Astounding Cosmic Synchronicities of the September 11th attacks and the Trojan War

In support of our “name to script” hypothesis, which posits that our reality exists within a self-evolving simulation, potentially of extraterrestrial origin, we present another piece of evidence reinforcing our argument. This evidence pertains to the astonishing synchronicity embedded in the timeline of the September 11th terrorist attacks and the corresponding cosmic and symbolic configurations surrounding this tragic event.

We employ our two favoured methods of interpretation, which have yielded remarkable results thus far, challenging the conventional Newtonian, left-brain, deterministic approach to understanding reality: Astrology and Symbolism.

In previous articles, we elucidated the significance of investigating these synchronistic connections in our pursuit of describing reality through genuinely scientific inquiry. We also elaborated on our belief in the efficacy of deciphering methods rooted in ancient scholarly traditions, including astrology and symbolism. We encourage readers to refer to our earlier articles for a comprehensive understanding of our thought process and methodologies. Additionally, we demonstrated these techniques in a detailed analysis of J. Robert Oppenheimer’s various synchronicities, incorporating statistical analysis to underscore that random chance or mere coincidence cannot adequately account for the numerous observed synchronistic phenomena associated with his particular case.

I. Astrological/Astronomical Synchronicities:

A. Asteroid 911 Agamemnon

Now, let’s delve straight into the heart of the matter: at the very instant when the first plane tragically struck one of the twin towers on September 11th, asteroid 911 Agamemnon (1), with its 12-year orbit akin to Jupiter’s, was perfectly aligned with the Sun in the zodiac sign of Virgo, down to the exact degree! (Figures 3,4)

Unlike celestial bodies with rapid orbits, such as our moon, asteroid 911 Agamemnon moves at a more deliberate pace, spending an average of one year in each zodiac sign. These asteroids are individually numbered and named, and Agamemnon, denoted as 911, was initially discovered in 1919 by the prolific German astronomer Karl Wilhelm Reinmuth at the Heidelberg-Königstuhl State Observatory in Germany (1,5).

When asteroids are discovered, they are initially designated with numbers and temporary alphanumeric designations by the organisation responsible for their discovery or observation. These temporary designations are typically assigned by the observatories or astronomers who first identify the asteroids. To ensure the accuracy of the asteroid’s orbit and characteristics, follow-up observations are conducted by the discovering observatory and other astronomers. This helps confirm the existence and trajectory of the asteroid. Once the asteroid’s orbit is precisely determined and confirmed, it becomes eligible for a formal name. Names for asteroids are proposed and approved through a process governed by the International Astronomical Union (IAU), as explained in the previous response. The IAU assigns the official names based on proposals submitted by astronomers, scientists, or individuals who meet the criteria and guidelines established by the IAU. This ensures a standardised and internationally recognised system for designating and naming asteroids (6).

The name “Agamemnon” pays homage to the timeless myth of the “Trojan War”, a saga over three millennia old (2, Fig 2). In this epic narrative, Agamemnon emerges as a prominent figure, serving as the Mycenaean king and commander-in-chief of the Greek forces throughout the duration of the Trojan War. The mention of Agamemnon’s name immediately evokes associations with this legendary conflict, famously chronicled in Homer’s Iliad (2).

Notably, it was Agamemnon who led the Greek army to its ultimate triumph in the Trojan War in which the Greeks employed the ingenious scheme of the Trojan Horse — a legendary ruse that concealed Greek warriors within a massive wooden equine figure and played a pivotal role in securing victory for the Greeks(2, Fig 2 ).

Agamemnon’s character in Homer’s Iliad is a study in complexity. He is portrayed as a skilled military strategist and leader, yet his arrogance and hubris frequently give rise to conflicts and disagreements among the Greek leaders. One defining moment in his life occurred when he angered the goddess Artemis by killing a sacred deer and adamantly refused to make amends. In retaliation, Artemis stilled the winds, impeding the Greek fleet’s voyage to Troy. In order to appease the goddess and ensure favorable winds, Agamemnon reluctantly sacrificed his own daughter, Iphigenia — an agonising decision that haunted him for the remainder of his days (2).

