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Abstract

Henry Hathaway helmed “5 Card Stud,” a listless whodunit western distributed on July 12, 1968. Starring Dean Martin, Robert Mitchum, Roddy McDowall, and Inger Stevens in a wasted role as a beautician possessing a heart of gold, the alluring blonde actress’s previous western, “Hang ’Em High” with Clint Eastwood, is a marked improvement. Stevens incidentally had brief affairs with Martin and Eastwood. Image Credit: Paramount Pictures</b></figcaption></figure><figure id="9db4"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*Y9LFG9-6Nj7vRv5kQqkbng.jpeg"><figcaption><b>The grass isn’t always greener on the other side: Envious of neighbor Robert Morse’s perpetual philandering after 12 years of domestic bliss, Walter Matthau finds companionship in a book while unsuspecting wife Inger Stevens provocatively exercises on a separate bed in dance maestro turned director Gene Kelly’s “A Guide for the Married Man,” a hilarious box office hit issued on May 26, 1967. Image Credit: 20th Century Fox</b></figcaption></figure><figure id="1f84"><img src="https://cdn-images-1.readmedium.com/v2/resize:fit:800/1*Vo8qlqHnkYLaVwDXbGTj3Q.jpeg"><figcaption><b>A German lobby card depicts perspiring missionary Emily Biddle [Inger Stevens] finally being reunited with boyfriend-Yankee cavalry major Tom Wolcott [Glenn Ford] after being captured by escaping Confederate prisoners in “A Time For Killing.” Directed by the generally reliable action-oriented Phil Karlson [e.g. the 1973 blockbuster “Walking Tall” about real life Tennessee Sheriff Buford Pusser] after cult icon Roger Corman was abruptly dismissed, the underwhelming western was distributed by Columbia on November 1, 1967. Image Credit: Cinematographer Kenneth Peach / Columbia Pictures</b></figcaption></figure> <figure id="caa9"> <div> <div> <img class="ratio" src="http://placehold.it/16x9"> <iframe class="" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FrsvaPDeGp50%3Ffeature%3Doembed&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DrsvaPDeGp50&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FrsvaPDeGp50%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" allowfullscreen="" frameborder="0" height="480" width="854"> </div> </div> </figure></iframe></div></div></figure> <figure id="3e8c"> <div> <div> <img class="ratio" src="http://placehold.it/16x9"> <iframe class="" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FRJ5x3KmSA4U%3Ffeature%3Doembed&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DRJ5x3KmSA4U&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FRJ5x3KmSA4U%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" allowfullscreen="" frameborder="0" height="480" width="640"> </div> </div> </figure></iframe></div></div></figure> <figure id="77a9"> <div> <div> <img class="ratio" src="http://placehold.it/16x9"> <iframe class="" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FtkNe-WRU_AE%3Ffeature%3Doembed&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DtkNe-WRU_AE&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FtkNe-WRU_AE%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" allowfullscreen="" frameborder="0" height="480" width="640"> </div> </div> </figure></iframe></div></div></figure><div id="05c5" class="link-block"> <a href="https://readmedium.com/the-unconventionally-persistent-journey-of-gentle-ben-heroine-beth-brickell-1e000acd375"> <div> <div> <h2>The unconventionally persistent journey of ‘Gentle Ben’ heroine Beth Brickell</h2> <div><h3>Growing up as a balsa wood airplane aficionado in post-World War II Arkansas, nine-year-old tomboy Beth Brickell spent…

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Arms full of empty: On borrowed time with Inger Stevens

Photography by Harry Warnecke or Gus Schoenbaechler / eBay / WorthPoint

“When I lie down at the end of the road, I’ll want to have left something behind, even if it is just having helped one other person.” It was a piece of cake for prolific actress Inger Stevens to convincingly convey undercurrents of desolation and fragility. Stretched over 16 tragically fleeting years, Stevens’ résumé boasts roles in 39 television series, 13 theatrical films, and 3 made-for-TV movies.

