT

But why do we have to dance?

Do you believe in fairies?

By C.J.Coop | Created with AI

The bright lights woke me, as they woke us all. Another day was beginning. I stretched and felt the pangs of hunger. My stomach rumbled.

“Stop your rumblings, Danisk,” said my mother, waking beside me, “there will be no food until we have danced.”

Around me, the twenty or so members of our group were limbering up. Bending knees, shaking arms and flapping the sleep out of wings.

I looked around. To my rear, there were trees, with light shining between the leaf-filled branches. Above me, painted artificial flowers hung in a pattern, secured together on a thin wire that could hardly be seen but was fatal if you flew into it. It was our prison, a glass jar made to look like our home in the forests.

“Why do we have to dance?” I asked my mother. As if things had changed from when I had last asked, the answer would be the same as it always was, yet I asked it anyway. I think it was more rhetorical than a question. So did my mother, who must have tired of hearing it. Yet she answered patiently.

“If we don’t dance, we don’t get fed, the same as every day.”

“But how did it happen that we are here?” which was another rhetorical question.

“We were tricked,” said old Ruskin, an ancient fairy, his wings tattered. “You know how humans can only see fairies if they believe in them?”

“Yes, Ruskin,” I said politely. Ruskin had helped teach me to fly after my father vanished one night while we slept.

“Well, this human, our new master, believed and so he saw us. With clever words, he was able to capture us and put us in this cage. There used to be many more of us, hunger and accidents have reduced us to this number. Now we dance, or starve.”

“But what of our magik?”

Ruskin shook his head and his curls danced. “Once we were in the glass jar, it didn’t work. Unless we can find a way to smash the enclosure, this will be our life and death.”

I peered out. Beyond the glass, I could see humans, their large faces and thick woollen clothes. They were arranged in a group around our prison. A sign behind their heads proclaimed that those who believed in fairies should come closer, pay six pence and be amazed. There was a rumble of indistinct yet excited words as they conversed among themselves. We heard the clink of coins, then hushed silence as a clock struck the hour.

“Get ready,” said mother.

At some unseen sign, our world, all that was in the jar began to shake. The trees, painted as they were on the inside of the glass did not move, nor did the flowers in the grip of the wire. The stones, grass and moss that formed the base of our prison gyrated, and we were jolted off our feet. We took to the air and flew, frantically trying to keep from dashing ourselves against the glass, the flowers and the wickedly sharp wires.

Around and around we flew, as the jar was set down we hovered and formed ourselves into patterns, like we did every time. Those of the watchers who believed in fairies gasped at our beauty. Everyone else saw only a glass jar, filled with the makings of a woodland scene.

I’m Richard Dee and I write all sorts of stories. Find out more, join my mailing list and claim your free novella at https://richarddeescifi.co.uk/

The Lodestar Gazette — Recruitment

Got a knack for spinning tales or crafting poems? The Lodestar Gazette is searching for fresh talent in fiction and poetry. Dive into our creative pool and let your words make a splash! No need for fancy phrases — bring your wit and charm.

Got a knack for spinning tales or crafting poems? The Lodestar Gazette is searching for fresh talent in fiction and poetry. Dive into our creative pool and let your words make a splash! No need for fancy phrases — just bring your wit and charm.
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