The central theme of Agamemnon revolves around ‘revenge, justice, and the moral dilemmas’ he confronts in his dual roles as a military leader and a father, all within the context of his humanity. Agamemnon’s legacy is a blend of triumph and tragedy. He is celebrated for his role as a military commander in the Trojan War, yet his character is marked by complexity and imperfection. His story serves as a cautionary tale, underscoring the repercussions of hubris, betrayal, and the perpetual cycle of vengeance.

This historic event remains etched in our collective memory as a symbol of harrowing dilemmas, trickery, and triumph, making the alignment of asteroid 911 Agamemnon with the Sun- arguably, the most important cosmic archetype in one’s chart- in the event chart of 911, a thought-provoking synchronicity that warrants deeper contemplation.

B. Horoscope Analysis of the 911 Terrorist Attacks:

Here’s a detailed analysis of the key cosmic correlations within the 9/11 terrorist attack chart:

• The chart has Libra rising, and it prominently features Mercury, often associated with ‘twins’, fused with the ascendant on the same degree. This alignment strongly suggests that, at the specific moment this chart was cast for the ‘Manhattan region’, the theme of ‘twins’ holds significant importance. It becomes evident, through the Hermetic principle of ‘as above, so below,’ that the ‘twin towers’ indeed assume a defining role within this chart, ultimately shaping the unfolding events.
• Venus, the ruler of the ascendant and the chart, also governs the 8th house representing death, transformation, and crisis. It is placed at the ominous 18th degree (associated with death and endings) in Leo, an archetype of fame. Venus forms a direct opposition to Uranus in Aquarius, which symbolises tall buildings and airplanes, as well as sudden, shocking accidents. This configuration suggests a scenario of “sudden rise to fame through a sudden transformative accident involving Uranian elements.” This could certainly encompass aviation-related or tall building-related accidents. Furthermore, the chart’s midheaven aligns with the fixed star Sirius, indicating a lasting global recognition for this event chart.
• The Sun is positioned in Virgo on the same ominous 18th degree, similar to Venus, and sits on the cusp of the 12th house, associated with loss, deception, hidden forces, and confusion. Additionally, asteroid 911 is closely aligned with the Sun on this fateful degree. The Sun also rules Venus in Leo, emphasising its significance in the chart. Saturn and Pluto both form strong squares with the Sun, further diminishing the strength of this afflicted 12th house Sun. This placement in Virgo, a sign associated with innocence and chastity, within the 12th house of martyrdom and sacrifice suggests that this Sun shines primarily as a martyr or sacrificial victim.
• The Moon resides in the final 2 degrees of Gemini, a sign ruled by Mercury (associated with the twin, symbolising the twin towers in this context), positioned at the challenging 28th degree, often signifying culminations. In any event chart, the Moon represents the fate of the people or the masses, as well as their emotions. Saturn’s strong opposition with Pluto, the God of death and rebirth, and Chiron, the archetype of the wounded healer, draws significant attention. This Moon embodies sadness, pain, suffering, fear, and paranoia. It is under serious threat and pressure. The Moon is placed in the 9th house, which pertains to religion, tradition, academia, ideology, justice, morality, foreigners, foreign travel, immigration, and mass media. This Moon signifies a populace that will obsessively reevaluate its emotions and positions regarding interactions with such 9th house themes, including with foreigners, the state of foreign affairs, the state of travel, immigration, vetting processes, judiciary, and border security. It reflects the collective emotional reactions and grappling with questions like whether to close borders or how to ensure safe travel without border closures.