Whether the near-to-the-breaking-point heroine being hounded by “The Hitchhiker” in The Twilight Zone, a chronically ill pioneer falling for big lug Hoss Cartwright in Bonanza, a post-nuclear destruction survivor stumbling upon Harry Belafonte in The World, the Flesh and the Devil, Manhattan detective Richard Widmark’s social-climbing spouse in Madigan, an empathetic landlady for running on empty outlaw gang leader Henry Fonda in Firecreek, or an unsuspecting wife incapable of seducing dipstick husband Walter Matthau in the comical A Guide for the Married Man, Stevens was magnetic. Furthermore, the breathtaking blonde was easily one of Clint Eastwood’s best ever celluloid love interests in Hang ’Em High as a revenge-seeking widow nursing his untold bullet wounds. Stevens was predisposed to engage in brief, ultimately unfulfilling flings with her leading gents, including the Man with No Name.

Above is a color rotogravure of the beaming Swede in profile circa October 27, 1961. In the dramatic anthology series The Dick Powell Show, Stevens earned her debut Emmy recognition as an expectant mother hitching a ride from a pre-Columbo Peter Falk in the 1962 episode “The Price of Tomatoes.” Starting in 1963 Stevens would headline three seasons of the obscure 30-minute ABC sitcom The Farmer’s Daughter. She nabbed a Golden Globe and received her second and final Emmy nomination as Katy Holstrum, a beguiling governess to widowed U.S. Congressman William Windom’s two sons, in 1964.

Unjustly forgotten since her presumed suicide six years later at age 35, sole biographer and private investigator William T. Patterson presented compelling counter evidence in The Farmer’s Daughter Remembered: The Biography of Actress Inger Stevens that in spite of a suicide attempt a decade before, secret husband, failed African American film producer, bit actor, and all around hustler Ike Jones forcibly compelled his estranged partner to ingest 25–50 Seconal sleeping pills so he could gain access to her kaleidoscope of offshore assets.

Mirror, mirror on the wall, Inger Stevens is hands down the fairest of them all: Stevens is seen on the set of director Ranald MacDougall’s “The World, The Flesh, and The Devil,” a racially charged soap opera issued on April 23, 1959. Portraying Sarah Crandall in a post-nuclear destruction New York City, Stevens tentatively finds herself in a lopsided love triangle with Harry Belafonte and Mel Ferrer. Image Credit: Metro-Goldwyn-Mayer
Just before he struck box office bonanza as the director of John Wayne’s Oscar-winning “True Grit,” Henry Hathaway helmed “5 Card Stud,” a listless whodunit western distributed on July 12, 1968. Starring Dean Martin, Robert Mitchum, Roddy McDowall, and Inger Stevens in a wasted role as a beautician possessing a heart of gold, the alluring blonde actress’s previous western, “Hang ’Em High” with Clint Eastwood, is a marked improvement. Stevens incidentally had brief affairs with Martin and Eastwood. Image Credit: Paramount Pictures
The grass isn’t always greener on the other side: Envious of neighbor Robert Morse’s perpetual philandering after 12 years of domestic bliss, Walter Matthau finds companionship in a book while unsuspecting wife Inger Stevens provocatively exercises on a separate bed in dance maestro turned director Gene Kelly’s “A Guide for the Married Man,” a hilarious box office hit issued on May 26, 1967. Image Credit: 20th Century Fox
A German lobby card depicts perspiring missionary Emily Biddle [Inger Stevens] finally being reunited with boyfriend-Yankee cavalry major Tom Wolcott [Glenn Ford] after being captured by escaping Confederate prisoners in “A Time For Killing.” Directed by the generally reliable action-oriented Phil Karlson [e.g. the 1973 blockbuster “Walking Tall” about real life Tennessee Sheriff Buford Pusser] after cult icon Roger Corman was abruptly dismissed, the underwhelming western was distributed by Columbia on November 1, 1967. Image Credit: Cinematographer Kenneth Peach / Columbia Pictures

© Jeremy Roberts, 2019. All rights reserved. To touch base, email [email protected] and mention which story led you my way. I appreciate it sincerely.

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