• This Moon configuration, along with important placements such as Lunar Nodes, Pluto and Saturn, nestled within the 3rd/9th house axis or the axis of information exchange and media, suggest an unprecedented exposure of the masses to constant media coverage, an experience unlike anything previously encountered. Furthermore, with two significant malefics, Saturn and Rahu (North Lunar Node or destiny point), in the 9th house, there is a notable lack of empathy or compassion toward foreigners and their ideologies or opinions. Neptune, which is ruled by Saturn in this chart, occupies the 4th house — the domain of the Moon. This placement signifies profound confusion and feelings of martyrdom, confusion, and sacrifice experienced by the masses as a consequence of interactions with foreigners and foreign ideologies, particularly highlighted by Saturn’s presence in the 9th house.
• Saturn, positioned in the 9th house, truly commands attention in its potent opposition with Pluto in the 3rd house. It’s essential to note that Saturn-Pluto hard aspects — without exception — are linked to profoundly challenging, life-altering global events. Many of history’s major wars and catastrophes bear the hallmark of these Saturn-Pluto alignments (and you can verify this in any historical or personal chart). The most recent Saturn-Pluto hard aspect occurred in January 2020, a memory that remains vivid in our collective consciousness due to the Covid-19 pandemic.
• What adds an intriguing dimension to this configuration is the dual presence of Pluto and Saturn in the 3rd/9th house axis, coinciding with the signs representing the 3rd and 9th domains — Sagittarius and Gemini. This serves as a stark reminder that themes encompassing mass media, immigration, belief systems, religions, interactions with foreigners, foreign affairs, judiciary, and travel will dominate headlines and societal discussions for years to come. Both Pluto and Saturn represent formidable archetypes, and when they afflict a chart, the expectations are centred on conflict, war, horror, pain, and substantial challenges related to the affected themes.
• Mars occupies the 1st degree of Capricorn and is “out of bounds” (OOB). Out-of-bound planets are uncommon, and they often amplify and exaggerate the qualities associated with their respective planetary energies. In this case, we have a notably potent Mars placement. Positioned in the first three degrees of a sign, it signifies that Mars will play a prominent and well-recognised role in the chart’s narrative. Mars is associated with themes of war, aggression, and fire, among other things, while Capricorn pertains to government. The 3rd house is linked to social media, neighbourhoods, newspapers, and gossip. Therefore, the chart suggests the likelihood of a highly publicised war, possibly orchestrated or advocated by the government and amplified through media and public discourse. The presence of an exceptionally strong Mars in this chart also correlates with the heroic role and stories about NYC firefighters during these events.
• To enhance the precision of this interpretation, additional asteroids were considered. The placement of Nessus, associated with trickery, torture, and abuse, alongside Ceres, related to parents and parenting, may reflect the lasting suffering endured by the children of the deceased and the families affected by the events.
• The positioning of asteroid Scythia, linked to Afghanistan, fused with asteroid Manhattan in the house of finance and values, is intriguing. Similarly, the placements of asteroids Euphrates, Baghdad, and Mosul, all associated with Iraq, are noteworthy. Euphrates, closely aligned with Mercury and positioned on the exact ascending degree of the chart, immediately invokes thoughts of Babylon and the Middle East, particularly Iraq. Asteroid Mosul is connected with asteroid Lucifer, again, on the same degree, while asteroid Baghdad is aligned with asteroid Narcissus and Venus in the 10th house. This alignment suggests that Iraq’s leader (10th house) could be perceived as a narcissist and associated with the themes of Venus, including death and destruction, given the chart’s emphasis on Venus.

Many other placements in this chart are equally intriguing, leaving room for readers to explore and decipher further nuances.

II. Symbolic Synchronicities via Sabian Symbols:

Among these Sabian Symbols, the Mars Symbol (Fig 1) stands out as the most captivating, at least in our subjective assessment. These symbols were divined by psychic medium Elsie Wheeler back in 1925, each representing a distinct degree of the zodiac. Through our research, it has become increasingly evident that these symbols hold significant merit.

A selective list of Sabian Symbol texts associated with the September 11 attack’s chart are as follows:

Sabian Symbol #89–28° 4' 4'’ Moon in Gemini — High in a tree that has given only the faintest evidence of returning spring, a mocking bird delivers its repertoire.

Moon script codes for the masses, the people, emotions of the collective and mockingbird is associated with purity and innocence.

Sabian Symbol #272–1° 26' 32'’ Mars in Capricorn- Three stained glass windows in an old cathedral are seen, and the center one has been damaged by bombardment.

Mars script codes for war, aggression, passion, fire.

Sabian Symbol #195–14° 17' 14'’ Mercury in Libra- An odd looking collection of machinery parts lie together; all are new and ready for use, and all are circular.

Mercury script codes for communication, media, twins, transport, quick decisions.

Sabian Symbol #75–14° 45' 5'’ Saturn in Gemini — Two Dutch children in their immaculate native costumes are studying their lessons together.

Saturn codes for karma, time, delays, fear, depression, difficulties, senior people, hard working people, people with darker skins. Manhattan and NYC were built by Dutch colonies for the most part.

Sabian Symbol #307–6° 20' 33'’ Neptune in Aquarius — In a phantasy presented by the children of an exclusive school a huge egg cracks to reveal a cherubic miss.

Neptune codes for illusion, deception, fantasies, faith, dreams, fraud, ruse.

Sabian Symbol #253–12° 38' 14'’ Pluto in Sagittarius — A wistful young woman dressed in black is surprised into a warm companionship to which she has felt alien.

Pluto codes for death, rebirth, metamorphosis, evolution, depth, hidden crime, powerful opponents.

Sabian Symbol #93–2° 15' 52'’ North Node in Cancer — Through the cold darkening depths of a Northern canyon a man all bundled up in furs leads a shaggy reindeer.

North Node codes for destiny point, mission, main agenda.

Sabian Symbol #273–2° 15' 52'’ South Node in Capricorn — The human soul is visualised as a hovering spirit eager and receptive to the lessons to be learned from life.

South Node codes for past lives, past karma, past programs.

Regarding the symbolic analysis of the 9/11 event chart, a closer examination of the distinctive Sabian Symbols (Fig 5) reveals a collection of themes that evoke a sense of innocence and intrigue. These symbols encompass a spectrum ranging from the representation of innocence via association with ‘mockingbird’, to the conclusion of a ‘swimming race’ and the presence of unusual ‘circular machineries’. Additionally, there are symbols suggestive of significant buildings consumed by ‘fire’ due to ‘bombardment’, a poignant depiction of ‘a woman in black’, a private school play centred around a ‘fictional egg’, and even the presence of a ‘caveman and his reindeer’ in northern canyons, each offering layers of symbolism and meaning to explore. The reference to ‘Dutch children’ in particular may carry a synchronistic connection to the early Dutch settlers of Manhattan Island. The mention of the caveman and his reindeer could be seen as synchronistic, possibly alluding to the very Agamemnon story involving the killing of a deer which ended in tragedy and loss of innocence, as well as a reference to subsequent U.S. military operations in the caves and grand canyons of Afghanistan (Fig 6).

The array of Sabian Symbols in this analysis is undeniably captivating. In our subjective view, they seem to hold a synchronistic resonance with the events of 9/11 and their aftermath. However, the true allure of symbolism and poetry lies in their ability to be deciphered in various ways, depending on an individual’s unique faculties and perspective.

In conclusion, our exploration into the cosmic and symbolic aspects surrounding the tragic events of September 11th offers intriguing insights into the nature of our reality. We have presented evidence in support of our ‘name to script’ hypothesis, suggesting that our existence may unfold within a simulation.

Through the lenses of astrology and symbolism, we’ve uncovered remarkable synchronicities that challenge traditional, deterministic modes of understanding reality. The striking alignment of asteroid 911 Agamemnon with the Sun in the 9/11 event chart, and perhaps even with the subsequent decades-long ‘war on terror’, the issue of deception as basis for the war, and moral dilemmas that unfolded, mirror the mythological Trojan War encapsulated within the ‘script’ of ‘Agamemnon.’ This alignment, coupled with the symbolic analysis of this tragic moment as presented here, stands as a compelling case, inviting us to delve deeper and embark on a profound exploration.

By: Gaia from Cosmic Program

Note: If you are interested in your unique sabian symbols and get a PDF of your unique symbols (based on your choice from a pool of 22 art-styles all generated by the AI), please visit here:

References:

(1) https://en.wikipedia.org/wiki/911_Agamemnon

(2) https://en.wikipedia.org/wiki/Agamemnon

(3) https://www.astro.com/horoscope

(4) https://cosmicprogram.com/about

(5) https://ssd.jpl.nasa.gov/tools/sbdb_lookup.html#/?sstr=911

(6) https://nssdc.gsfc.nasa.gov/planetary/planets/asteroidpage.html